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Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition

Baker, T

2014, 2014

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Critical Discourses of the Fantastic, 1712–1831

Sandner, David

1, 2011

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Haptic Modernism: Touch and the Tactile in Modernist Writing

Garrington, Abbie

1, 2013

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The Cambridge Companion to Irish Poets

Dawe, Gerald

2017

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Harps, Heroes and Yelling Vampires: The 1810 Poetry Collections

The Neglected Shelley, 2015, p.51-76

1, 2015

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The Letters of Charles Dickens: Supplement VII

Dickensian, 2007-04, Vol.103 (471), p.37

2007

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Male Friendship and Testimonies of Love in Shakespeare's England

Tosh, Will

1, 2016

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“No magic dwelling-place in magic story”: Time, Memory and the Enchanted Children of Dombey and Son

Dickens and the Imagined Child, 2015, p.59-72

2015

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Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf

Bernstein, Susan David

1, 2013

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'The Minstrelsy of Heaven': Representation and the Politics of Lyric in Paradise Lost

Milton studies, 2016, Vol.57 (1), p.63-92

Brown, Andrew S

2016

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Later Fantasy Fiction: Tolkien's Legacy

A Companion to J. R. R. Tolkien, 2014, p.335-349

2014

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Ford Madox Ford: Further Bibliographies

English literature in transition, 1880-1920, 2000-01, Vol.43 (2), p.131-205

Saunders, Max

2000

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The Letters of Charles Dickens: Supplement X

Dickensian, 2008-12, Vol.104 (476), p.236

2008

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Conversion Narratives in Early Modern England: Tales of Turning

Shinn, Abigail

1, 2018

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Finished and Under Construction: Visual Representation and Spatial Relations in Post-Ceasefire Northern Irish Poetry

The Legacy of the Good Friday Agreement, p.207-227

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Carnival and Literature in Early Modern England

Vaught, Jennifer C.

1, 2012

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James Hogg and British Romanticism: A Kaleidoscopic Art

Meiko O'Halloran

1, 2015

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The Letters of Charles Dickens: Supplement XIV

Dickensian, 2010-04, Vol.106 (480), p.42

2010

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The Letters of Charles Dickens: Supplement XIII

Dickensian, 2009-12, Vol.105 (479), p.225

2009

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Virginia Woolf's Afterlives: The Author as Character in Contemporary Fiction and Drama

Latham, Monica

1, 2021

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But it's more than a game. It's an institution.: Cricket, class and Victorian Britain's imperial Englishness

The Making of English Popular Culture, 2016, p.32-46

1, 2016

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Tamburlaine the Great Part Two and the Refusal of Tragedy

Tragedy and Trauma in the plays of Christopher Marlowe, 2015, p.61-84

Martin, Mathew R.

1, 2015

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Introduction: Anthony Bacon and the Uses of Friendship

Male Friendship and Testimonies of Love in Shakespeare’s England, 2016, p.1-19

Tosh, Will

2016

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Introduction: Tales of Turning

Conversion Narratives in Early Modern England, 2018, p.1-27

Shinn, Abigail

2018

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Agatha Christie on Screen

Aldridge, Mark

1st ed. 2016., 2016

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Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition

Critical Discourses of the Fantastic, 1712–1831

Haptic Modernism: Touch and the Tactile in Modernist Writing

The Cambridge Companion to Irish Poets

Harps, Heroes and Yelling Vampires: The 1810 Poetry Collections

The Letters of Charles Dickens: Supplement VII

Male Friendship and Testimonies of Love in Shakespeare's England

“No magic dwelling-place in magic story”: Time, Memory and the Enchanted Children of Dombey and Son

Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf

'The Minstrelsy of Heaven': Representation and the Politics of Lyric in Paradise Lost

Later Fantasy Fiction: Tolkien's Legacy

Ford Madox Ford: Further Bibliographies

The Letters of Charles Dickens: Supplement X

Conversion Narratives in Early Modern England: Tales of Turning

Finished and Under Construction: Visual Representation and Spatial Relations in Post-Ceasefire Northern Irish Poetry

Carnival and Literature in Early Modern England

James Hogg and British Romanticism: A Kaleidoscopic Art

The Letters of Charles Dickens: Supplement XIV

The Letters of Charles Dickens: Supplement XIII

Virginia Woolf's Afterlives: The Author as Character in Contemporary Fiction and Drama

But it's more than a game. It's an institution.: Cricket, class and Victorian Britain's imperial Englishness

Tamburlaine the Great Part Two and the Refusal of Tragedy

Introduction: Anthony Bacon and the Uses of Friendship

Introduction: Tales of Turning

Agatha Christie on Screen

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