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Essays on Music and Language in Modernist Literature: Musical Modernism

1, 2018

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"behush the bush to. Whish!": Silence, Loss, and "Finnegans Wake"

European Joyce studies, 2016, Vol.24, p.140-152

O'Callaghan, Katherine

2016

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The Riddle of the Brocken Spectre: Reading "Finnegans Wake" on the Top of Croagh Patrick

James Joyce quarterly, 2019, Vol.56 (1/2), p.133-153

O'Callaghan, Katherine

2019

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Music and language in modernist literature: musical modernism

O'Callaghan, Katherine

2018

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Joyce's Ghosts: Ireland, Modernism, And Memory by Luke Gibbons (review)

James Joyce quarterly, 2017, Vol.54 (3), p.441-446

O'Callaghan, Katherine

2017

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Traditional Music and Irish Society: Historical Perspectives by Martin Dowling (review)

James Joyce quarterly, 2015, Vol.52 (2), p.456-459

O'Callaghan, Katherine

2015

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That’s the Music of the Future: Joyce, Modernism, and the “Old Irish Tonality”

Essays on Music and Language in Modernist Literature, 2018, p.32-47

O’Callaghan, Katherine

1, 2018

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The Art of Reading a Musical Novel: Literary Audiation and the Case of James Joyce

European Joyce studies, 2020-01, Vol.29, p.84-95

O’Callaghan, Katherine

2020

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Restoring Service after an Unplanned IT Outage

IT professional, 2008-05, Vol.10 (3), p.40-45

2008

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List of Contributors

Essays on Music and Language in Modernist Literature, 2018

O'Callaghan, Katherine

2018

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Introduction

Essays on Music and Language in Modernist Literature, 2018

O'Callaghan, Katherine

2018

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Musicality in Ford Madox Ford’s Parade’s End: Towards Modernity

Essays on Music and Language in Modernist Literature, 2018, p.62-78

1, 2018

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The (R)Evolution of Olive Moore: Fugue as Bridge to a New Feminist Awakening

Essays on Music and Language in Modernist Literature, 2018, p.79-93

1, 2018

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The Way to Learn the Music of Verse Is to Listen to It: Ezra Pound’s the Pisan Cantos and the “Sequence of the Musical Phrase”

Essays on Music and Language in Modernist Literature, 2018, p.159-172

1, 2018

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Woolf Rewriting Wagner: The Waves and Der Ring des Nibelungen

Essays on Music and Language in Modernist Literature, 2018, p.1-31

1, 2018

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The Musicalization of Samuel Beckett

Essays on Music and Language in Modernist Literature, 2018, p.253-268

1, 2018

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With all that Tutti and Continuo: Musicality and Temporality in Djuna Barnes’s The Antiphon

Essays on Music and Language in Modernist Literature, 2018, p.221-236

1, 2018

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Expansive Musical Modernism in William Carlos Williams, Steve Reich, and Tom Leonard

Essays on Music and Language in Modernist Literature, 2018, p.188-202

1, 2018

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The Ring, The Waves, and the Wake: Eternal Recurrence in Wagner, Woolf, and Joyce

Essays on Music and Language in Modernist Literature, 2018, p.48-61

1, 2018

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Words for Music Perhaps: W. B. Yeats, Music, and Meaninglessness

Essays on Music and Language in Modernist Literature, 2018, p.140-158

1, 2018

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Sounding Bodies: Eroticized Music-Making in Proust’s À la Recherche

Essays on Music and Language in Modernist Literature, 2018, p.110-125

1, 2018

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Rabindranath Tagore and Musical Modernity in Early Twentieth-Century Bengal

Essays on Music and Language in Modernist Literature, 2018, p.126-139

1, 2018

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A Strict Arrangement: Thomas Mann, Doctor Faustus , and the Kretzschmar Lectures

Essays on Music and Language in Modernist Literature, 2018, p.94-109

1, 2018

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The Blues Always Been Here: African American Music and Black Modernism in August Wilson’s Ma Rainey’s Black Bottom

Essays on Music and Language in Modernist Literature, 2018, p.237-252

1, 2018

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The Sudden Thing of Being No One: Robert Creeley’s Rhythm Changes

Essays on Music and Language in Modernist Literature, 2018, p.204-220

1, 2018

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Essays on Music and Language in Modernist Literature: Musical Modernism

"behush the bush to. Whish!": Silence, Loss, and "Finnegans Wake"

The Riddle of the Brocken Spectre: Reading "Finnegans Wake" on the Top of Croagh Patrick

Music and language in modernist literature: musical modernism

Joyce's Ghosts: Ireland, Modernism, And Memory by Luke Gibbons (review)

Traditional Music and Irish Society: Historical Perspectives by Martin Dowling (review)

That’s the Music of the Future: Joyce, Modernism, and the “Old Irish Tonality”

The Art of Reading a Musical Novel: Literary Audiation and the Case of James Joyce

Restoring Service after an Unplanned IT Outage

List of Contributors

Introduction

Musicality in Ford Madox Ford’s Parade’s End: Towards Modernity

The (R)Evolution of Olive Moore: Fugue as Bridge to a New Feminist Awakening

The Way to Learn the Music of Verse Is to Listen to It: Ezra Pound’s the Pisan Cantos and the “Sequence of the Musical Phrase”

Woolf Rewriting Wagner: The Waves and Der Ring des Nibelungen

The Musicalization of Samuel Beckett

With all that Tutti and Continuo: Musicality and Temporality in Djuna Barnes’s The Antiphon

Expansive Musical Modernism in William Carlos Williams, Steve Reich, and Tom Leonard

The Ring, The Waves, and the Wake: Eternal Recurrence in Wagner, Woolf, and Joyce

Words for Music Perhaps: W. B. Yeats, Music, and Meaninglessness

Sounding Bodies: Eroticized Music-Making in Proust’s À la Recherche

Rabindranath Tagore and Musical Modernity in Early Twentieth-Century Bengal

A Strict Arrangement: Thomas Mann, Doctor Faustus , and the Kretzschmar Lectures

The Blues Always Been Here: African American Music and Black Modernism in August Wilson’s Ma Rainey’s Black Bottom

The Sudden Thing of Being No One: Robert Creeley’s Rhythm Changes

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