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Formation of Octameric Methylaluminoxanes by Hydrolysis of Trimethylaluminum and the Mechanisms of Catalyst Activation in Single-Site [alpha]-Olefin Polymerization Catalysis

Chemphyschem, 2014-09, Vol.15 (13), p.2732

2014

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Migration and Opera Old and New: Repertoire Revivals and Eva Noer Kondrup’s Den Rejsende

Nordic theatre studies, 2022-01, Vol.34 (1), p.22-33

Severn, John R

2022

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Preference formation in demand for live theatre

Journal of cultural economics, 2024-06, Vol.48 (2), p.285-310

2024

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MAO-Free Activation of Metallocenes and other Single-Site Catalysts for Ethylene Polymerization using Spherical Supports based on MgCl2

Macromolecular rapid communications., 2004-05, Vol.25 (10), p.1024-1028

2004

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Devising New Research Questions in Theatre Studies and Cultural Economics: The Cross-Disciplinary Collaborative Creation of an Audience Questionnaire Using Devised Theatre Techniques

Journal of dramatic theory and criticism, 2022-04, Vol.36 (2), p.33-50

2022

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"All Shook Up" and the Unannounced Adaptation: Engaging with "Twelfth Night's" Unstable Identities

Theatre journal (Washington, D.C.), 2014-12, Vol.66 (4), p.541-557

Severn, John R.

2014

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Immobilization and activation of vanadium(III) and titanium(III) single-site catalysts for ethylene polymerization using MgCl2-based supports

Polymer international, 2005-05, Vol.54 (5), p.837-841

2005

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Salieri’s Falstaff, ossia Le tre burle and The Merry Wives of Windsor: Operatic Adaptation and/as Shakespeare Criticism

Cambridge opera journal, 2014-03, Vol.26 (1), p.83-112

Severn, John R.

2014

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BEYOND FALSTAFF IN 'DIE LUSTIGEN WEIBER VON WINDSOR': OTTO NICOLAI'S REVOLUTIONARY 'WIVES'

Music & letters, 2015-02, Vol.96 (1), p.28-54

Severn, John R

2015

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All’s Well That Ends Well ’s Paroles and the Bisexual Miles Gloriosus : Early Modern Expectations, Modern Stagings

Shakespeare (London, England), 2024-07, p.1-21

Severn, John R.

2024

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Interrogating Escapism: Rethinking Kenneth Branagh’s Love’s Labour’s Lost

Shakespeare bulletin, 2013-10, Vol.31 (3), p.453-483

Severn, John R.

2013

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A (white) woman’s (ironic) places in Kiss Me, Kate and post-war America

Studies in musical theatre, 2012-09, Vol.6 (2), p.173-186

Severn, John R.

2012

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Opera-to-opera adaptation revived: Barrie Kosky and Elena Kats-Chernin's Monteverdi Trilogie at the Komische Oper Berlin, instrumentation, localization and community

Journal of adaptation in film & performance, 2022-03, Vol.15 (1-2), p.41-59

Severn, John R.

2022

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Activation of Titanium-Based Single-Site Catalysts for Ethylene Polymerization Using Supports of Type MgCl2/AlRn(OEt)3-n

Macromolecular chemistry and physics, 2004-10, Vol.205 (15), p.1987-1994

2004

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Immobilization and Activation of a Single-Site Chromium Catalyst for Ethylene Polymerization using MgCl2/AlRn(OEt)3 − n Supports

Macromolecular rapid communications., 2005-02, Vol.26 (3), p.150-154

2005

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Catalyst behaviour for 1-pentene and 4-methyl-1-pentene polymerisation for C2-, Cs- and C1-symmetric zirconocenes

Polymer chemistry, 2011-01, Vol.2 (10), p.2261-2272

2011

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All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night ’s Unstable Identities

Theatre journal (Washington, D.C.), 2014-12, Vol.66 (4), p.541-557

Severn, John R.

2014

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Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival

Barrie Kosky's Transnational Theatres, 2021, p.81-104

2021

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Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Australian literary studies, 2014-05

Severn, John R.

