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Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

Ethnomusicology, 2017-07, Vol.61 (2), p.181-206

DeCoste, Kyle

2017

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Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism

Ethnomusicology, 2021-10, Vol.65 (3), p.519-548

Snyder, Andrew

2021

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The Clarinet in Early New Orleans Jazz: Style, Tone and Function

The Journal of the Acoustical Society of America, 2017-10, Vol.142 (4), p.2528-2528

White, Michael

2017

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“Lucky Enough”: The Music and Stories That Make Vaughan's Lounge, New Orleans, Louisiana, United States

Jazz and culture (Champaign, Ill.), 2022-12, Vol.5 (2), p.79-91

Blaustone-Dye, Natalie

2022

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“Under the Bridge”: An Orientation to Soundscapes in New Orleans

Ethnomusicology, 2010, Vol.54 (1), p.1-27

Sakakeeny, Matt

2010

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Music Learning as Life in an African American Family: The Story of Charlie Gabriel in New Orleans

Journal of historical research in music education, 2022-04, Vol.43 (2), p.115-141

2022

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Who Dat?: Race and Its Conspicuous Consumption in Post-Katrina New Orleans

City & society, 2015-04, Vol.27 (1), p.92-114

PERRY, MARC D.

2015

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Teaching Cultural Competency through Early New Orleans Jazz

Jazz education in research and practice: a journal of the Jazz Education Network, 2024-01, Vol.5 (1), p.128-141

Williams, Sarin

2024

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Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

Southern cultures, 2015-09, Vol.21 (3), p.75-84

Urban, Michael

2015

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We’re Not Just Shooting the Breeze: Marching Bands and Black Masculinity in New Orleans

Southern cultures, 2021-12, Vol.27 (4), p.44-65

Sakakeeny, Matt

2021

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Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

The Journal of American history (Bloomington, Ind.), 2007-12, Vol.94 (3), p.820-827, Article 820

White, Michael G.

2007

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Frank’s Place, Gender, and New Orleans: Using Folklore to Create Televisual Place

Journal of film and video, 2017-12, Vol.69 (4), p.28-42

Roberts, Robin

2017

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Historically Informed Jazz Pedagogy: New Orleans Counterpoint and Barbershop Harmony

Jazz education in research and practice: a journal of the Jazz Education Network, 2020-01, Vol.1 (1), p.155

Hobson

2020

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Time of My Life: A Jazz Journey from London to New Orleans

Notes (Music Library Association), 2021-03, Vol.77 (3), p.430-432

Munandar, Ana

2021

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Performing Africa in New Orleans

African arts, 2013-06, Vol.46 (2), p.12-21

2013

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Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

Anthropology and humanism, 2022-06, Vol.47 (1), p.4-19

2022

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The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans: A Discussion of Cedric Johnson's The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans--Matt Sakakeeny

Perspectives on politics, 2012-09, Vol.10 (3), p.723

2012

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“Meet de Boys on the Battlefront”: Festive Parades and the Struggle to Reclaim Public Spaces in Post-Katrina New Orleans

European journal of American studies, 2015-12, Vol.10 (3)

Godet, Aurélie

2015

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Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

Perspectives on politics, 2012-08, Vol.10 (3), p.723-726

Sakakeeny, Matt

2012

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On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

American quarterly, 2009-09, Vol.61 (3), p.649-669

Jabir, Johari

2009

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Music Industry Showcase Sessions New Orleans, Louisiana

Music educators journal, 1992-03, Vol.78 (7), p.64-66

1992

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The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

Journal of historical research in music education, 2022-04, Vol.43 (2), p.205-227

Milburn, Claire

2022

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New Orleans: Interstate appeal

Billboard, 2000-04, Vol.112 (16), p.39

Spera, Keith

2000

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism

The Clarinet in Early New Orleans Jazz: Style, Tone and Function

“Lucky Enough”: The Music and Stories That Make Vaughan's Lounge, New Orleans, Louisiana, United States

“Under the Bridge”: An Orientation to Soundscapes in New Orleans

Music Learning as Life in an African American Family: The Story of Charlie Gabriel in New Orleans

Who Dat?: Race and Its Conspicuous Consumption in Post-Katrina New Orleans

Teaching Cultural Competency through Early New Orleans Jazz

Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

We’re Not Just Shooting the Breeze: Marching Bands and Black Masculinity in New Orleans

Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

Frank’s Place, Gender, and New Orleans: Using Folklore to Create Televisual Place

Historically Informed Jazz Pedagogy: New Orleans Counterpoint and Barbershop Harmony

Time of My Life: A Jazz Journey from London to New Orleans

Performing Africa in New Orleans

Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans: A Discussion of Cedric Johnson's The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans--Matt Sakakeeny

“Meet de Boys on the Battlefront”: Festive Parades and the Struggle to Reclaim Public Spaces in Post-Katrina New Orleans

Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

Music Industry Showcase Sessions New Orleans, Louisiana

The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

New Orleans: Interstate appeal

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Ellis Marsalis with Charles Henry Rowell

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