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‘Making-remote’ as an alternative to realism in late Palaeolithic cave art: Representations of the human at the threshold of appearance

The British journal of aesthetics, 2024-06

Hughes, Fiona

2024

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Remote art and aesthetics: An introduction

The British journal of aesthetics, 2024-05

2024

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Distant dinosaurs and the aesthetics of remote art

The British journal of aesthetics, 2024-05

Xhignesse, Michel-Antoine

2024

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Musical Ontology: Works, Versions, and Lineages

The British journal of aesthetics, 2024-05

Alward, Peter

2024

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Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality

The British journal of aesthetics, 2024-05

Killin, Anton

2024

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Erasure and assertion in body aesthetics: Respectability politics to anti-assimilationist aesthetics

The British journal of aesthetics, 2024-04

Martin-Seaver, Madeline

2024

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Sounding sense and sensing sound: ‘Form-Content Unity’ revisited and reformulated

The British journal of aesthetics, 2024-04

Ives, Eliza

2024

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Piety, Purity, and Pain: The Head Shaving Ritual for Women in Ultra-Orthodox Communities and Its Underlying Concept of Halachah

Modern Judaism, 2024-06, Vol.44 (2), p.108-135

Brown, Iris

2024

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Beyond Hasidism: Tracing the Cultural Legacies of Israel Ba’al Shem Tov

Modern Judaism, 2024-06, Vol.44 (2), p.136-166

Moseson, Elly

2024

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The Human Being as the Image of God

Modern Judaism, 2024-06, Vol.44 (2), p.89-107

Greenberg, Irving (Yitz)

2024

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Hans Jonas: The Last German Philosopher and His Jewish Challenge to Modernity: Affirming Life

Modern Judaism, 2024-06, Vol.44 (2), p.167-189

Kutash, Emilie

2024

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Connected fragments: an early Hong Kong archaeological collection

Journal of the history of collections, 2024-05

2024

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‘Objects bring us traces of life’: Cavaleri, Cernuschi and Giambattista Vico’s theory of history

Journal of the history of collections, 2024-04

Davoli, Silvia

2024

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‘Now completely Americanized’: Collecting and transatlantic exchange of the Lansdowne Marbles

Journal of the history of collections, 2024-04

Cochrane, Nicole

2024

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Gian Giacomo Poldi Pezzoli and Florence

Journal of the history of collections, 2024-04

Giacomelli, Luca

2024

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Gian Giacomo Poldi Pezzoli, between Milan and Europe: Preface

Journal of the history of collections, 2024-04

Morandotti, Alessandro

2024

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The rural mosque uncovered in the Andalusi village of La Graja (eleventh century ce)

Journal of Islamic studies (Oxford, England), 2024-06

2024

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Curiosities in the Far North: Collecting networks in Norway, 1600–1730

Journal of the history of collections, 2024-03

Ekman, Mattias

2024

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Sir Charles Eastlake, the National Gallery and Milan: A study in connoisseurial networks

Journal of the history of collections, 2024-03

Avery-Quash, Susanna

2024

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W. E. B. Du Bois’s universal history in Black Folk Then and Now (1939)

Classical receptions journal, 2024-06

Fertik, Harriet

2024

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The classical drama as contested heritage in modern Greece: theatre productions from private initiatives to state projects in the 1930s

Classical receptions journal, 2024-06

Balaskas, Vasileios

2024

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‘Something Mythic’: The power of shared stories in Kamila Shamsie’s Home Fire

Classical receptions journal, 2024-05

Hardy, Clara Shaw

2024

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‘Where did you learn to write Arabic?’: A Critical Analysis of Some Ḥadīths on the Origins and Spread of the Arabic Script

Journal of Islamic studies (Oxford, England), 2024-04, Vol.35 (2), p.145-178

Little, Joshua J

2024

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Fasting in Early Sufi Literature

Journal of Islamic studies (Oxford, England), 2024-04, Vol.35 (2), p.216-241

Khalil, Atif

2024

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Vernacular classicism and the Mausoleum of Halicarnassus: the architectural imaginary of a Danish interwar crematorium

Classical receptions journal, 2024-05

Kristensen, Troels Myrup

2024

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‘Making-remote’ as an alternative to realism in late Palaeolithic cave art: Representations of the human at the threshold of appearance

Remote art and aesthetics: An introduction

Distant dinosaurs and the aesthetics of remote art

Musical Ontology: Works, Versions, and Lineages

Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality

Erasure and assertion in body aesthetics: Respectability politics to anti-assimilationist aesthetics

Sounding sense and sensing sound: ‘Form-Content Unity’ revisited and reformulated

Piety, Purity, and Pain: The Head Shaving Ritual for Women in Ultra-Orthodox Communities and Its Underlying Concept of Halachah

Beyond Hasidism: Tracing the Cultural Legacies of Israel Ba’al Shem Tov

The Human Being as the Image of God

Hans Jonas: The Last German Philosopher and His Jewish Challenge to Modernity: Affirming Life

Connected fragments: an early Hong Kong archaeological collection

‘Objects bring us traces of life’: Cavaleri, Cernuschi and Giambattista Vico’s theory of history

‘Now completely Americanized’: Collecting and transatlantic exchange of the Lansdowne Marbles

Gian Giacomo Poldi Pezzoli and Florence

Gian Giacomo Poldi Pezzoli, between Milan and Europe: Preface

The rural mosque uncovered in the Andalusi village of La Graja (eleventh century ce)

Curiosities in the Far North: Collecting networks in Norway, 1600–1730

Sir Charles Eastlake, the National Gallery and Milan: A study in connoisseurial networks

W. E. B. Du Bois’s universal history in Black Folk Then and Now (1939)

The classical drama as contested heritage in modern Greece: theatre productions from private initiatives to state projects in the 1930s

‘Something Mythic’: The power of shared stories in Kamila Shamsie’s Home Fire

‘Where did you learn to write Arabic?’: A Critical Analysis of Some Ḥadīths on the Origins and Spread of the Arabic Script

Fasting in Early Sufi Literature

Vernacular classicism and the Mausoleum of Halicarnassus: the architectural imaginary of a Danish interwar crematorium

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