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Revenge and Gender in Classical, Medieval, and Renaissance Literature

2018

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Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival

Palliative care and social practice, 2023-01, Vol.17, p.26323524231189523-26323524231189523

2023

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Community engagement in a seaside town: evaluation of Good Grief Weston festival

Palliative care and social practice, 2024-01, Vol.18, p.26323524241274175

2024

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Therapeutic creativity and the lived experience of grief in the collaborative fiction film Lost Property

Research for all, 2021-09, Vol.5 (2)

2021

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Affective Inheritances: A Review Essay

Early Theatre, 2017-07, Vol.20 (1)

2017

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Affective Inheritances

Early Theatre, 2017-06, Vol.20 (1), p.133-152

2017

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HollyDugan, The Ephemeral History of Perfume: Scent and Sense in Early Modern England. Baltimore: The Johns Hopkins University Press, 2011. xi + 259 pp. $65.00. ISBN: 978‐1‐4214‐0234‐5 (hb).Mark AlbertJohnston, Beard Fetish in Early Modern England: Sex, Gender, and Registers of Value. Burlington, VT and Farnham: Ashgate, 2011. xii + 300 pp. £60. ISBN: 978‐1‐4094‐0542‐9 (hb)

Renaissance studies, 2013-02, Vol.27 (1), p.153-156

DAWSON, LESEL

2013

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The one thing guaranteed in life and yet they won’t teach you about it: The case for mandatory grief education in UK schools

Bereavement, 2023-01, Vol.2

2023

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Grief and Collaborative Storytelling: The Colours of Loss

Journal of creativity in mental health, 2024-05, p.1-18

2024

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In Every Wound There is a Bloody Tongue: Cruentation in Early Modern Literature and Psychology

Blood Matters, 2018, p.151

2018

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Introduction: Female Fury and the Masculine Spirit of Vengeance

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.1

2018

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Review of Shakespeare's The Taming of the Shrew (directed by Andrew Hilton) at the Tobacco Factory, Bristol, February 2008

Shakespeare (London, England), 2008-06, Vol.4 (2), p.198-200

2008

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Introduction: Female Fury and the Masculine Spirit of Vengeance

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.1-30

Dawson, Lesel

2022

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Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.307-325

Dawson, Lesel

2022

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Dangerous Misogyny: John Ford's The Queen and the Earl of Essex's 1601 Uprising

Explorations in Renaissance culture, 2007-06, Vol.33 (1), p.64-82

Dawson, Lesel

2007

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Menstruation, Misogyny, and the Cure for Love

Women's studies, 2005-09, Vol.34 (6), p.461-484

Dawson, Lesel

2005

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Daggers of the Mind: Hallucinations, Mental Fixation and Trauma in Kyd’s The Spanish Tragedy and Early Modern Psychology

Visions and Voice-Hearing in Medieval and Early Modern Contexts, 2021, p.221-254

2021

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Index

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2022, p.330-340

2022

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“In Every Wound There is a Bloody Tongue”. Cruentation in Early Modern Literature and Psychology

Blood Matters, 2018, p.151-166

2018

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New Sects of Love: neoplatonism and constructions of gender in Davenant's The Temple of Love and The Platonick Lovers [http://purl.oclc.org/emls/08-1/dawsnew.htm ]

Early modern literary studies, 2002-05, Vol.8 (1)

Dawson, Lesel

2002

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Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.307

2018

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The Collected Works of John Ford

Modern Language Review, 2014, Vol.109 (1), p.235-236

Dawson, Lesel

2014

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Why are the Erinyes Female?: or, What is so Feminine about Revenge?

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.33

2018

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‘She’s Turned Fury: Women Transmogrified in Revenge Plays

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.221

2018

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‘Women’s Weapons: Education and Female Revenge on the Early Modern Stage

Revenge and Gender in Classical, Medieval and Renaissance Literature, 2018, p.181

2018

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Revenge and Gender in Classical, Medieval, and Renaissance Literature

Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival

Community engagement in a seaside town: evaluation of Good Grief Weston festival

Therapeutic creativity and the lived experience of grief in the collaborative fiction film Lost Property

Affective Inheritances: A Review Essay

Affective Inheritances

The one thing guaranteed in life and yet they won’t teach you about it: The case for mandatory grief education in UK schools

Grief and Collaborative Storytelling: The Colours of Loss

In Every Wound There is a Bloody Tongue: Cruentation in Early Modern Literature and Psychology

Introduction: Female Fury and the Masculine Spirit of Vengeance

Review of Shakespeare's The Taming of the Shrew (directed by Andrew Hilton) at the Tobacco Factory, Bristol, February 2008

Introduction: Female Fury and the Masculine Spirit of Vengeance

Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

Dangerous Misogyny: John Ford's The Queen and the Earl of Essex's 1601 Uprising

Menstruation, Misogyny, and the Cure for Love

Daggers of the Mind: Hallucinations, Mental Fixation and Trauma in Kyd’s The Spanish Tragedy and Early Modern Psychology

Index

“In Every Wound There is a Bloody Tongue”. Cruentation in Early Modern Literature and Psychology

New Sects of Love: neoplatonism and constructions of gender in Davenant's The Temple of Love and The Platonick Lovers [http://purl.oclc.org/emls/08-1/dawsnew.htm ]

Outfacing Vengeance: Heroic Dying in Webster’s The Duchess of Malfi and Ford’s The Broken Heart

The Collected Works of John Ford

Why are the Erinyes Female?: or, What is so Feminine about Revenge?

‘She’s Turned Fury: Women Transmogrified in Revenge Plays

‘Women’s Weapons: Education and Female Revenge on the Early Modern Stage

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