UB Paderborn / Katalog / Suche / in CDI

Woman, Violence, Nation: Representations of Female Insurgency in Fiction and Public Discourse in the 1970s and 1980s

Women in German Yearbook, 2000, p.207

Becker, Bettina T

2000

Volltextzugriff (PDF)

Defining identity via homosexual spaces: locating the male homosexual in Weimar Berlin

Women in German Yearbook, 2005, Vol.21, p.134

Prickett, David James

2005

Volltextzugriff (PDF)

The hybrid approach: an interview with the filmmaker Branwen Okpako

Women in German Yearbook, 2012, Vol.28, p.113

Fenner, Angelica

2012

Volltextzugriff (PDF)

Representing blackness: instrumentalizing race and gender in Rainer Werner Fassbinder's The Marriage of Maria Braun

Women in German Yearbook, 2001, p.15

O'Sickey, Ingeborg Majer

2001

Volltextzugriff (PDF)

Performance, fear, and the female body in Sophie Mereau-Brentano's "Die Flucht nach der Hauptstadt"

Women in German Yearbook, 2013, Vol.29, p.67

Heilmann, Lena

2013

Volltextzugriff (PDF)

All the Bourgmestre's Men: Making Sense of Genocide in Rwanda

Africa Today, 1998, Vol.45 (1), p.25-36

Wagner, Michele D

1998

Volltextzugriff (PDF)

Artist for art's sake or artist for sale: Lulu's and Else's failed attempts at aesthetic self-fashioning

Women in German Yearbook, 2006, Vol.22, p.189

Comfort, Kelly

2006

Volltextzugriff (PDF)

The making of transnational textual communities: German women translators, 1800-1850

Women in German Yearbook, 2006, Vol.22, p.119

Piper, Andrew

2006

Volltextzugriff (PDF)

"Out with a Moving-Picture Machine"

Film History, 2003, Vol.15 (4), p.397-402

Waters, Theodore

2003

Volltextzugriff (PDF)

Unspeakable differences, obscene pleasures: the holocaust as an object of desire

Women in German Yearbook, 2003, Vol.19, p.20

Ball, Karyn

2003

Volltextzugriff (PDF)

Woman and Typewriter: Gender, Technology, and Work in Late Weimar Film

Women in German Yearbook, 2000, p.151

Fuhrich, Angelika

2000

Volltextzugriff (PDF)

Sympathy for a villain? Suffering men and angelic women in the novels of Caroline Auguste Fischer

Women in German Yearbook, 2013, Vol.29, p.41

Harms, Viktoria

2013

Volltextzugriff (PDF)

The Romance of the Cinematograph: From "London Magazine" March 1908

Film History, 2012, Vol.24 (3), p.341-344

Bottomore, Stephen

2012

Volltextzugriff (PDF)

Antje Ravic Strubel's ambiguities of identity as social disruption

Women in German Yearbook, 2012, Vol.28, p.65

Norman, Beret

2012

Volltextzugriff (PDF)

"Switzerland has run out of steam on its way to multiculturalism": an interview with Dragica Rajcic

Women in German Yearbook, 2010, Vol.26, p.146

2010

Volltextzugriff (PDF)

Guter Hoffnung? Pregnancy and narrative in two German romantic Marchen

Women in German Yearbook, 2010, Vol.26, p.30

Newman, Gail

2010

Volltextzugriff (PDF)

Annus Mirabilis: The Film in 1927

Film History, 2005, Vol.17 (2-3), p.168-178

Brownlow, Kevin

2005

Volltextzugriff (PDF)

Suffering, silence, and the female voice in German fiction around 1800

Women in German Yearbook, 2002, p.89

Richards, Anna

2002

Volltextzugriff (PDF)

Folk Revival Roots Still Evident in 1990s Recordings of San Francisco Psychedelic Veterans

Journal of American Folklore, 2001, Vol.114, p.478-488

Morrison, Craig

2001

Volltextzugriff (PDF)

Postmemory envy?

Women in German Yearbook, 2003, Vol.19, p.75

2003

Volltextzugriff (PDF)

Gender and technology in Marie von Ebner-Eschenbach's "Ein Original"

Women in German Yearbook, 2001, p.141

Dietrick, Linda

2001

Volltextzugriff (PDF)

Illness and health as strategies of resistance and identity formation in the letters of Liselotte von der Pfalz

Women in German Yearbook, 2001, p.57

Baumgartner, Karin

2001

Volltextzugriff (PDF)

The Birth of New Realism: Photography, Painting and the Advent of Documentary Cinema

Film History, 1998, Vol.10 (2), p.165-188

Guneratne, Anthony R

1998

Volltextzugriff (PDF)

Three Media--One Story? Marie-Therese Kerschbaumer's "Gypsy" Narrative

Women in German Yearbook, 2000, p.83

Kecht, Maria-Regina

2000

Volltextzugriff (PDF)

"I, the seeress, was owned by the palace." The Dynamics of Feminine Collusion in Christa Wolf's Cassandra

Women in German Yearbook, 2000, p.167

Szalay, Eva Ludwiga

2000

Volltextzugriff (PDF)

Menü

Weitere Dienste

Einstellungen

Woman, Violence, Nation: Representations of Female Insurgency in Fiction and Public Discourse in the 1970s and 1980s

Defining identity via homosexual spaces: locating the male homosexual in Weimar Berlin

The hybrid approach: an interview with the filmmaker Branwen Okpako

Representing blackness: instrumentalizing race and gender in Rainer Werner Fassbinder's The Marriage of Maria Braun

Performance, fear, and the female body in Sophie Mereau-Brentano's "Die Flucht nach der Hauptstadt"

All the Bourgmestre's Men: Making Sense of Genocide in Rwanda

Artist for art's sake or artist for sale: Lulu's and Else's failed attempts at aesthetic self-fashioning

The making of transnational textual communities: German women translators, 1800-1850

"Out with a Moving-Picture Machine"

Unspeakable differences, obscene pleasures: the holocaust as an object of desire

Woman and Typewriter: Gender, Technology, and Work in Late Weimar Film

Sympathy for a villain? Suffering men and angelic women in the novels of Caroline Auguste Fischer

The Romance of the Cinematograph: From "London Magazine" March 1908

Antje Ravic Strubel's ambiguities of identity as social disruption

"Switzerland has run out of steam on its way to multiculturalism": an interview with Dragica Rajcic

Guter Hoffnung? Pregnancy and narrative in two German romantic Marchen

Annus Mirabilis: The Film in 1927

Suffering, silence, and the female voice in German fiction around 1800

Folk Revival Roots Still Evident in 1990s Recordings of San Francisco Psychedelic Veterans

Postmemory envy?

Gender and technology in Marie von Ebner-Eschenbach's "Ein Original"

Illness and health as strategies of resistance and identity formation in the letters of Liselotte von der Pfalz

The Birth of New Realism: Photography, Painting and the Advent of Documentary Cinema

Three Media--One Story? Marie-Therese Kerschbaumer's "Gypsy" Narrative

"I, the seeress, was owned by the palace." The Dynamics of Feminine Collusion in Christa Wolf's Cassandra

Aktive Filter

Suchergebnisse filtern