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V. S. Naipaul and the Political Correctness Debate

College literature, 1994-10, Vol.21 (3), p.200-206

Huggan, Graham

1994

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The Global Program Era: Contemporary International Fiction in the American Creative Economy

Novel : a forum on fiction, 2018-11, Vol.51 (3), p.375-398

Nadiminti, Kalyan

2018

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“Tell it slant”: Postcoloniality and the fiction of biographical authenticity in Hanif Kureishi’s My Ear at His Heart: Reading My Father

Journal of Commonwealth literature, 2020-09, Vol.55 (3), p.376-390

2020

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Theory versus Practice: On the Postcolonial Marginalization of Haitian Literature

Small axe : a journal of criticism, 2012-11, Vol.16 (3 39), p.188-198

Douglas, Rachel

2012

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Monolingualism and Linguistic Exhibitionism in Fiction

Pandey, Anjali

1, 2015

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The Rhetoric of Walking: Cartographic versus Nomadic Itineraries

Writing Beirut, 2015, p.60-92

Aghacy, Samira

2015

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Speculation and Fiction: Introduction

Sanglap : journal of literary and cultural inquiry, 2015-07, Vol.2 (1), p.1

Bhattacharya, Sourit

2015

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Home, Factory, World: Domestic and Global Fictions in the work of Lavanya Sankaran

Transnational literature, 2017-11, Vol.10 (1), p.1-12

Guttman, Anna

2017

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Mandarin Oriental: The Cosmopolitan Stranger in Lisa See's Dragon Bones

Papers on language & literature, 2022-01, Vol.58 (1), p.95-127

Capdevila, M. Isabel Santaularia I

2022

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Speculative fiction and African urban futures: Writing food in Billy Kahora's edited collection Imagine Africa 500

Tydskrif vir letterkunde, 2021-01, Vol.58 (1), p.98-106

Kiguru, Doseline

2021

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Re-Membering the Travelogue: Generic Intertextuality as a Memory Practice in Teju Cole’s Every Day is for the Thief

Zeitschrift für Anglistik und Amerikanistik, 2017-03, Vol.65 (1), p.67-83

Kappel, Yvonne

2017

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Traveling for reciprocity: LeAnne Howe’s Choctalking on Other Realities

Neohelicon (Budapest), 2019-12, Vol.46 (2), p.521-541

Krivokapić, Marija

2019

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'Are They Going to Say This Is Fantasy?': Kazuo Ishiguro, Untimely Genres, and the Making of Literary Prestige

Modern fiction studies, 2021-03, Vol.67 (1), p.40-66

Eatough, Matthew

2021

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Margaret Atwood’s MaddAddam and Finding a Postpandemic Kinship in the COVID-19 Era

Extrapolation, 2022-03, Vol.63 (1), p.35-54

Fetherston, Rachel

2022

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Granta and the Advent of the Contemporary

Journal of modern literature, 2019-09, Vol.43 (1), p.150-168

Oldershaw, Myles

2019

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Biafra Writes Back: National Allegory and Double Consciousness in Postcolonial Nigerian Fiction

Research in African literatures, 2020-07, Vol.51 (2), p.167-182

Chaplow, Beth

2020

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Cannibalism in Literature and Film

Brown, J

1, 2012

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Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger

Journal of Commonwealth literature, 2010-06, Vol.45 (2), p.275-293

Cristina Mendes, Ana

2010

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SCALE IN THE BALANCE: READING WITH THE INTERNATIONAL PRIZE FOR ARABIC FICTION (“THE ARABIC BOOKER”)

International journal of Middle East studies, 2016-05, Vol.48 (2), p.217-241

McManus, Anne-Marie E.

2016

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Charted Territory: Canadian Literature by Women, the Genealogical Plot, and SKY Lee's Disappearing Moon Cafe

Narrative (Columbus, Ohio), 2006-05, Vol.14 (2), p.163-179

Gordon, Neta

2006

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Futurity, Aging, and Personal Crises: Writing about Refugees in Jenny Erpenbeck's Gehen, ging, gegangen (2015) and Bodo Kirchhoff's Widerfahrnis (2016)

The German quarterly, 2019, Vol.92 (1), p.68-86

Steckenbiller, Christiane

2019

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Arundhati Roy and the politics of language

Journal of Commonwealth literature, 2022-06, Vol.57 (2), p.406-419

Ross, Michael Lawrence

2022

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Mobility as Memory: Refiguring Temporal and Spatial Mobility in Tan Twan Eng’s The Gift of Rain

Cambridge journal of postcolonial literary inquiry, 2022-01, Vol.9 (1), p.26-41

Ang, Ann

2022

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Lost trophies: Hunting animals and the imperial souvenir in Walton Ford’s Pancha Tantra

Journal of Commonwealth literature, 2016-06, Vol.51 (2), p.196-210

Whittle, Matthew

2016

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When is biography fiction? Life writing, epistemophilia, and the limits of genre in contemporary Kenyan writing

Journal of Commonwealth literature, 2020-09, Vol.55 (3), p.361-375

2020

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V. S. Naipaul and the Political Correctness Debate

The Global Program Era: Contemporary International Fiction in the American Creative Economy

“Tell it slant”: Postcoloniality and the fiction of biographical authenticity in Hanif Kureishi’s My Ear at His Heart: Reading My Father

Theory versus Practice: On the Postcolonial Marginalization of Haitian Literature

Monolingualism and Linguistic Exhibitionism in Fiction

The Rhetoric of Walking: Cartographic versus Nomadic Itineraries

Speculation and Fiction: Introduction

Home, Factory, World: Domestic and Global Fictions in the work of Lavanya Sankaran

Mandarin Oriental: The Cosmopolitan Stranger in Lisa See's Dragon Bones

Speculative fiction and African urban futures: Writing food in Billy Kahora's edited collection Imagine Africa 500

Re-Membering the Travelogue: Generic Intertextuality as a Memory Practice in Teju Cole’s Every Day is for the Thief

Traveling for reciprocity: LeAnne Howe’s Choctalking on Other Realities

'Are They Going to Say This Is Fantasy?': Kazuo Ishiguro, Untimely Genres, and the Making of Literary Prestige

Margaret Atwood’s MaddAddam and Finding a Postpandemic Kinship in the COVID-19 Era

Granta and the Advent of the Contemporary

Biafra Writes Back: National Allegory and Double Consciousness in Postcolonial Nigerian Fiction

Cannibalism in Literature and Film

Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger

SCALE IN THE BALANCE: READING WITH THE INTERNATIONAL PRIZE FOR ARABIC FICTION (“THE ARABIC BOOKER”)

Charted Territory: Canadian Literature by Women, the Genealogical Plot, and SKY Lee's Disappearing Moon Cafe

Futurity, Aging, and Personal Crises: Writing about Refugees in Jenny Erpenbeck's Gehen, ging, gegangen (2015) and Bodo Kirchhoff's Widerfahrnis (2016)

Arundhati Roy and the politics of language

Mobility as Memory: Refiguring Temporal and Spatial Mobility in Tan Twan Eng’s The Gift of Rain

Lost trophies: Hunting animals and the imperial souvenir in Walton Ford’s Pancha Tantra

When is biography fiction? Life writing, epistemophilia, and the limits of genre in contemporary Kenyan writing

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