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Freud's Russian Neighbor

Modernism/modernity (Baltimore, Md.), 2021, Vol.28 (1), p.137-156

Powell, Larson

2021

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German Television: Historical and Theoretical Perspectives

1, 2016

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Fantasy and latency: Rainer Simon's late DEFA films

Studies in Eastern European cinema, 2022-01, Vol.13 (1), p.56-69

Powell, Larson

2022

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German television: historical and theoretical approaches

2016

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Crime and culture in eastern European film: GoEast! Festival of Eastern European Film, Wiesbaden, Germany, April 20–27, 2016

Studies in Eastern European cinema, 2016-09, Vol.7 (3), p.296-298

Powell, Larson

2016

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Excursions and Recursions: Kittler's Homeric Wake

Cultural politics (Biggleswade, England), 2012-11, Vol.8 (3), p.429-442

Powell, Larson

2012

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A modern outside modernism: J. C. Powys

Nebula (Glebe, Sydney, N.S.W.), 2009-12, Vol.6 (4), p.175

Powell, Larson

2009

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Breaking the frame of painting: Konrad Wolf's Goya

Studies in European cinema, 2009-02, Vol.5 (2), p.131-141

Powell, Larson

2009

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Itinerant Atonality: Stefan Wolpe's Middle Period Work

Contemporary music review, 2008-04, Vol.27 (2-3), p.305-322

Powell, Larson

2008

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Introduction

Cultural politics (Biggleswade, England), 2012-11, Vol.8 (3), p.359-360

2012

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Introduction

Cultural politics (Biggleswade, England), 2012-11, Vol.8 (3), p.359-360

2012

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Introduction

Cultural politics (Biggleswade, England), 2012-11, Vol.8 (3), p.359-360

2012

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Boredom, War, and Paradox: German Theories of Television

German Television, 2016, Vol.19, p.33

1, 2016

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Theorien der Gestaltungsanalyse: Narration, Bild und Ton

Angewandte Filmtheorie, 2023, p.51-137

2023

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Allegories of Management: Norbert Schultze’s Sound Track for Das Mädchen Rosemarie

Framing the Fifties, 2022, Vol.4, p.180-193

2022

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In the Wake of the Odyssey

Cultural politics (Biggleswade, England), 2012-11, Vol.8 (3), p.413-427

Kittler, Friedrich

2012

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Just Like in the West, Except Different: Television and Its Relationship to Film in the Context of 1950s GDR Development

German Television, 2016, Vol.19, p.53

1, 2016

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Television History in Germany: Media-Political and Media-Ethical Aspects

German Television, 2016, Vol.19, p.133

1, 2016

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Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx

German Television, 2016, Vol.19, p.175

1, 2016

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Nah am Fern: Kluge TV

German Television, 2016, Vol.19, p.110

1, 2016

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A Challenge, Maybe the Greatest for a Filmmaker: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974)

German Television, 2016, Vol.19, p.87

1, 2016

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Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural

German Television, 2016, Vol.19, p.193

1, 2016

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Germany as TV Show Import Market

German Television, 2016, Vol.19, p.155

1, 2016

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The Third Image: Contingencies and Ruptures in the Technological History of Television

German Television, 2016, Vol.19, p.17

1, 2016

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Adventures in Stagnation: Gottfried Kolditz’s Unfilmed Project Zimtpiraten

German Television, 2016, Vol.19, p.63

1, 2016

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Freud's Russian Neighbor

German Television: Historical and Theoretical Perspectives

Fantasy and latency: Rainer Simon's late DEFA films

German television: historical and theoretical approaches

Crime and culture in eastern European film: GoEast! Festival of Eastern European Film, Wiesbaden, Germany, April 20–27, 2016

Excursions and Recursions: Kittler's Homeric Wake

A modern outside modernism: J. C. Powys

Breaking the frame of painting: Konrad Wolf's Goya

Itinerant Atonality: Stefan Wolpe's Middle Period Work

Introduction

Introduction

Introduction

Boredom, War, and Paradox: German Theories of Television

Theorien der Gestaltungsanalyse: Narration, Bild und Ton

Allegories of Management: Norbert Schultze’s Sound Track for Das Mädchen Rosemarie

In the Wake of the Odyssey

Just Like in the West, Except Different: Television and Its Relationship to Film in the Context of 1950s GDR Development

Television History in Germany: Media-Political and Media-Ethical Aspects

Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx

Nah am Fern: Kluge TV

A Challenge, Maybe the Greatest for a Filmmaker: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974)

Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural

Germany as TV Show Import Market

The Third Image: Contingencies and Ruptures in the Technological History of Television

Adventures in Stagnation: Gottfried Kolditz’s Unfilmed Project Zimtpiraten

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