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S/He's a rebel: The James Dean trope in Buffy the Vampire Slayer

Continuum (Mount Lawley, W.A.), 2013-02, Vol.27 (1), p.124-140

Hill, Kathryn

2013

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Buffy the Vampire Slayer: a critical reading of the series

Historical Journal of Film, Radio, and Television, 2007, Vol.27 (4), p.600

Helfrich, Ronald

2007

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Vampire nostalgia

Continuum (Mount Lawley, W.A.), 2021-03, Vol.35 (2), p.258-269

Howell, Amanda

2021

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Does Reality Backbite? Physical, Verbal, and Relational Aggression in Reality Television Programs

Journal of broadcasting & electronic media, 2010-06, Vol.54 (2), p.282-298

2010

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Time is but the stream I go a-fishing in: Present pasts in 20 years of American TV serial fiction from Northern Exposure to Mad Men

Continuum (Mount Lawley, W.A.), 2013-02, Vol.27 (1), p.141-159

Hansen, Anders Høg

2013

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"So Here's Us, On the Raggedy Edge": Exoticism and Identification in Joss Whedon's Firefly

Popular music and society, 2011-12, Vol.34 (5), p.621-637

Granade, S. Andrew

2011

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Viewer Aggression and Homophily, Identification, and Parasocial Relationships With Television Characters

Journal of broadcasting & electronic media, 2003-03, Vol.47 (1), p.77-98

2003

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Representations of Female Scientists in The Big Bang Theory

The journal of popular film and television, 2014-10, Vol.42 (4), p.195-204

McIntosh, Heather

2014

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Age identification, social identity gratifications, and television viewing

Journal of broadcasting & electronic media, 1999, Vol.43 (1), p.123-136

Harwood, Jake

1999

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Forget Peter Vincent: Nostalgia, Self-Reflexivity, and the Genre Past in Fright Night

The journal of popular film and television, 2009-01, Vol.36 (4), p.190-199

Leeder, Murray

2009

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The History of "Travelers": Recycling in American Prime Time Network Programming

Journal of broadcasting & electronic media, 2003-06, Vol.47 (2), p.260-275

Dell, Chad E.

2003

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Equal Time in Prime Time? Scheduling Favoritism and Gender on the Broadcast Networks

Journal of broadcasting & electronic media, 2002-03, Vol.46 (1), p.137-153

2002

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TELE-BRANDING IN TVIII: The network as brand and the programme as brand

New review of film and television studies, 2007-04, Vol.5 (1), p.5-24

Johnson, Catherine

2007

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Sounds of Fear and Wonder: Music in Cult TV

Historical Journal of Film, Radio and Television, 2017, Vol.37 (4), p.753-754

Kauppila, Paul

2017

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Trading Auntie: the exploitation and protection of intellectual property rights during the BBC's monopoly years

New review of film and television studies, 2009-12, Vol.7 (4), p.441-458

Johnson, Catherine

2009

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Imagined interactions and identity in the works of Joss Whedon

Continuum (Mount Lawley, W.A.), 2016-12, Vol.30 (6), p.714-725

Waggoner, Erin B.

2016

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Pornography as entertainment

Continuum (Mount Lawley, W.A.), 2012-08, Vol.26 (4), p.541-552

McKee, Alan

2012

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Sensation/investigation: crime television and the action aesthetic

New review of film and television studies, 2016-07, Vol.14 (3), p.304-323

Tasker, Yvonne

2016

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Introduction: 'As if': women in genres of the fantastic, cross-platform entertainments and transmedial engagements

Continuum (Mount Lawley, W.A.), 2019-03, Vol.33 (2), p.153-159

2019

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Transmedia Storytelling and Entertainment: An annotated syllabus

Continuum (Mount Lawley, W.A.), 2010-12, Vol.24 (6), p.943-958

Jenkins, Henry

2010

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A return to form? Postmasculinist television drama and tragic heroes in the wake of The Sopranos

New review of film and television studies, 2012-12, Vol.10 (4), p.443-463

Harris, Geraldine

2012

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How People Watch Television As Investigated Using Focus Group Techniques

Journal of broadcasting & electronic media, 2000, Vol.44 (1), p.78-93

Adams, William J.

2000

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Developmental Changes in Adolescents' Television Viewing Habits: Longitudinal Trajectories in a Three-Wave Panel Study

Journal of broadcasting & electronic media, 2006-12, Vol.50 (4), p.742-761

Eggermont, Steven

2006

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INVITING AUDIENCES IN: The spatial reorganization of production and consumption in 'TVIII'

New review of film and television studies, 2007-04, Vol.5 (1), p.61-80

Johnson, Derek

2007

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Queer superheroes: the impossibility of difference, a neoliberal promise of equal (teacher) love

Continuum (Mount Lawley, W.A.), 2015-01, Vol.29 (1), p.97-108

2015

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S/He's a rebel: The James Dean trope in Buffy the Vampire Slayer

Buffy the Vampire Slayer: a critical reading of the series

Vampire nostalgia

Does Reality Backbite? Physical, Verbal, and Relational Aggression in Reality Television Programs

Time is but the stream I go a-fishing in: Present pasts in 20 years of American TV serial fiction from Northern Exposure to Mad Men

"So Here's Us, On the Raggedy Edge": Exoticism and Identification in Joss Whedon's Firefly

Viewer Aggression and Homophily, Identification, and Parasocial Relationships With Television Characters

Representations of Female Scientists in The Big Bang Theory

Age identification, social identity gratifications, and television viewing

Forget Peter Vincent: Nostalgia, Self-Reflexivity, and the Genre Past in Fright Night

The History of "Travelers": Recycling in American Prime Time Network Programming

Equal Time in Prime Time? Scheduling Favoritism and Gender on the Broadcast Networks

TELE-BRANDING IN TVIII: The network as brand and the programme as brand

Sounds of Fear and Wonder: Music in Cult TV

Trading Auntie: the exploitation and protection of intellectual property rights during the BBC's monopoly years

Imagined interactions and identity in the works of Joss Whedon

Pornography as entertainment

Sensation/investigation: crime television and the action aesthetic

Introduction: 'As if': women in genres of the fantastic, cross-platform entertainments and transmedial engagements

Transmedia Storytelling and Entertainment: An annotated syllabus

A return to form? Postmasculinist television drama and tragic heroes in the wake of The Sopranos

How People Watch Television As Investigated Using Focus Group Techniques

Developmental Changes in Adolescents' Television Viewing Habits: Longitudinal Trajectories in a Three-Wave Panel Study

INVITING AUDIENCES IN: The spatial reorganization of production and consumption in 'TVIII'

Queer superheroes: the impossibility of difference, a neoliberal promise of equal (teacher) love

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