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Eine angewandte serielle und elektronische Musik? Stockhausen, Goeyvaerts und die musikalische Liturgiereform um 1955

Archiv für Musikwissenschaft, 2019-04, Vol.76 (2), p.135-163

Delaere, Mark

2019

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Temporal Organization in the Masses of Johannes Ockeghem

Farina, Andrew J

2014

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ProQuest

Johann Sebastian Bach: Was heißt "Klang=Rede"?

2003

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Die Rezeption der Matthäus-Passion von Johann Walter und die Passionstradition in Siebenbürgen

Zeitschrift für Siebenbürgische Landeskunde, 2014, Vol.XXXVII (1), p.192-205

Konradt, Greta

2014

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Johann’s Passion 1: how Bach composed himself into his Johannes Passion

Musical times (London, England : 1957), 2019-04, Vol.160 (1946), p.69-76

MABLEY, CHRISTOPHER

2019

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MUSIC, PESTILENCE AND TWO SETTINGS OF O BEATE SEBASTIANE

Early music history, 2012, Vol.31, p.153-188

Chiu, Remi

2012

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German requiems before Brahms: An examination of baroque compositions with textual or musical similarities to Johannes Brahms's “Ein Deutsches Requiem”

Glasscock, S Timothy

2009

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ProQuest

The a capella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music

Nero, Jonathan Leonard

2007

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ProQuest

Cadence, linear procedures, and pitch structure in the works of Johannes Ockeghem

Atwell, Scott David

2001

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ProQuest

Axial -tenor composition in the Renaissance

Pack, Timothy Shane

2005

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ProQuest

New sounds of mourning: The changing role of the Requiem in the late nineteenth and twentieth centuries as demonstrated by the works of Giuseppe Verdi, Johannes Brahms, Paul Hindemith and Benjamin Britten

Ward, Brian Edward

2001

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ProQuest

THE MASSES OF JOHANNES PRIORIS. A CRITICAL EDITION

KEAHEY, THOMAS HERMAN

1968

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ProQuest

THE SECULAR MUSIC OF JOHANNES CICONIA (C. 1335-1411)

NEMETH, GEORGE LOUIS

1977

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ProQuest

A COMPUTER-AIDED ANALYTICAL STUDY OF KYRIES IN SELECTED MASSES BY JOHANNES OCKEGHEM

CURRY, JERRY LEE

1969

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ProQuest

WHAT IS ‘ACCELERATIO MENSURAE’?

Music & letters, 1992-11, Vol.73 (4), p.515-524

Wegman, Rob C.

1992

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Música Programática Para Oboé: Significado Expresso e Tópicos Referenciais no Reportório Oboístico (em Obras Selecionadas de Johann Sebastian Bach, Benjamin Britten, August Klughardt e Pavel Haas)

de Oliveira Dias, Sara Maria

2019

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ProQuest

Recalled to life: mature reflections on Schubert's "Lazarus"

Musical Times, 2013-04, Vol.154 (1922), p.37-44

BLACK, LEO

2013

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UNCOVERING THE DOUAI FRAGMENT: COMPOSING POLYPHONY AND ENCODING A COMPOSER IN THE LATE FOURTEENTH CENTURY

Early music history, 2021-10, Vol.40, p.85-166

Louviot, Manon

2021

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Leisen formulae: Their polyphonic settings in the Renaissance and Reformation

Riedel, Johannes

1951

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ProQuest

Redefining the motto in the fifteenth-century sine nomine Mass

Plainsong & medieval music, 2011-10, Vol.20 (2), p.123-144

Luko, Alexis

2011

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Three programs of organ music. [Performance]

Vandertuin, John William

1994

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The Church and the Concert Hall: An Examination, Comparison, and Discussion of Five Requiem Masses from the Classical and Romantic Periods

Hansen, Owen

2017

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ProQuest

RETHINKING THE SIENA CHOIRBOOK: A NEW DATE AND IMPLICATIONS FOR ITS MUSICAL CONTENTS

Early music history, 2005-10, Vol.24, p.1-52

Dickey, Timothy J.

2005

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‘Jerusalem, Convertere’: The De Quadris Lamentations of Jeremiah, early modern Tuscany and a new manuscript source

Plainsong & medieval music, 2006-10, Vol.15 (2), p.123-141

DICKEY, TIMOTHY J.

2006

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Music in pre-Reformation York: a new source and some thoughts on the York Masses

Plainsong & medieval music, 2003-04, Vol.12 (1), p.71-88

Colton, Lisa

2003

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Eine angewandte serielle und elektronische Musik? Stockhausen, Goeyvaerts und die musikalische Liturgiereform um 1955

Temporal Organization in the Masses of Johannes Ockeghem

Johann Sebastian Bach: Was heißt "Klang=Rede"?

Die Rezeption der Matthäus-Passion von Johann Walter und die Passionstradition in Siebenbürgen

Johann’s Passion 1: how Bach composed himself into his Johannes Passion

MUSIC, PESTILENCE AND TWO SETTINGS OF O BEATE SEBASTIANE

German requiems before Brahms: An examination of baroque compositions with textual or musical similarities to Johannes Brahms's “Ein Deutsches Requiem”

The a capella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music

Cadence, linear procedures, and pitch structure in the works of Johannes Ockeghem

Axial -tenor composition in the Renaissance

New sounds of mourning: The changing role of the Requiem in the late nineteenth and twentieth centuries as demonstrated by the works of Giuseppe Verdi, Johannes Brahms, Paul Hindemith and Benjamin Britten

THE MASSES OF JOHANNES PRIORIS. A CRITICAL EDITION

THE SECULAR MUSIC OF JOHANNES CICONIA (C. 1335-1411)

A COMPUTER-AIDED ANALYTICAL STUDY OF KYRIES IN SELECTED MASSES BY JOHANNES OCKEGHEM

WHAT IS ‘ACCELERATIO MENSURAE’?

Música Programática Para Oboé: Significado Expresso e Tópicos Referenciais no Reportório Oboístico (em Obras Selecionadas de Johann Sebastian Bach, Benjamin Britten, August Klughardt e Pavel Haas)

Recalled to life: mature reflections on Schubert's "Lazarus"

UNCOVERING THE DOUAI FRAGMENT: COMPOSING POLYPHONY AND ENCODING A COMPOSER IN THE LATE FOURTEENTH CENTURY

Leisen formulae: Their polyphonic settings in the Renaissance and Reformation

Redefining the motto in the fifteenth-century sine nomine Mass

Three programs of organ music. [Performance]

The Church and the Concert Hall: An Examination, Comparison, and Discussion of Five Requiem Masses from the Classical and Romantic Periods

RETHINKING THE SIENA CHOIRBOOK: A NEW DATE AND IMPLICATIONS FOR ITS MUSICAL CONTENTS

‘Jerusalem, Convertere’: The De Quadris Lamentations of Jeremiah, early modern Tuscany and a new manuscript source

Music in pre-Reformation York: a new source and some thoughts on the York Masses

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