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Narrative Time in the Blues: Son House’s "Death Letter" (1965)

American music (Champaign, Ill.), 2013-04, Vol.31 (1), p.50-72

Simon, Julia

2013

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POYI! Bamana jeli music, Mali and the blues

Journal of African cultural studies, 2013-06, Vol.25 (2), p.211-246

Durán, Lucy

2013

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Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle

Popular music, 2015-05, Vol.34 (2), p.245-273

Curry, Ben

2015

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How Blue Can You Get? “It’s Tight Like That” and the Hokum Blues

American music (Champaign, Ill.), 2018-10, Vol.36 (3), p.367-393

Schwartz, Roberta Freund

2018

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"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

American music (Champaign, Ill.), 2013-04, Vol.31 (1), p.73-105

Baber, Katherine

2013

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New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century

Journal of the Society for American Music, 2015-08, Vol.9 (3), p.321-348

PERCHARD, TOM

2015

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A Sense of Community and Community Change: An Ethnographic Study of a Contemporary Louisiana Juke Joint as It Compares to Historical Literature on the Subject

Debnam, Kristopher Ian

2009

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Bessie Smith: ‘Down Hearted Blues’ and ‘Gulf Coast Blues’ revisited

Popular music, 2007-01, Vol.26 (1), p.117-127

SAGEE, ALONA

2007

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Beneath the Sky, on the Sea, into the Blues: A Dub Version, or B Side, of Mediterranean Modernity

Transition (Kampala, Uganda), 2022-04 (132), p.297-313

Chambers, Iain

2022

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Tracing the color line in the American music market and its effect on contemporary music marketing

Arts and the market, 2017-10, Vol.7 (2), p.213-234

Barretta, Paul G

2017

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Reinventing the Blues

Reviews in American History, 2022-12, Vol.50 (4), p.422-427

Downs, Gregory P.

2022

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Contemporary Blueswomen: A Bibliography of Female Blues Singers, Composers, and Instrumentalists, 1955-2005

Popular music and society, 2010-07, Vol.33 (3), p.395-414

Cooper, B. Lee

2010

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Foster’s Songs in Old-Time String Band and Bluegrass Music

American music (Champaign, Ill.), 2012-09, Vol.30 (3), p.389-396

Weed, Joe

2012

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'Good Night, Sweet Blues' and the Legacy of Ida Cox: Jazz, Women, and Agency in Route 66 (1961)

Film & history, 2021-12, Vol.51 (2), p.30-42

Devlin, Paul

2021

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Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse

Ethnomusicology, 2011-09, Vol.55 (3), p.473-503

Ryan, Jennifer

2011

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Bessie Smith's ‘Back-Water Blues’: the story behind the song

Popular music, 2007-01, Vol.26 (1), p.97-116

EVANS, DAVID

2007

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Vagal things and guitar strings: The evolution of ulcer surgery and the electric blues from Chicago’s south side

The American journal of surgery, 2020-03, Vol.219 (3), p.446-452

Matthews, Jeffrey B.

2020

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Ellison's Rinehart and Count Basie's: Invisible Man and ‘Harvard Blues’

Notes and queries, 2007-06, Vol.54 (2), p.181-183

Conti, Brooke

2007

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Blue-Eyed Soul Performers before and after the Wicked Pickett and Lady Soul: A Bio-Bibliography and Discography

Popular music and society, 2010-12, Vol.33 (5), p.663-693

Cooper, B. Lee

2010

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Un-fixing the race: Midcentury sonic Latinidad in the shadow of Hollywood

Latino studies, 2016-06, Vol.14 (2), p.150-171

Martinez-Cruz, Paloma

2016

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Czech Bluegrass: Notes from the Heart of Europe. By Lee Bidgood. Urbana, IL: University of Illinois Press, 2017

Journal of the Society for American Music, 2020, Vol.14 (1), p.92-94

Kehrberg, Kevin

2020

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Tonal Poetry, Bop Aesthetics, and Jack Kerouac’s Visions of Gerard

European journal of American studies, 2018-07, Vol.13 (2), p.23

Donahue, James J

2018

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Pouring out the Blues: Gwen "Sugar Mama" Avery's Song of Freedom

Frontiers (Boulder), 2004-01, Vol.25 (1), p.93-110

Johnson, Maria V.

2004

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‘Mama, he treats your daughter mean’: Reassessing the narrative of British R&B with Ottilie Patterson

Popular music, 2020-12, Vol.39 (3-4), p.482-503

Lorre, Sean

2020

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Commentary on Microtonal Analysis of "Blue Notes" and the Blues Scale by Court B. Cutting

Empirical musicology review, 2018-01, Vol.13 (1/2), p.103-106

Pfleiderer, Martin

2018

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Narrative Time in the Blues: Son House’s "Death Letter" (1965)

POYI! Bamana jeli music, Mali and the blues

Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle

How Blue Can You Get? “It’s Tight Like That” and the Hokum Blues

"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century

A Sense of Community and Community Change: An Ethnographic Study of a Contemporary Louisiana Juke Joint as It Compares to Historical Literature on the Subject

Bessie Smith: ‘Down Hearted Blues’ and ‘Gulf Coast Blues’ revisited

Beneath the Sky, on the Sea, into the Blues: A Dub Version, or B Side, of Mediterranean Modernity

Tracing the color line in the American music market and its effect on contemporary music marketing

Reinventing the Blues

Contemporary Blueswomen: A Bibliography of Female Blues Singers, Composers, and Instrumentalists, 1955-2005

Foster’s Songs in Old-Time String Band and Bluegrass Music

'Good Night, Sweet Blues' and the Legacy of Ida Cox: Jazz, Women, and Agency in Route 66 (1961)

Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse

Bessie Smith's ‘Back-Water Blues’: the story behind the song

Vagal things and guitar strings: The evolution of ulcer surgery and the electric blues from Chicago’s south side

Ellison's Rinehart and Count Basie's: Invisible Man and ‘Harvard Blues’

Blue-Eyed Soul Performers before and after the Wicked Pickett and Lady Soul: A Bio-Bibliography and Discography

Un-fixing the race: Midcentury sonic Latinidad in the shadow of Hollywood

Czech Bluegrass: Notes from the Heart of Europe. By Lee Bidgood. Urbana, IL: University of Illinois Press, 2017

Tonal Poetry, Bop Aesthetics, and Jack Kerouac’s Visions of Gerard

Pouring out the Blues: Gwen "Sugar Mama" Avery's Song of Freedom

‘Mama, he treats your daughter mean’: Reassessing the narrative of British R&B with Ottilie Patterson

Commentary on Microtonal Analysis of "Blue Notes" and the Blues Scale by Court B. Cutting

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