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PR Newswire Photo Advisory

1999

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Tenth Annual Grosses Gloss

Film comment, 1986-03, Vol.22 (2), p.64

Thompson, Anne

1986

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New Book Chronicle

Antiquity, 2007-03, Vol.81 (311), p.241

Hummler, Madeleine

2007

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Imaging and the national imagining: Theorizing visual sovereignty in Trinidad and Tobago moving image media through analysis of television advertising

McFarlane-Alvarez, Susan L

2006

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Straw Dogs

Cinéaste, 2003-09, Vol.28 (4), p.57-59

Sharrett, Christopher

2003

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From bean-counter to action hero: Changing the image of the accountant

Financial management (London, England), 1999-01, Vol.77 (1), p.28

1999

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K-STATE: K-State's Movies on the Grass Series Opens the Fall Semester

M2 Presswire, 2008

2008

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Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy"

Li, Ya-Mei

1996

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Whatever Happened to Trash?

Film comment, 1979-09, Vol.15 (5), p.40-44

O'Toole, Lawrence

1979

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Exception taken: how France has defied Hollywood's new world order

Buchsbaum, Jonathan

1, 2017

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Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League

Feminist media histories, 2023-04, Vol.9 (2), p.43-75

Peterson, Jennifer Lynn

2023

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Theatricality and Female Drag in Three Films by George Cukor

Feminist media studies, 2014-07, Vol.14 (4), p.593-607

Helford, Elyce Rae

2014

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Emoções de Medo e Nojo: Respostas Subjetiva e Cardíaca em Função de Diferentes Estímulos Sensoriais

Ferreira, Jacqueline Helena Tavares

2021

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Playing Funny Games in The Last House on the Left: The uncanny and the ‘home invasion’ genre

Crime, media, culture, 2013-12, Vol.9 (3), p.281-299

Fiddler, Michael

2013

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THE PRICE OF LOVE: VALENTINE'S DAY IN EGYPT AND ITS ENEMIES

Arab studies journal, 2016-10, Vol.24 (2), p.128-146

Kreil, Aymon

2016

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Toward a New Understanding of Two Films from the Dark Side: Utilizing Terror Management Theory to Analyze Rosemary's Baby and Straw Dogs

The journal of popular film and television, 2009-12, Vol.37 (4), p.189-198

2009

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The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya

CINEJ cinema journal, 2018-01, Vol.7 (1), p.169-188

2018

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What am I looking at, Mulder?: Licensed comics and the freedoms of transmedia storytelling

Science fiction film and television, 2013-01, Vol.6 (1), p.101-117

Pillai, Nicolas

2013

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Trading in withered flesh: Mummies, movies and modernity

Lewis, Leslie Anne

2006

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Outside the System: Gene Gauntier and the Consolidation of Early American Cinema

Film history (New York, N.Y.), 2016-01, Vol.28 (1), p.71-106

Tracy, Tony

2016

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Feminine Purity and Masculine Revenge-Seeking In Taken (2008)

Feminist media studies, 2014-05, Vol.14 (3), p.403-418

Kelly, Casey Ryan

2014

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Safari Adventure: Forgotten Cinematic Journeys in Africa

Film history (New York, N.Y.), 2006-01, Vol.18 (4), p.392-411

Staples, Amy J.

2006

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Close-Up: John Akomfrah and the Black Audio Film Collective Monad, Database, Remix: Manners of Unfolding in The Last Angel of History

Black camera : the newsletter of the Black Film Center/Archives, 2015-04, Vol.6 (2), p.112-271

Marks, Laura U

2015

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Television and History: The World at War

Historical journal of film, radio, and television, 2011-06, Vol.31 (2), p.247-275

Chapman, James

2011

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Hollywood 'Takes One More Look': Early Histories of Silent Hollywood and the Fallen Star Biography, 1932-1937

Historical journal of film, radio, and television, 2006-06, Vol.26 (2), p.179-201

Smyth, J. E.

2006

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PR Newswire Photo Advisory

Tenth Annual Grosses Gloss

New Book Chronicle

Imaging and the national imagining: Theorizing visual sovereignty in Trinidad and Tobago moving image media through analysis of television advertising

Straw Dogs

From bean-counter to action hero: Changing the image of the accountant

K-STATE: K-State's Movies on the Grass Series Opens the Fall Semester

Speaking for Taiwanese history, culture and past: Hou Hsaio-Hsien's "Taiwan Trilogy"

Whatever Happened to Trash?

Exception taken: how France has defied Hollywood's new world order

Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League

Theatricality and Female Drag in Three Films by George Cukor

Emoções de Medo e Nojo: Respostas Subjetiva e Cardíaca em Função de Diferentes Estímulos Sensoriais

Playing Funny Games in The Last House on the Left: The uncanny and the ‘home invasion’ genre

THE PRICE OF LOVE: VALENTINE'S DAY IN EGYPT AND ITS ENEMIES

Toward a New Understanding of Two Films from the Dark Side: Utilizing Terror Management Theory to Analyze Rosemary's Baby and Straw Dogs

The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two post-Empire Journeys into the Deserts of Libya

What am I looking at, Mulder?: Licensed comics and the freedoms of transmedia storytelling

Trading in withered flesh: Mummies, movies and modernity

Outside the System: Gene Gauntier and the Consolidation of Early American Cinema

Feminine Purity and Masculine Revenge-Seeking In Taken (2008)

Safari Adventure: Forgotten Cinematic Journeys in Africa

Close-Up: John Akomfrah and the Black Audio Film Collective Monad, Database, Remix: Manners of Unfolding in The Last Angel of History

Television and History: The World at War

Hollywood 'Takes One More Look': Early Histories of Silent Hollywood and the Fallen Star Biography, 1932-1937

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