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Divine Violence, Ironic Silence and Poetic Justice in Joseph Conrad's The Secret Agent

Law and literature, 2022-04, Vol.34 (1), p.83-107

Parker, Jay

2022

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Indispensable Redundancy: The Poetic Abscesses of A. S. Byatt's Possession: A Romance (1990)

Critique - Bolingbroke Society, 2020-08, Vol.61 (4), p.412-422

Ioannidou, Elisavet

2020

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Paratactic Narrative Mode and Taxonomic Conundrum of a Postmodern Verse Novel: Reading from Bernardine Evaristo's Lara

Critique - Bolingbroke Society, 2020-03, Vol.61 (2), p.157-170

Adeniyi, Emmanuel

2020

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The Poetics and Aesthetics of Ian McEwan's Atonement

English studies, 2009-12, Vol.90 (6), p.707-720

2009

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A Bakhtinian Poetics of Subversion: The Magical Realist Fiction of the 1980s in East-Central Europe

Critique - Bolingbroke Society, 2008-09, Vol.50 (1), p.17-34

Sandru, Cristina

2008

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"Bullets and barter": The force of love speech in Jeanette Winterson's Written on the Body

Critique - Bolingbroke Society, 2018-08, Vol.59 (4), p.481-491

Jacobs, Courtney

2018

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Reading Rebecca in the Sixth-Form Classroom: Some Literary-Critical and Pedagogical Explorations

Changing English, 2022-07, Vol.29 (3), p.323-332

Hanratty, Brian

2022

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Can Androids Write Science Fiction? Ian McEwan's Machines like Me

Critique - Bolingbroke Society, 2022-08, Vol.63 (4), p.414-429

Księżopolska, Irena

2022

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Remapping the Castaway Novel: Spatial Adaptation and Identity Formation in Umberto Eco's the Island of the Day Before

Critique - Bolingbroke Society, 2019-10, Vol.60 (5), p.563-575

Marais, Susan

2019

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Revisionist nostalgia: John Banville, Angela Carter, and the circus

Textual practice, 2022-11, Vol.36 (11), p.1850-1867

Lybeck, Eleanor

2022

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Two Copyright Case Studies from a Literary Perspective

Law and literature, 2010-03, Vol.22 (1), p.110-141

Roh, David

2010

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Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith's Swing Time

Critique - Bolingbroke Society, 2022-05, Vol.63 (3), p.283-295

Nathaniel, Steven

2022

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The Evils of Banality: Shallowness, Self-Realization, and Closure in Julian Barnes's The Sense of an Ending and Oscar Wilde's De Profundis

Critique - Bolingbroke Society, 2017-08, Vol.58 (4), p.325-339

Wallen, James Ramsey

2017

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'Groping inside language': translation, humour and experiment in Christine Brooke-Rose's Between and Brigid Brophy's In Transit

Textual practice, 2018-02, Vol.32 (2), p.301-316

Sweeney, Carole

2018

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Embodiments of the Real: The Counterlinguistic Turn in the Comic-Book Novel

Critique - Bolingbroke Society, 2008-04, Vol.49 (3), p.273-289

Singer, Marc

2008

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LINEAGES OF INFLUENCE AND DISPUTE IN SOUTH AFRICAN LITERARY STUDIES

English studies in Africa, 2008-01, Vol.51 (1), p.5-18

2008

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The Individual Reader

Critique - Bolingbroke Society, 2021-08, Vol.62 (4), p.428-443

Kingston-Reese, Alexandra

2021

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Midnight's Children and the Apocalypse of Form

Critique - Bolingbroke Society, 1997-07, Vol.38 (4), p.289-299

Conner, Marc C.

1997

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Repetition and variation in the Catalan translation of Virginia Woolf's The years: a corpus-based approach

Perspectives, studies in translatology, 2022-03, Vol.30 (2), p.242-257

2022

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Updike's Creative So(u)rcery in Gertrude and Claudius

Critique - Bolingbroke Society, 2018-01, Vol.59 (1), p.1-14

Geckle, George L.

2018

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'I think I preferred it abstract': Christine Brooke-Rose and visuality in the new novel

Textual practice, 2018-02, Vol.32 (2), p.225-244

Ferris, Natalie

2018

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Sebald's Segues: Performing Narrative Contingency in The Rings of Saturn

The Germanic review, 2009, Vol.84 (1), p.26-58

Gray, Richard T.

2009

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The politics of punctuation in Jacob's Room and Between the Acts

Textual practice, 2019-04, Vol.33 (4), p.519-539

Rials, Emily

2019

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Solitaries, Outcasts and Doubles: The Fictional Oeuvre of John Burnside

English studies, 2014-05, Vol.95 (4), p.421-440

Bracke, Astrid

2014

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Inscribing Colors and Coloring Words: A. S. Byatt's "Art Work" as a "Verbal Still Life"

Critique - Bolingbroke Society, 2008-07, Vol.49 (4), p.395-412

Petit, Laurence

2008

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Divine Violence, Ironic Silence and Poetic Justice in Joseph Conrad's The Secret Agent

Indispensable Redundancy: The Poetic Abscesses of A. S. Byatt's Possession: A Romance (1990)

Paratactic Narrative Mode and Taxonomic Conundrum of a Postmodern Verse Novel: Reading from Bernardine Evaristo's Lara

The Poetics and Aesthetics of Ian McEwan's Atonement

A Bakhtinian Poetics of Subversion: The Magical Realist Fiction of the 1980s in East-Central Europe

"Bullets and barter": The force of love speech in Jeanette Winterson's Written on the Body

Reading Rebecca in the Sixth-Form Classroom: Some Literary-Critical and Pedagogical Explorations

Can Androids Write Science Fiction? Ian McEwan's Machines like Me

Remapping the Castaway Novel: Spatial Adaptation and Identity Formation in Umberto Eco's the Island of the Day Before

Revisionist nostalgia: John Banville, Angela Carter, and the circus

Two Copyright Case Studies from a Literary Perspective

Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith's Swing Time

The Evils of Banality: Shallowness, Self-Realization, and Closure in Julian Barnes's The Sense of an Ending and Oscar Wilde's De Profundis

'Groping inside language': translation, humour and experiment in Christine Brooke-Rose's Between and Brigid Brophy's In Transit

Embodiments of the Real: The Counterlinguistic Turn in the Comic-Book Novel

LINEAGES OF INFLUENCE AND DISPUTE IN SOUTH AFRICAN LITERARY STUDIES

The Individual Reader

Midnight's Children and the Apocalypse of Form

Repetition and variation in the Catalan translation of Virginia Woolf's The years: a corpus-based approach

Updike's Creative So(u)rcery in Gertrude and Claudius

'I think I preferred it abstract': Christine Brooke-Rose and visuality in the new novel

Sebald's Segues: Performing Narrative Contingency in The Rings of Saturn

The politics of punctuation in Jacob's Room and Between the Acts

Solitaries, Outcasts and Doubles: The Fictional Oeuvre of John Burnside

Inscribing Colors and Coloring Words: A. S. Byatt's "Art Work" as a "Verbal Still Life"

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