UB Paderborn / Katalog / Suche / in CDI

Common Lines and City Spaces

Gui, Weihsin

2014

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Indian Ocean Narratives, Tidalectics, and Perth’s Centre for Stories

Comparative literature, 2022-06, Vol.74 (2), p.233-246

Gui, Weihsin

2022

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Public transit and urban poetics: Singapore's Moving Words poetry project and anthology

Textual practice, 2021-02, Vol.35 (2), p.227-245

Gui, Weihsin

2021

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Hyphenational poetics in Omar Musa's Parang and Millefiori

Journal of postcolonial writing, 2021-09, Vol.57 (5), p.650-664

Gui, Weihsin

2021

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Renaissance City and Revenant Story: The Gothic Tale as Literary Technique in Fiona Cheong's Fictions of Singapore

Interventions (London, England), 2016-07, Vol.18 (4), p.559-572

Gui, Weihsin

2016

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Realism, Form, and the Postcolonial Novel By Nicholas Robinette Palgrave Macmillan, 2014, 88 pp

Cambridge journal of postcolonial literary inquiry, 2016-04, Vol.3 (2), p.258-259

Gui, Weihsin

2016

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Tactical Objectivism: Recognizing the Object within the Subjective Logic of Neoliberalism in the Fiction of Tash Aw and Lydia Kwa

Literature, interpretation, theory, 2014-10, Vol.25 (4), p.291-311

Gui, Weihsin

2014

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Post-heritage narratives: Migrancy and travelling theory in V.S. Naipaul’s The Enigma of Arrival and Andrea Levy’s Fruit of the Lemon

Journal of Commonwealth literature, 2012-03, Vol.47 (1), p.73-89

Gui, Weihsin

2012

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Singapore and the Intersections of Neoliberal Globalization and Postcoloniality

Interventions (London, England), 2016-07, Vol.18 (4), p.473-482

2016

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Hyphenational poetics in Omar Musa's Parang and Millefiori

The Postcolonial Millennium, 2024, p.67-81

1, 2024

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LYRIC POETRY AND POSTCOLONIALISM: The subject of self-forgetting

Journal of postcolonial writing, 2007-12, Vol.43 (3), p.264-277

Gui, Weihsin

2007

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XVII New Literatures

Year's work in English studies, 2019-12, Vol.98 (1), p.1129-1308

2019

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XVIIINew Literatures

Year's work in English studies, 2016-01, Vol.95 (1), p.1224-1387

2016

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XVIII. New Literatures

Year's work in English studies, 2016-01, Vol.95 (1), p.1224-1387

2016

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4 “go to bedok, you bodoh” Arthur Yap’s Mapping of Singaporean Space

Common Lines and City Spaces, 2018, p.73-95

2018

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The Transformation of Objects into Things in Arthur Yap’s Poetry

Common Lines and City Spaces, 2018, p.14-41

Weihsin, Gui

2018

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CoMMON LINES AND CITY SPACES Introduction

Common Lines and City Spaces, 2018, p.1-13

Weihsin, Gui

2018

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3 “the same tableau, intrinsically still” Arthur Yap, Poet-Painter

Common Lines and City Spaces, 2018, p.42-72

2018

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Arthur Yap’s Ecological Poetics of the Daily

Common Lines and City Spaces, 2018, p.114-132

2018

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8 “a long way from what?” Folkways and Social Commentary in Arthur Yap’s Short Stories

Common Lines and City Spaces, 2018, p.151-190

2018

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7 “except for a word” Arthur Yap’s Unspoken Homoeroticism

Common Lines and City Spaces, 2018, p.133-150

2018

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On Places and Spaces The Possibilities of Teaching Arthur Yap

Common Lines and City Spaces, 2018, p.96-113

2018

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Singaporean Literature and Global Modernism: Wang Gungwu, Lloyd Fernando, Lydia Kwa

Singapore Literature and Culture, 2017, Vol.1, p.135-152

1, 2017

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Residual nationalism and postcolonial anglophone literatures

Gui, Weihsin

2008

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ACKNOWLEDGEMENTS

Common Lines and City Spaces, 2018, p.vii-viii

Weihsin, Gui

2018

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Common Lines and City Spaces

Indian Ocean Narratives, Tidalectics, and Perth’s Centre for Stories

Public transit and urban poetics: Singapore's Moving Words poetry project and anthology

Hyphenational poetics in Omar Musa's Parang and Millefiori

Renaissance City and Revenant Story: The Gothic Tale as Literary Technique in Fiona Cheong's Fictions of Singapore

Realism, Form, and the Postcolonial Novel By Nicholas Robinette Palgrave Macmillan, 2014, 88 pp

Tactical Objectivism: Recognizing the Object within the Subjective Logic of Neoliberalism in the Fiction of Tash Aw and Lydia Kwa

Post-heritage narratives: Migrancy and travelling theory in V.S. Naipaul’s The Enigma of Arrival and Andrea Levy’s Fruit of the Lemon

Singapore and the Intersections of Neoliberal Globalization and Postcoloniality

Hyphenational poetics in Omar Musa's Parang and Millefiori

LYRIC POETRY AND POSTCOLONIALISM: The subject of self-forgetting

XVII New Literatures

XVIIINew Literatures

XVIII. New Literatures

4 “go to bedok, you bodoh” Arthur Yap’s Mapping of Singaporean Space

The Transformation of Objects into Things in Arthur Yap’s Poetry

CoMMON LINES AND CITY SPACES Introduction

3 “the same tableau, intrinsically still” Arthur Yap, Poet-Painter

Arthur Yap’s Ecological Poetics of the Daily

8 “a long way from what?” Folkways and Social Commentary in Arthur Yap’s Short Stories

7 “except for a word” Arthur Yap’s Unspoken Homoeroticism

On Places and Spaces The Possibilities of Teaching Arthur Yap

Singaporean Literature and Global Modernism: Wang Gungwu, Lloyd Fernando, Lydia Kwa

Residual nationalism and postcolonial anglophone literatures

ACKNOWLEDGEMENTS

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