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Fixating on and Fixing the African American Woman's Representation of Self in Modern Periodicals

Canadian review of comparative literature, 2017-06, Vol.44 (2), p.231-248

Arciniega, Lourdes

2017

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'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

Theatre history studies, 2018, Vol.37 (1), p.225-255

O'Malley, Lurana Donnels

2018

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A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Theatre history studies, 2012, Vol.32 (1), p.120-140

Robson, Tom -- (Thomas M.)

2012

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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Women's studies, 2010-07, Vol.39 (5), p.451-469

SABER, YOMNA

2010

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A psychosemiotic study of silence in selected plays by African American women dramatists

Anwar, Waseem

2001

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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Theatre history studies, 2007, Vol.27 (1), p.86-109

Macki, Adrienne C

2007

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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

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Adrienne Kennedy: A Fragile but Ferocious African-American Playwright

The Journal of blacks in higher education, 2000-07, Vol.28 (28), p.112-113

Hartigan, Patti

2000

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Performance and African-American women: Three contemporary dramatists

Wood, Jacqueline E

1998

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Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Es (Valladolid), 2011, Vol.32 (32), p.283-300

Ramón, Emilio

2011

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Seers on the Rim

American Theatre, 1994-03, Vol.11 (3), p.22

Mahone, Sydné

1994

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Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

College English, 2023-01, Vol.85 (3), p.243-259

Shahbaaz, Zeba

2023

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The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

The Mississippi quarterly, 2015-12, Vol.68 (1-2), p.277-294

MURRAY, WILLIAM

2015

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White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

The Comparatist, 2018-10, Vol.42 (1), p.98-114

PETERS, MEG

2018

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Theorizing Connectivities: African American Women in Concert Dance

The Journal of Pan African studies, 2011-09, Vol.4 (6), p.56-74

DeFrantz, Thomas F

2011

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Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Language in India, 2024-03, Vol.24 (3), p.89

2024

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Ntozake Shange: A Cultural War Correspondent—An Interview

CLA journal, 2019-09, Vol.62 (2), p.111-131

Brown-Guillory, Elizabeth

2019

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The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

International journal of English studies, 2023-01, Vol.23 (1), p.147-162

Cuder-Dominguez, Pilar

2023

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On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Storytelling, self, society, 2021, Vol.17 (1), p.71-85

Burch, Milbre

2021

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Signifying in the wilderness: Alice Childress and the Black Arts Movement

The Journal of American drama and theatre, 2013, Vol.25 (1), p.27-53

blackchild, cfrancis

2013

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Filling the Gap: Frances Cowhig Tackles Three Plays about China

TheatreForum (La Jolla, San Diego, Calif.), 2014, Vol.45 (45), p.42-48

Palmer, Tanya

2014

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A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

The Arthur Miller journal, 2017-04, Vol.12 (1), p.42-51

Palmer, David

2017

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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“Mouths on Fire”: August Wilson’s Blueswomen

Melus, 2010-12, Vol.35 (4), p.165-185

Davis, Doris

2010

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'A New Form of Black Genre Communication': Video, Urban Development, and the Ensemblic Production of a Black Soap Opera

Film history (New York, N.Y.), 2022-09, Vol.34 (3), p.104-134

Forster, Nicholas

2022

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Fixating on and Fixing the African American Woman's Representation of Self in Modern Periodicals

'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Lorraine Hansberry: Defining the Line Between Integration and Assimilation

A psychosemiotic study of silence in selected plays by African American women dramatists

'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Adrienne Kennedy: A Fragile but Ferocious African-American Playwright

Performance and African-American women: Three contemporary dramatists

Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Seers on the Rim

Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

Theorizing Connectivities: African American Women in Concert Dance

Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Ntozake Shange: A Cultural War Correspondent—An Interview

The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Signifying in the wilderness: Alice Childress and the Black Arts Movement

Filling the Gap: Frances Cowhig Tackles Three Plays about China

A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

“Mouths on Fire”: August Wilson’s Blueswomen

'A New Form of Black Genre Communication': Video, Urban Development, and the Ensemblic Production of a Black Soap Opera

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