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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04, Vol.47 (4), p.198-219

Dayton, Amy E

2023

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The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

Melus, 2024-02, Vol.49 (1), p.53-75

Reznick, Ohad

2024

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Between Revolution and Reform: Anzia Yezierska's Labor Politics

Modernism/modernity (Baltimore, Md.), 2011-04, Vol.18 (2), p.405-423

Edmunds, Susan

2011

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Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast

Studies in American Jewish literature (1981), 2021-03, Vol.40 (1), p.43-83

Korkalainen, Katrin

2021

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"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Modern fiction studies, 2005-07, Vol.51 (2), p.416-436

Harrison-Kahan, Lori

2005

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

American literature, 2010-06, Vol.82 (2), p.361-388

Mikkelsen, Ann

2010

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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Starving for Hunger: The Fiction of Anzia Yezierska

Mosaic (Winnipeg), 2003-03, Vol.36 (1), p.147-160

PASCUAL, NIEVES

2003

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Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Tulsa studies in women's literature, 2000-04, Vol.19 (1), p.81-104

Pavletich, JoAnn

2000

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An Interview with Alice Kessler-Harris

Jewish social studies, 2019-01, Vol.24 (2), p.82-105

2019

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LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The Centennial review, 1997-10, Vol.41 (3), p.635-643

Muir, Lisa

1997

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Modern Fiction Studies, 2004, Vol.50 (2), p.517-519

BELLUSCIO, STEVEN J.

2004

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FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

Journal of film and video, 1998-12, Vol.50 (4), p.18-33

KONZETT, DELIA CAPAROSO

1998

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Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

Melus, 2010-03, Vol.35 (1), p.141-166

Sheffer, Jolie A.

2010

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The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal

Studies in American Jewish Literature, 2019, Vol.38 (1), p.84-87

Sanders, Lise Shapiro

2019

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Jazz Language and Ethnic Novelty

Modernism/modernity (Baltimore, Md.), 2003-04, Vol.10 (2), p.239-268

Jerving, Ryan

2003

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The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal

American Jewish History, 2017, Vol.101 (2), p.311-313

Vapnek, Lara

2017

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CULTURE MAKERS: URBAN PERFORMANCE AND LITERATURE IN THE 1920s

Theatre Journal, 2010, Vol.62 (2), p.320-321

TABOR, NICOLE

2010

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Material Culture and Jewish Thought in America

AJS Review, 2011, Vol.35 (1), p.200-203

Imhoff, Sarah

2011

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Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature

Modern Fiction Studies, 2010, Vol.56 (2), p.414-417

COLSON, DAN

2010

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Material Culture and Jewish Thought in America

American Jewish History, 2010, Vol.96 (1), p.97-100

Bland, Kalman P.

2010

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The New York Public Intellectuals and Beyond: Exploring Liberal Humanism, Jewish Identity, and the American Protest Tradition

Journal of American Studies, 2009, Vol.43 (3), p.572-574

WALD, ALAN

2009

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African, Native, and Jewish American Literature and the Reshaping of Modernism

Studies in the Novel, 2009, Vol.41 (3), p.387-390

ROSSI, JENNIFER C.

2009

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Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature

African American Review, 2009, Vol.43 (1), p.206-208

Nerad, Julie Cary

2009

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

Between Revolution and Reform: Anzia Yezierska's Labor Politics

Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast

"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Starving for Hunger: The Fiction of Anzia Yezierska

Anzia Yezierska, Immigrant Authority, and the Uses of Affect

An Interview with Alice Kessler-Harris

LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal

Jazz Language and Ethnic Novelty

The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal

CULTURE MAKERS: URBAN PERFORMANCE AND LITERATURE IN THE 1920s

Material Culture and Jewish Thought in America

Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature

Material Culture and Jewish Thought in America

The New York Public Intellectuals and Beyond: Exploring Liberal Humanism, Jewish Identity, and the American Protest Tradition

African, Native, and Jewish American Literature and the Reshaping of Modernism

Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature

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