2014

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Aesthetic Ideas´´: Mystery and Meaning in the Early Work of Barrie Kosky

Barrie Kosky's Transnational Theatres, 2021, p.59-80

2021

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Very Much a Laboratory´´: Barrie Kosky and the Gilgul Ensemble 1991-1997

Barrie Kosky's Transnational Theatres, 2021, p.31-57

2021

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(Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg

Barrie Kosky’s Transnational Theatres, 2021, p.177-198

2021

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Fencing, Form and Cognition on the Early Modern Stage: Artful Devices. Dori Coblentz. Edinburgh: Edinburgh University Press, 2021. viii + 187 pp. $110

Renaissance Quarterly, 2023, Vol.76 (3), p.1187-1188

Severn, John R.

2023

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MAO‐Free Activation of Metallocenes and other Single‐Site Catalysts for Ethylene Polymerization using Spherical Supports based on MgCl 2

Macromolecular rapid communications., 2004-05, Vol.25 (10), p.1024-1028

2004

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Cover Picture: Macromol. Rapid Commun. 10/2004

Macromolecular rapid communications., 2004-05, Vol.25 (10), p.977-977

2004

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Formation of Octameric Methylaluminoxanes by Hydrolysis of Trimethylaluminum and the Mechanisms of Catalyst Activation in Single-Site [alpha]-Olefin Polymerization Catalysis

Migration and Opera Old and New: Repertoire Revivals and Eva Noer Kondrup’s Den Rejsende

Preference formation in demand for live theatre

MAO-Free Activation of Metallocenes and other Single-Site Catalysts for Ethylene Polymerization using Spherical Supports based on MgCl2

Devising New Research Questions in Theatre Studies and Cultural Economics: The Cross-Disciplinary Collaborative Creation of an Audience Questionnaire Using Devised Theatre Techniques

"All Shook Up" and the Unannounced Adaptation: Engaging with "Twelfth Night's" Unstable Identities

Immobilization and activation of vanadium(III) and titanium(III) single-site catalysts for ethylene polymerization using MgCl2-based supports

Salieri’s Falstaff, ossia Le tre burle and The Merry Wives of Windsor: Operatic Adaptation and/as Shakespeare Criticism

BEYOND FALSTAFF IN 'DIE LUSTIGEN WEIBER VON WINDSOR': OTTO NICOLAI'S REVOLUTIONARY 'WIVES'

All’s Well That Ends Well ’s Paroles and the Bisexual Miles Gloriosus : Early Modern Expectations, Modern Stagings

Interrogating Escapism: Rethinking Kenneth Branagh’s Love’s Labour’s Lost

A (white) woman’s (ironic) places in Kiss Me, Kate and post-war America

Opera-to-opera adaptation revived: Barrie Kosky and Elena Kats-Chernin's Monteverdi Trilogie at the Komische Oper Berlin, instrumentation, localization and community

Activation of Titanium-Based Single-Site Catalysts for Ethylene Polymerization Using Supports of Type MgCl2/AlRn(OEt)3-n

Immobilization and Activation of a Single-Site Chromium Catalyst for Ethylene Polymerization using MgCl2/AlRn(OEt)3 − n Supports

Catalyst behaviour for 1-pentene and 4-methyl-1-pentene polymerisation for C2-, Cs- and C1-symmetric zirconocenes

All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night ’s Unstable Identities

Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Aesthetic Ideas´´: Mystery and Meaning in the Early Work of Barrie Kosky

Very Much a Laboratory´´: Barrie Kosky and the Gilgul Ensemble 1991-1997

(Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg

Fencing, Form and Cognition on the Early Modern Stage: Artful Devices. Dori Coblentz. Edinburgh: Edinburgh University Press, 2021. viii + 187 pp. $110

MAO‐Free Activation of Metallocenes and other Single‐Site Catalysts for Ethylene Polymerization using Spherical Supports based on MgCl 2

Cover Picture: Macromol. Rapid Commun. 10/2004

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