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Jan Tschichold and the Language of Modernism

Visible language, 1996, Vol.30 (3), p.314

Storkerson, Peter

1996

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Editorial

ReCALL (Cambridge, England), 2019-01, Vol.31 (1), p.1-2

Boulton, Alex

2019

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Fonts of potential: areas for typographic research in political communication

International journal of communication (Online), 2016-01, p.4570

Billard, Thomas J

2016

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Social Public Purchasing: Addressing a Critical Void in Public Purchasing Research

Public administration review, 2022-09, Vol.82 (5), p.818-834

2022

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What Is a Book? Kant and the Law of the Letter

Critical inquiry, 2023-06, Vol.49 (4), p.605-625

2023

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Franz Roh's "Nach-Expressionismus" and the "Weltanschauung" of the Weimar Republic

German studies review, 2017-05, Vol.40 (2), p.267-288

Hemingway, Andrew

2017

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What drives the learning benefits of moving text? A theoretical discussion for learning implications of kinetic typography

Humanities & social sciences communications, 2023-12, Vol.10 (1), p.169-7, Article 169

2023

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Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse

Critical inquiry, 2004-09, Vol.31 (1), p.49-84

Liu, Alan

2004

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Project Decisions in Magazine Design

Advances in Ergonomics in Design, p.462-472

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At the crossroads of Marxism and structuralism in modern Polish literary theory (1918–1939): The case of Warsaw and Vilnius student circles

Thesis eleven, 2020-08, Vol.159 (1), p.64-77

Ulicka, Danuta

2020

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The Propaganda: Graphic Design and the Printing/Advertising Workshops

The Bauhaus and Public Relations, 2014, p.105-119

Rössler, Patrick

1, 2014

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Rejuvenation and Regen(d)eration: "Der Steinachfilm," Sex Glands, and Weimar-Era Visual and Literary Culture

German studies review, 2015-02, Vol.38 (1), p.35-62

Makela, Maria

2015

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Polish Futurism Revisited: Anatol Stern and his Post-War Poetry Recording

The Modern language review, 2016-01, Vol.111 (1), p.208-226

Kremer, Aleksandra

2016

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The New Visuality of Writing

Shifts toward Image-Centricity in Contemporary Multimodal Practices, 2020, p.64-85

1, 2020

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The Money: New Typography in Everybody's Pockets

The Bauhaus and Public Relations, 2014, p.120-136

Heise, Nele

1, 2014

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Narrative Problems of Graphic Design History

Visible language, 1994-07, Vol.28 (3), p.233-243

Margolin, Victor

1994

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Deconstruction and Graphic Design: History Meets Theory

Visible language, 1994-10, Vol.28 (4), p.345-365

1994

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Collecting Paper: Die Brücke, the Bourgeois Interior, and the Architecture of Knowledge

Information Beyond Borders, 2014

2014

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A Poetics of Graphic Design?

Visible language, 1994-07, Vol.28 (3), p.245-259

Baker, Steve

1994

Volltextzugriff (PDF)

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Jan Tschichold and the Language of Modernism

Editorial

Fonts of potential: areas for typographic research in political communication

Social Public Purchasing: Addressing a Critical Void in Public Purchasing Research

What Is a Book? Kant and the Law of the Letter

Franz Roh's "Nach-Expressionismus" and the "Weltanschauung" of the Weimar Republic

What drives the learning benefits of moving text? A theoretical discussion for learning implications of kinetic typography

Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse

Project Decisions in Magazine Design

At the crossroads of Marxism and structuralism in modern Polish literary theory (1918–1939): The case of Warsaw and Vilnius student circles

The Propaganda: Graphic Design and the Printing/Advertising Workshops

Rejuvenation and Regen(d)eration: "Der Steinachfilm," Sex Glands, and Weimar-Era Visual and Literary Culture

Polish Futurism Revisited: Anatol Stern and his Post-War Poetry Recording

The New Visuality of Writing

The Money: New Typography in Everybody's Pockets

Narrative Problems of Graphic Design History

Deconstruction and Graphic Design: History Meets Theory

Collecting Paper: Die Brücke, the Bourgeois Interior, and the Architecture of Knowledge

A Poetics of Graphic Design?

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