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WHO IS THE ENEMY? THE BLURRED LINES OF HISTORY IN JOSEPH HELLER’S CATCH-22

British and American studies : B.A.S, 2018, Vol.24 (24), p.65-76

Chirobocea, Olivia

2018

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Carl Schmitt's Enemies: Context for a Critique of Political Theology

Theory & event, 2022-04, Vol.25 (2), p.444-469

2022

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Flannery O'Connor's Lost Cause: Desegregation in "A Late Encounter with the Enemy"

ANQ (Lexington, Ky.), 2022-04, Vol.35 (2), p.152-155

Peyser, Thomas

2022

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“Next Unto the Gods My Life Shall Be Spent in Contemplation of Him”: Margaret Cavendish’s Dramatised Widowhood in Bell in Campo (I&II)

Studia Anglica Posnaniensia, 2017-12, Vol.52 (3), p.345-362

Bronk, Katarzyna

2017

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Sex, gender and the industrial: Plays performed by broken hill repertory society, 1945-1969

Australasian drama studies, 2014-06 (64), p.277-296

2014

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Douglas Goldring's the Tramp: An Open Air Magazine (1910–1911) and Modernist Geographies

Literature and history, 2009-05, Vol.18 (1), p.35-53

Southworth, Helen

2009

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A History of Manga in the Context of Japanese Culture and Society

Journal of popular culture, 2005-02, Vol.38 (3), p.456-475

Ito, Kinko

2005

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Australian Children’s Literature and Postcolonialism: A Review Essay

Ilha do Desterro, 2016-06, Vol.69 (2), p.193-205

Xu, Daozhi

2016

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Oswald Pirow’s Ashambeni (1955) : a “history” of dogs, humans, werewolves

Tydskrif vir letterkunde, 2018-01, Vol.55 (3), p.96-107

Barendse, Joan-Mari

2018

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Unlearning History: Mark Teh and the Spectres of Baling

Theatre research international, 2022-03, Vol.47 (1), p.63-78

ARFARA, KATIA

2022

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Proletarian Modernism and the Politics of Emotion: On Franz Wilhelm Seiwert and John Heartfield

Modernism/modernity (Baltimore, Md.), 2020-11, Vol.27 (4), p.735-767

Hake, Sabine

2020

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Capturing Contexts, Documenting Details: Using Literature to Archive Caribbean Memory

Journal of West Indian literature, 2021-04, Vol.29 (1), p.53-191

Griffin, Stanley H

2021

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Keeping the Memories of the Malvinas/Falklands War Alive: Exploring Memorial Sites in the UK, Argentina and the Falkland Islands

Metacritic Journal for Comparative Studies and Theory, 2021-07, Vol.7 (1), p.116-129

Bellot, Andrea Roxana

2021

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Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna

Theatre history studies, 2019, Vol.38 (1), p.7-27

Coen, Elizabeth

2019

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History Is What Bites: Zombies, Race, and the Limits of Biopower in Colson Whitehead’s Zone One

Extrapolation, 2015-09, Vol.56 (3), p.311-333

Hurley, Jessica

2015

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Louisiana Identity on Trial: Pierre Dormenon's Superior Court Case, 1790-1812

The Southern quarterly, 2018-07, Vol.55 (4), p.16-39

Johnson, Erica

2018

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Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring), p.1-17

Teulié, Gilles

2019

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SOCIETIES AS PUBLISHERS: THE RELIGIOUS TRACT SOCIETY IN THE MID-NINETEENTH CENTURY

Publishing history, 2005-01, Vol.58 (58), p.5-III

Fyfe, Aileen

2005

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‘Thinking with Shakespeare’: The Merchant of Venice – Shylock, Caliban and the dynamics of social scale

Shakespeare in Southern Africa, 2017-01, Vol.29 (1), p.17-26

Wright, Laurence

2017

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TOWARDS 'A NEW KIND OF BOOK': PUBLISHING AND THE MINISTRY OF INFORMATION, 1939-46

Publishing history, 2016-01, Vol.75, p.53-4

Irving, Henry

2016

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A Hero of the Two Koreas: Yi Sun-shin Dramatized in North and South

New theatre quarterly, 2019-02, Vol.35 (1), p.60-69

2019

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Critiques of Colonialism in Robin Hobb's Soldier Son Trilogy

Extrapolation, 2014-03, Vol.55 (1), p.33-50

Young, Helen

2014

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CHARLES KNIGHT AND THE SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE: A SPECIAL RELATIONSHIP (1827-1846)

Publishing history, 2003-01, Vol.53 (53), p.23-III

Gray, Valerie

2003

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A Theory of Literary Realism

Theory and practice in language studies, 2014-08, Vol.4 (8), p.1628

Taghizadeh, Ali

2014

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War against Biopower - Timely Reflections on an Historicist Foucault

Theory & event, 2010, Vol.13 (1), p.N_A

Policante, Amedeo

2010

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WHO IS THE ENEMY? THE BLURRED LINES OF HISTORY IN JOSEPH HELLER’S CATCH-22

Carl Schmitt's Enemies: Context for a Critique of Political Theology

Flannery O'Connor's Lost Cause: Desegregation in "A Late Encounter with the Enemy"

“Next Unto the Gods My Life Shall Be Spent in Contemplation of Him”: Margaret Cavendish’s Dramatised Widowhood in Bell in Campo (I&II)

Sex, gender and the industrial: Plays performed by broken hill repertory society, 1945-1969

Douglas Goldring's the Tramp: An Open Air Magazine (1910–1911) and Modernist Geographies

A History of Manga in the Context of Japanese Culture and Society

Australian Children’s Literature and Postcolonialism: A Review Essay

Oswald Pirow’s Ashambeni (1955) : a “history” of dogs, humans, werewolves

Unlearning History: Mark Teh and the Spectres of Baling

Proletarian Modernism and the Politics of Emotion: On Franz Wilhelm Seiwert and John Heartfield

Capturing Contexts, Documenting Details: Using Literature to Archive Caribbean Memory

Keeping the Memories of the Malvinas/Falklands War Alive: Exploring Memorial Sites in the UK, Argentina and the Falkland Islands

Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna

History Is What Bites: Zombies, Race, and the Limits of Biopower in Colson Whitehead’s Zone One

Louisiana Identity on Trial: Pierre Dormenon's Superior Court Case, 1790-1812

Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes

SOCIETIES AS PUBLISHERS: THE RELIGIOUS TRACT SOCIETY IN THE MID-NINETEENTH CENTURY

‘Thinking with Shakespeare’: The Merchant of Venice – Shylock, Caliban and the dynamics of social scale

TOWARDS 'A NEW KIND OF BOOK': PUBLISHING AND THE MINISTRY OF INFORMATION, 1939-46

A Hero of the Two Koreas: Yi Sun-shin Dramatized in North and South

Critiques of Colonialism in Robin Hobb's Soldier Son Trilogy

CHARLES KNIGHT AND THE SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE: A SPECIAL RELATIONSHIP (1827-1846)

A Theory of Literary Realism

War against Biopower - Timely Reflections on an Historicist Foucault

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