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Harold Clurman

Newsweek, 1980-12, Vol.96, p.53

1980

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The Lab Where the Method Was Born: A look at the American Laboratory Theatre, where Richard Boleslavsky and Maira Ouspenskaya introduced young American actors to their version of Stanislavski's system

American theatre, 2022-02

Butler, Isaac

2022

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Getting Stanislavsky Wrong

New theatre quarterly, 2014-08, Vol.30 (3), p.210-212

Marowitz, Charles

2014

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Reassessing Obscurity: The Case for Big Data in Theatre History

Theatre journal (Washington, D.C.), 2016-12, Vol.68 (4), p.555-573

Caplan, Debra

2016

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The Kazan Method : Marlon Brando and James Dean

Vagos, Mariana Araújo

2020

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What Becomes a Legend Most?: The brilliant, infuriating personalities behind the invention of Method acting

Bookforum - Artforum, 2022-03, Vol.29 (1)

Walker, Natalie

2022

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A Rose by any other name

Country life (London), 2018-09, p.154-155

Billington, Michael

2018

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Enter Brando

Raritan, 2015-03, Vol.34 (4), p.85

DeLibero, Linda

2015

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Convicts on the Loose in All My Sons and John Gabriel Borkman

The Arthur Miller journal, 2020-11, Vol.15 (2), p.101-120

Brucher, Richard

2020

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Práxis da Direção de Atores na Curta Metragem Ruído

Sá, Inês da Silva

2018

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Bir Rol Çalışma Yöntemi Olarak Meisner Tekniği

Kocabiyik, Osman Yiğit Can

2017

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From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

Arts (Basel), 2023-06, Vol.12 (4), p.134

Davidson, Andrew

2023

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Bir Rol çalışma Yöntemi Olarak UTA Hagen

Kocabiyik, Gülşah

2021

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Days with the group theatre: An interview with Clifford Odets

Michigan quarterly review, 2002-04, Vol.41 (2), p.174

Hethmon, Robert H

2002

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A Psychological Exploration of the Experience of Acting

Creativity research journal, 2019-10, Vol.31 (4), p.428-442

Panero, Maria Eugenia

2019

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The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

European journal of American studies, 2021-04, Vol.16 (1)

Smith, Philip

2021

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Leonard Cabell Pronko: An Appreciation

Asian theatre journal, 2021-03, Vol.38 (1), p.1-15

Sorgenfrei, Carol Fisher

2021

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Still Fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

Theatre history studies, 2005-01, Vol.25, p.125

Andrews, Matthew

2005

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Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

Jewish social studies, 2018-01, Vol.23 (2), p.1-23

Shandler, Jeffrey

2018

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“Hey, asshole: you had your say”: The Performance of Theatre Criticism

Theatre topics, 2014-06, Vol.24 (2), p.103-124

Hatton, Oona

2014

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The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics

Theatre, dance and performance training, 2023-01, Vol.14 (1), p.5-23

Davidson, Andrew

2023

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The Method: How the Twentieth Century Learned to Act by Isaac Butler (review)

Theatre Topics, 2023-11, Vol.33 (3), p.159-160

Malague, Rosemary

2023

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Editor's Note

The Tennessee Williams annual review, 2022-01 (21), p.3-143

Palmer, R Barton

2022

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How to Read a Play: Script Analysis for Directors by Damon Kiely (review)

Theatre Topics, 2017-11, Vol.27 (3), p.239-240

Chambers, Jonathan

2017

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Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

MLN, 2016-03, Vol.131 (2), p.356-377

García-Reidy, Alejandro

2016

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Harold Clurman

The Lab Where the Method Was Born: A look at the American Laboratory Theatre, where Richard Boleslavsky and Maira Ouspenskaya introduced young American actors to their version of Stanislavski's system

Getting Stanislavsky Wrong

Reassessing Obscurity: The Case for Big Data in Theatre History

The Kazan Method : Marlon Brando and James Dean

What Becomes a Legend Most?: The brilliant, infuriating personalities behind the invention of Method acting

A Rose by any other name

Enter Brando

Convicts on the Loose in All My Sons and John Gabriel Borkman

Práxis da Direção de Atores na Curta Metragem Ruído

Bir Rol Çalışma Yöntemi Olarak Meisner Tekniği

From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

Bir Rol çalışma Yöntemi Olarak UTA Hagen

Days with the group theatre: An interview with Clifford Odets

A Psychological Exploration of the Experience of Acting

The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

Leonard Cabell Pronko: An Appreciation

Still Fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

“Hey, asshole: you had your say”: The Performance of Theatre Criticism

The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics

The Method: How the Twentieth Century Learned to Act by Isaac Butler (review)

Editor's Note

How to Read a Play: Script Analysis for Directors by Damon Kiely (review)

Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

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