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George Perle: An Appreciation

Perspectives of new music, 2009-07, Vol.47 (2), p.159-195

Headlam, Dave

2009

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Introduction

Theory and practice, 2008-01, Vol.33, p.1-46

Headlam, Dave

2008

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Personal Statements: Q&A: "Violin Concerto" by Steven L. Rosenhaus

Theory and practice, 2008-01, Vol.33, p.73-80

Headlam, Dave

2008

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Time-frequency Test Signal Synthesis for Acoustic Measurements During Music Concerts

Proceedings of meetings on acoustics, 2011, Vol.8 (1)

2011

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Blind Deconvolution of Quadratic Time-Frequency Representations of Musical Signals for Reverberation Feature Extraction

Proceedings of meetings on acoustics, 2011, Vol.8 (1)

2011

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Statistical Spectrogram Modeling and Analysis for Blind Estimation of Room Acoustics from Musical Recordings

Proceedings of meetings on acoustics, 2011, Vol.8 (1)

2011

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The Shape of Musical Sound: Real-time Visualizations of Expressiveness in Music Performance

Proceedings of meetings on acoustics, 2011, Vol.9 (1)

2011

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Randomized sample-level interpolation for audio content manipulation

Proceedings of Meetings on Acoustics, 2013, Vol.18 (1)

2013

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Real-time audio signal capture and processing using MATLAB object oriented programming

Proceedings of Meetings on Acoustics, 2013, Vol.18 (1)

2013

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Q & A: Violin Concerto by Steven L. Rosenhaus; Interview by Dave Headlam

Theory and practice, 2008-01, Vol.33, p.73-80

2008

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An additional "Depth" of reverberation helps content stand out: Media content emphasis using audio reverberation effect

2013 IEEE International Conference on Consumer Electronics (ICCE), 2013, p.98-99

2013

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Control Algorithms for Adaptive Time-Frequency Test Signal Synthesis for Architectural Acoustics Measurements during Music Concerts

Proceedings of meetings on acoustics, 2011, Vol.9 (1)

2011

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Audio phase singularity detection for room acoustics parameter estimation

2012 IEEE International Conference on Consumer Electronics (ICCE), 2012, p.77-78

2012

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Interacting with semantic musical features: Enhanced human-computer interactions based on musical "meaning"

2012 IEEE International Conference on Consumer Electronics (ICCE), 2012, p.75-76

2012

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Polyphonic music transcription employing max-margin classification of spectrograhic features

2009 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2009, p.57-60

2009

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Re-drawing boundaries: The Kronos Quartet

Contemporary music review, 2000-01, Vol.19 (1), p.113-140

Headlam, Dave

2000

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Style and Idea in the Lyric Suite of Alban Berg

Journal of Music Theory, 1999-10, Vol.43 (2), p.349-358

Headlam, Dave

1999

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Using real-time adaptive noise masking to mitigate ambient interferences

2011 IEEE International Conference on Consumer Electronics (ICCE), 2011, p.409-410

2011

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Using musical instruments as human control interface for electronic games

2011 IEEE International Conference on Consumer Electronics (ICCE), 2011, p.493-494

2011

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Reverberation features identification from music recordings using the discrete wavelet transform

2010 IEEE International Conference on Acoustics, Speech and Signal Processing, 2010, p.161-164

2010

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Multimedia for Music Study on the Web: Director from Macromedia

Music theory online, 1997-09, Vol.3 (5)

Headlam, Dave

1997

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Tonality and Twelve-Tone Tonality: The Recent Music of George Perle

International journal of musicology, 1995-01, Vol.4, p.301-333

Headlam, Dave

1995

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Communications

Theory and practice, 1996-01, Vol.21, p.215-219

1996

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The Derivation of Rows in Lulu

Perspectives of new music, 1985-10, Vol.24 (1), p.198-233

Headlam, Dave

1985

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Review of Bryan R. Simms, ed., Pro Mundo, Pro Domo: The Writings of Alban Berg (Oxford, 2014)

Music theory online, 2014, Vol.20 (4)

Headlam, Dave

2014

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George Perle: An Appreciation

Introduction

Personal Statements: Q&A: "Violin Concerto" by Steven L. Rosenhaus

Time-frequency Test Signal Synthesis for Acoustic Measurements During Music Concerts

Blind Deconvolution of Quadratic Time-Frequency Representations of Musical Signals for Reverberation Feature Extraction

Statistical Spectrogram Modeling and Analysis for Blind Estimation of Room Acoustics from Musical Recordings

The Shape of Musical Sound: Real-time Visualizations of Expressiveness in Music Performance

Randomized sample-level interpolation for audio content manipulation

Real-time audio signal capture and processing using MATLAB object oriented programming

Q & A: Violin Concerto by Steven L. Rosenhaus; Interview by Dave Headlam

An additional "Depth" of reverberation helps content stand out: Media content emphasis using audio reverberation effect

Control Algorithms for Adaptive Time-Frequency Test Signal Synthesis for Architectural Acoustics Measurements during Music Concerts

Audio phase singularity detection for room acoustics parameter estimation

Interacting with semantic musical features: Enhanced human-computer interactions based on musical "meaning"

Polyphonic music transcription employing max-margin classification of spectrograhic features

Re-drawing boundaries: The Kronos Quartet

Style and Idea in the Lyric Suite of Alban Berg

Using real-time adaptive noise masking to mitigate ambient interferences

Using musical instruments as human control interface for electronic games

Reverberation features identification from music recordings using the discrete wavelet transform

Multimedia for Music Study on the Web: Director from Macromedia

Tonality and Twelve-Tone Tonality: The Recent Music of George Perle

Communications

The Derivation of Rows in Lulu

Review of Bryan R. Simms, ed., Pro Mundo, Pro Domo: The Writings of Alban Berg (Oxford, 2014)

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