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Bravery in the Delicate: an Actor's Exploration of Thea Elvsted in Henrik Ibsen's Hedda Gabler
2021
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Acceptable prostitution to social purity: Society's views of prostitution in John Cleland's “Memoirs of a Woman of Pleasure” and George Bernard Shaw's “Mrs. Warren's Profession”
2006
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George Bernard Shaw, Victorian, Modern, and Postmodern prophet: A rhetorical analysis of three plays
1988
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Playing with the Practice Room: [Feminist] Directorial Interventions in Theatrical Rehearsal Processes
2014
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The making of a modern woman: Feminist constructs in twenty-first century adaptations of “Hedda Gabler”
2010
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Charlotte Perkins Gilman: Naturalist playwright
2012
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Female Social Conventions in Plays of Eugene O'Neill
2011
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Women's Issues from a Man's Perspective - A Study of Select Plays of Mahesh Dattani
2011
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Vying for authority: Realism, myth, and the painter in British literature, 1800–1855
2010
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'Fallen Women'- A Study of Women Characters in the Selected Five Plays of Eugene O'Neill
2009
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Husbands, wives, and status in Roman Corinth: A discussion of headcoverings in 1 Corinthians 11.2–16
2005
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Sexual discourse and Telugu modernity: A reading of Gudipāti Ve˘n˙kata Calam's “Maidānam”
2002
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The feminist impact on criticism of “The Taming of the Shrew”: A case study
2003
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Provocative contours: Tracing the female performer's body in Victorian literature and the aesthetics of performance
2004
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Vietnamese renovated theater (Cai Luong) as a medium to address women's issues in modern Vietnam
2005
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An analysis of the plays of Margaret Macnamara
2002
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Hedda and her sisters: Realism, feminism, and social reform on the American stage
2004
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The women of the Abbey Theatre, 1897–1925
2004
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“…With frenzied thoughts beset…”: Depictions of female madness on the nineteenth-century English stage
2001
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“Those sacred monsters”: The functions of female performers in the Victorian novel
2003
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Mother of Frankenstein
2004
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The other side of fifty: The Crones Among Us
2003
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The Salomé theme in the wake of Oscar Wilde: Transformative aesthetics of sexuality in modernity
2003
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Coming to terms: Nineteenth -century British women writers and their publishers
1999
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Genre departures: Women writers and the crisis of representing National Socialism and World War II
2002
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