UB Paderborn / Katalog / Suche / in CDI

Migration and Identity in British East and Southeast Asian Cinema

Leung, Wing-Fai

1, 2023

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Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries

The Sociological review (Keele), 2015-05, Vol.63 (S1), p.50-65

2015

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Responses to health risk and suffering: ‘China’ in the Italian media discourses during the early stage of the Covid-19 pandemic

Media, culture & society, 2022-05, Vol.44 (4), p.820-836

2022

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Digital Entrepreneurship, Gender and Intersectionality: An East Asian Perspective

Leung, Wing-Fai

1, 2018

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Digital entrepreneurship in Taiwan and Thailand: Embracing precarity as a personal response to political and economic change

International journal of cultural studies, 2019-03, Vol.22 (2), p.264-280

2019

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Multimedia Stardom in Hong Kong: Image, performance and identity

1, 2015

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Introduction: creativity, knowledge and innovation in virtual work

New technology, work, and employment, 2017-03, Vol.32 (1), p.1-11

2017

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Virtual Celebrities for Fashion Branding in China

SHS Web of Conferences, 2023, Vol.169, p.1076

2023

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East Asian Film Stars

1, 2014

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The strengths of close ties: Taiwanese online entrepreneurship, gender and intersectionality

Information, communication & society, 2016-08, Vol.19 (8), p.1046-1060

Wing-Fai, Leung

2016

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The Chinese film industry: Emerging debates

Journal of Chinese cinemas, 2019-09, Vol.13 (3), p.199-201

2019

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Be creative: Making a living in the new cultural industries

Creative Industries Journal, 2019-01, Vol.12 (1), p.154-156

Leung, Wing-Fai

2019

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Who could be an Oriental angel? Lou Jing, mixed heritage and the discourses of Chinese ethnicity

Asian ethnicity, 2015-07, Vol.16 (3), p.294-313

Leung, Wing-fai

2015

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China’s iGeneration: Cinema and Moving Image Culture for the Twenty-First Century, edited by Matthew Johnson et al. (2014)

Alphaville, 2015-10 (9), p.117-121

2015

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Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series

New review of film and television studies, 2024-01, Vol.22 (1), p.88-108

Wing-Fai, Leung

2024

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Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption

Film-philosophy, 2010-02, Vol.14 (1), p.367-370

Leung, Wing-Fai

2010

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Lilting: On the Accented Politics of a Queer Narrative

Migration and Identity in British East and Southeast Asian Cinema, 2023, p.63-84

Leung, Wing-Fai

1, 2023

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Representations of Gendered Labour, Sex Work and Affect

Migration and Identity in British East and Southeast Asian Cinema, 2023, p.40-62

Leung, Wing-Fai

1, 2023

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Time, Space and the Chinese Migrant in Guo Xiaolu's Works

Migration and Identity in British East and Southeast Asian Cinema, 2023, p.21-39

Leung, Wing-Fai

1, 2023

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Introduction: British East and Southeast Asian Cinema as a Cultural Movement

Migration and Identity in British East and Southeast Asian Cinema, 2023, p.1-20

Leung, Wing-Fai

1, 2023

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International expansion of transnational advertising agencies in China: An assessment of the stages theory approach

International business review, 2007-04, Vol.16 (2), p.251-268

2007

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The duration of international joint ventures an foreign wholly-owned subsidiaries

Applied economics, 1997-10, Vol.29 (10), p.1255-1269

Leung, Wing-Fai

1997

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Client following revisited: A study of transnational advertising agencies in China

International journal of advertising, 2008-01, Vol.27 (4), p.593-628

2008

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Freelancing globally: Upworkers in China and India, neo-liberalisation and the new international putting-out system of labour (NIPL)

Work and Labour Relations in Global Platform Capitalism, 2021

2021

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Family Metaphor, the Geek and the Entrepreneurial Ideal

Digital Entrepreneurship, Gender and Intersectionality, 2018, p.45-83

Leung, Wing-Fai

2018

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Migration and Identity in British East and Southeast Asian Cinema

Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries

Responses to health risk and suffering: ‘China’ in the Italian media discourses during the early stage of the Covid-19 pandemic

Digital Entrepreneurship, Gender and Intersectionality: An East Asian Perspective

Digital entrepreneurship in Taiwan and Thailand: Embracing precarity as a personal response to political and economic change

Multimedia Stardom in Hong Kong: Image, performance and identity

Introduction: creativity, knowledge and innovation in virtual work

Virtual Celebrities for Fashion Branding in China

East Asian Film Stars

The strengths of close ties: Taiwanese online entrepreneurship, gender and intersectionality

The Chinese film industry: Emerging debates

Be creative: Making a living in the new cultural industries

Who could be an Oriental angel? Lou Jing, mixed heritage and the discourses of Chinese ethnicity

China’s iGeneration: Cinema and Moving Image Culture for the Twenty-First Century, edited by Matthew Johnson et al. (2014)

Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series

Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption

Lilting: On the Accented Politics of a Queer Narrative

Representations of Gendered Labour, Sex Work and Affect

Time, Space and the Chinese Migrant in Guo Xiaolu's Works

Introduction: British East and Southeast Asian Cinema as a Cultural Movement

International expansion of transnational advertising agencies in China: An assessment of the stages theory approach

The duration of international joint ventures an foreign wholly-owned subsidiaries

Client following revisited: A study of transnational advertising agencies in China

Freelancing globally: Upworkers in China and India, neo-liberalisation and the new international putting-out system of labour (NIPL)

Family Metaphor, the Geek and the Entrepreneurial Ideal

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