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The extractive form of contemporary Black writing: Dionne Brand and Yaa Gyasi

Textual practice, 2021-03, Vol.35 (3), p.379-394

Okoth, Christine

2021

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Game-changing Homeric memory: Odysseys before and after Joyce

Textual practice, 2024-01, Vol.38 (1), p.34-52

Erll, Astrid

2024

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Modernism living on: periodisation and polarisation

Textual practice, 2024-01, Vol.38 (1), p.112-139

Greaney, John

2024

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Theorising the collective in British estate literature

Textual practice, 2024-07, Vol.38 (7), p.1124-1143

2024

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'The great unequivocal International Gestures': Benjaminian Gestus in Zadie Smith's The Autograph Man

Textual practice, 2023-04, Vol.37 (4), p.603-621

Personn, Tim

2023

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Mike McCormack's style of post-mortem modernism

Textual practice, 2023-11, Vol.37 (11), p.1708-1736

Harrison, Liam

2023

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Planetary utopianism: geoengineering, speculative fiction, and the planetary turn

Textual practice, 2023-09, Vol.37 (9), p.1343-1363

Haines, Christian P.

2023

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Juan Filloy's Caterva and the geopolitics of the Joycean novel in Argentina

Textual practice, 2022-02, Vol.36 (2), p.283-307

Novillo-Corvalán, Patricia

2022

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Difficult literature on Goodreads: reading Alexis Wright's The Swan Book

Textual Practice, 2022-01, Vol.36 (1), p.94-115

2022

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Sounds like the Anthropocene: Alice Oswald's water-stressed, Homeric verse

Textual practice, 2023-01, Vol.37 (1), p.68-89

Chisholm, Dianne

2023

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From the museum of civilisation to The Octopus Museum: curating the anthropocene in contemporary literature

Textual practice, 2022-09, Vol.36 (9), p.1413-1434

Caracciolo, Marco

2022

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The book and the pen: reading biography and writing autobiography as feminist project in Good Night Stories for Rebel Girls and I Am A Rebel Girl

Textual practice, 2023-12, Vol.37 (12), p.2000-2018

Cardell, Kylie

2023

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Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel

Textual practice, 2021-06, Vol.35 (6), p.967-995

Masters, Ben

2021

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Daily life frequently erupted like a slap: Elena Ferrante's Neapolitan Novels as narrative intertexts of 1970s Italian feminist praxis

Textual practice, 2022-08, Vol.36 (8), p.1309-1332

Heaney, Emma

2022

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The Barfly and the Beatnik: the literary relationship of Charles Bukowski and Kay ‘Kaja’ Johnson

Textual practice, 2024-08, p.1-27

Paylor, A. J.

2024

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Auditory attention: listening to the soundscape of Between the Acts as a literary cocktail party

Textual practice, 2024-08, p.1-20

Wang, Ru

2024

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To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form

Textual practice, 2024-08, p.1-18

Yu, Katherin

2024

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A poetic geography: placing urban literature in two districts of Istanbul, Türkiye

Textual practice, 2024-05, p.1-23

Kısmet Bell, Jameson B.

2024

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Mourning Lycidas in New York: Frank O’Hara’s James Dean elegies as a poetic coming-of-age narrative

Textual practice, 2024-08, p.1-21

Park, Seoyoung

2024

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The Dark Lady’s survival in contemporary Black women’s writing

Textual practice, 2024-08, p.1-21

Schülting, Sabine

2024

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Haptic poetics and community (re)building in Swinburne’s The Flogging Block

Textual practice, 2024-08, p.1-16

Zhang, Ruixue

2024

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Expository spirits: media and the material occult in J.R. Planché’s The Vampire

Textual practice, 2024-08, p.1-17

Balkin, Sarah

2024

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Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)

Textual practice, 2024-08, p.1-19

Brayshaw, Meg

2024

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‘The most elemental process’: Sunshine as solar melodrama

Textual practice, 2024-08, p.1-22

Solomon, Stefan

2024

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‘It envelops’: elementality and form in nineteenth-century Scottish melodrama

Textual practice, 2024-08, p.1-21

Schurch, Millie

2024

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The extractive form of contemporary Black writing: Dionne Brand and Yaa Gyasi

Game-changing Homeric memory: Odysseys before and after Joyce

Modernism living on: periodisation and polarisation

Theorising the collective in British estate literature

'The great unequivocal International Gestures': Benjaminian Gestus in Zadie Smith's The Autograph Man

Mike McCormack's style of post-mortem modernism

Planetary utopianism: geoengineering, speculative fiction, and the planetary turn

Juan Filloy's Caterva and the geopolitics of the Joycean novel in Argentina

Difficult literature on Goodreads: reading Alexis Wright's The Swan Book

Sounds like the Anthropocene: Alice Oswald's water-stressed, Homeric verse

From the museum of civilisation to The Octopus Museum: curating the anthropocene in contemporary literature

The book and the pen: reading biography and writing autobiography as feminist project in Good Night Stories for Rebel Girls and I Am A Rebel Girl

Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel

Daily life frequently erupted like a slap: Elena Ferrante's Neapolitan Novels as narrative intertexts of 1970s Italian feminist praxis

The Barfly and the Beatnik: the literary relationship of Charles Bukowski and Kay ‘Kaja’ Johnson

Auditory attention: listening to the soundscape of Between the Acts as a literary cocktail party

To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form

A poetic geography: placing urban literature in two districts of Istanbul, Türkiye

Mourning Lycidas in New York: Frank O’Hara’s James Dean elegies as a poetic coming-of-age narrative

The Dark Lady’s survival in contemporary Black women’s writing

Haptic poetics and community (re)building in Swinburne’s The Flogging Block

Expository spirits: media and the material occult in J.R. Planché’s The Vampire

Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)

‘The most elemental process’: Sunshine as solar melodrama

‘It envelops’: elementality and form in nineteenth-century Scottish melodrama

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