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Installieren Sie die LibKey Nomad-Browsererweiterung und erhalten Sie von vielen Webseiten einfachen Zugriff auf lizenzierte Volltexte oder Open Access Publikationen. Mehr erfahren...

The Use of Dead Celebrities in Advertising and Marketing: Balancing Interests in the Right of Publicity

Journal of advertising, 2009-12, Vol.38 (4), p.37-49

2009

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Crossover Fatigue: The Persistence of Gender at Motown Records

Feminist media studies, 2014-01, Vol.14 (1), p.90-105

Laurie, Timothy

2014

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How Female Singers in Iran Challenge Restriction by Retrieving Collective Memory: Their Genre, Visual Representation, and Different Implications for the National and International Audience

Women's studies, 2023-05, Vol.52 (4), p.440-457

Asadollahi, Atieh

2023

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"You Can't Win, Child, but You Can't Get Out of the Game": Michael Jackson's Transition from Child Star to Superstar

Popular music and society, 2012-05, Vol.35 (2), p.241-259

Warwick, Jacqueline

2012

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Aretha

Popular Music and Society, 2023-10, Vol.ahead-of-print (ahead-of-print), p.1-3

Cooper, B. Lee

2023

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"I Ain't Scared of No Sheets": Re-Screening Black Masculinity in Michael Jackson's Black or White

Journal of popular music studies, 2015-03, Vol.27 (1), p.90-123

Vogel, Joseph

2015

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Skinny blues: Karen Carpenter, anorexia nervosa and popular music

Popular music, 2018-01, Vol.37 (1), p.1-21

McKay, George

2018

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Structure and Proportion in Hindustani Ālāp

Empirical musicology review, 2019-01, Vol.14 (1-2), p.53-65

Napier, John

2019

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The Lollipop Girl's voice: Respectability, migration, and Millie Small's "My Boy Lollipop"

Journal of popular music studies, 2016-12, Vol.28 (4), p.460-473

Apolloni, Alexandra

2016

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Building Vocal Technique and Aural Acuity in the Vocal Jazz Ensemble

The Choral journal, 2016-11, Vol.57 (4), p.65-71

2016

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"Something Inside So Strong": The Flirtations and the Queer Politics of A Cappella

Journal of popular music studies, 2016-06, Vol.28 (2), p.142-185

Jones, Matthew J.

2016

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Michael Jackson and the Expressive Power of Voice-produced Sound

Popular music and society, 2012-05, Vol.35 (2), p.261-279

Johansson, Mats

2012

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2017 reviewers

Journal of critical care, 2018-04, Vol.44, p.450-458

2018

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RADMILLA’S VOICE: Music Genre, Blood Quantum, and Belonging on the Navajo Nation

Cultural anthropology, 2014-05, Vol.29 (2), p.385-410

JACOBSEN-BIA, KRISTINA

2014

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Breaking up is hard to do: the resilience of the rock group as an organizational form for creating music

Journal of cultural economics, 2016-02, Vol.40 (1), p.29-74

2016

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Coming Forth by Day/Yesterday I Had the Blues: The Music of Billie Holiday

Jazz Perspectives, 2017-09, Vol.10 (2-3), p.263-267

Gibson, Maya C.

2017

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Island Leverage: Vanessa Quai, Vanuatu, and Transnational Career Performance

Popular music and society, 2013-05, Vol.36 (2), p.162-174

Hayward, Philip

2013

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Does the song really remain the same? 'The Windmills of Your Mind' as narrational vehicle in The Thomas Crown Affair (1968 and 1999)

The soundtrack (Bristol), 2014-10, Vol.7 (2), p.79-88

Bennett, Marie

2014

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“That's the Way I've Always Heard It Should Be”: Baby Boomers, 1970s Singer-Songwriters, and Romantic Relationships

The Journal of American history (Bloomington, Ind.), 2010-12, Vol.97 (3), p.682-702

Kutulas, Judy

2010

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Burnt: Writing Torch Singers and Torch Singing

Cultural studies, critical methodologies, 2010-08, Vol.10 (4), p.283-294

Holman Jones, Stacy

2010

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Backstage With The Hot Flashes: Performing Gender, Performing Age, Performing Rock `N' Roll

Qualitative inquiry, 2008-01, Vol.14 (1), p.90-110

Ruskai Melina, Lois

2008

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white chocolate soul: teena marie and lewis taylor

Popular music, 2005-10, Vol.24 (3), p.369-380

neal, mark anthony

2005

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Selling an image: girl groups of the 1960s

Popular music, 2003-05, Vol.22 (2), p.173-193

Cyrus, Cynthia J.

2003

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Selling Italy by the sound: cross-cultural interchanges through cover records

Popular music, 2007-10, Vol.26 (3), p.441-462

PRATO, PAOLO

2007

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The ‘rival queans’ and the play of identity in Handel's Admeto

Cambridge opera journal, 2006-11, Vol.18 (3), p.301-331

ASPDEN, SUZANNE

2006

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The Use of Dead Celebrities in Advertising and Marketing: Balancing Interests in the Right of Publicity

Crossover Fatigue: The Persistence of Gender at Motown Records

How Female Singers in Iran Challenge Restriction by Retrieving Collective Memory: Their Genre, Visual Representation, and Different Implications for the National and International Audience

"You Can't Win, Child, but You Can't Get Out of the Game": Michael Jackson's Transition from Child Star to Superstar

Aretha

"I Ain't Scared of No Sheets": Re-Screening Black Masculinity in Michael Jackson's Black or White

Skinny blues: Karen Carpenter, anorexia nervosa and popular music

Structure and Proportion in Hindustani Ālāp

The Lollipop Girl's voice: Respectability, migration, and Millie Small's "My Boy Lollipop"

Building Vocal Technique and Aural Acuity in the Vocal Jazz Ensemble

"Something Inside So Strong": The Flirtations and the Queer Politics of A Cappella

Michael Jackson and the Expressive Power of Voice-produced Sound

2017 reviewers

RADMILLA’S VOICE: Music Genre, Blood Quantum, and Belonging on the Navajo Nation

Breaking up is hard to do: the resilience of the rock group as an organizational form for creating music

Coming Forth by Day/Yesterday I Had the Blues: The Music of Billie Holiday

Island Leverage: Vanessa Quai, Vanuatu, and Transnational Career Performance

Does the song really remain the same? 'The Windmills of Your Mind' as narrational vehicle in The Thomas Crown Affair (1968 and 1999)

“That's the Way I've Always Heard It Should Be”: Baby Boomers, 1970s Singer-Songwriters, and Romantic Relationships

Burnt: Writing Torch Singers and Torch Singing

Backstage With The Hot Flashes: Performing Gender, Performing Age, Performing Rock `N' Roll

white chocolate soul: teena marie and lewis taylor

Selling an image: girl groups of the 1960s

Selling Italy by the sound: cross-cultural interchanges through cover records

The ‘rival queans’ and the play of identity in Handel's Admeto

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