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The Getty Center for the History of Art and the Humanities, Santa Monica, California

Architectural record, 1985-09, Vol.173 (11), p.142

1985

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Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Gonzalez, Valérie

2000

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Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

Revue de l'Art, 1994, Vol.106 (1), p.106-107

Legault, Réjean

1994

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A. Bayer éd.: Dosso Dossi. Court Painter in Renaissance Ferrara. New York, The Metropolitan Museum of Art, 1998. 312 p., nbr. ill. n. et bl. et coul.; éd. italienne, Dosso Dossi. Pittore di Corte Ferrara nel Rinascimento. Ferrare, Ferrara Arte, 1998. 311 p., nb. ill. coul. et n. et bl. L. Ciammitti, S.F. Ostrow et S.Settis éd.:,Dosso's Fate. Los Angeles, The Getty Research Institute for the History of Art and Humanities, 1998. 420 p., nb. ill. n. et bl

Revue de l'Art, 1999, Vol.126 (1), p.86-87

Allard, Sébastien

1999

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Inside the Getty

2008

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One-stop shopping: RLIN as a union catalog for research collections at the Getty Center

Library trends, 1988-10, Vol.37 (2), p.252-262

BOWER, J. M

1988

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Getty Museum Family Room – Educational Issues on Scaffolding and Transfer of Learning

The international journal of art & design education, 2021-02, Vol.40 (1), p.201-215

Lee, Tiffany Shuang‐Ching

2021

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Between nature and culture: photographs of the Getty Center by Joe Deal

1999

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A Wealth of Scholarship: The J. Paul Getty Library

Wilson library bulletin, 1983-06, Vol.57 (10), p.828

Malkoff-Smith, Susan

1983

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A Silver Service and a Gold Coin

International journal of cultural property, 2017-08, Vol.24 (3), p.253-294

Walsh, Justin St P.

2017

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“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection

International journal of cultural property, 2014-11, Vol.21 (4), p.465-480

2014

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From self-regulated learning to computer-delivered integrated speaking testing: Does monitoring always monitor?

Frontiers in psychology, 2023-02, Vol.14, p.1028754-1028754

2023

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Modern Antiquities: The Looted and the Faked

International journal of cultural property, 2013-02, Vol.20 (1), p.49-75

Scott, David A.

2013

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News from the Field: Getty Research Portal

Visual resources, 2012-09, Vol.28 (3), p.217-219

Baca, Murtha

2012

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Rubens and the Eloquence of Drawing

Lusheck, Catherine H

1, 2017

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The J. Paul Getty Museum and its collections: a museum for the new century

1997

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The Watermark Imaging System: Revealing the Internal Structure of Historical Papers

Heritage, 2023-07, Vol.6 (7), p.5093-5106

2023

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The truth of appearances: nineteenth-century photography at the Getty

Afterimage, 1998-11, Vol.26 (3), p.9-11

Solomon-Godeau, Abigail

1998

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Walker Evans: No Politics

Schwartz, Stephanie

1, 2023

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Blurring the Boundaries: Collaborative Library and Museum Exhibitions in Los Angeles

RBM : a journal of rare books, manuscripts, and cultural heritage, 2007-03, Vol.8 (1), p.45-50

Reed, Marcia

2007

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Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel

Journal of the American Institute for Conservation, 2019-04, Vol.58 (1-2), p.54-68

2019

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Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Heritage science, 2019-06, Vol.7 (1), p.1-13, Article 43

2019

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Cultural Diplomacy and the Heritage of Empire: Negotiating Post-Colonial Returns

Scott, Cynthia

1, 2019

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The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center

Zell, Jennifer Kay

2007

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ProQuest

Digital art history in 2021

History compass, 2021-08, Vol.19 (8), p.n/a

Brey, Alexander

2021

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The Getty Center for the History of Art and the Humanities, Santa Monica, California

Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

Inside the Getty

One-stop shopping: RLIN as a union catalog for research collections at the Getty Center

Getty Museum Family Room – Educational Issues on Scaffolding and Transfer of Learning

Between nature and culture: photographs of the Getty Center by Joe Deal

A Wealth of Scholarship: The J. Paul Getty Library

A Silver Service and a Gold Coin

“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection

From self-regulated learning to computer-delivered integrated speaking testing: Does monitoring always monitor?

Modern Antiquities: The Looted and the Faked

News from the Field: Getty Research Portal

Rubens and the Eloquence of Drawing

The J. Paul Getty Museum and its collections: a museum for the new century

The Watermark Imaging System: Revealing the Internal Structure of Historical Papers

The truth of appearances: nineteenth-century photography at the Getty

Walker Evans: No Politics

Blurring the Boundaries: Collaborative Library and Museum Exhibitions in Los Angeles

Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel

Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Cultural Diplomacy and the Heritage of Empire: Negotiating Post-Colonial Returns

The Art of Perception: Robert Irwin's Central Garden at the J. Paul Getty Center

Digital art history in 2021

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