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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04, Vol.47 (4), p.198-219

Dayton, Amy E

2023

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The American Haskalah: Sanctifying Education in Mary Antin's The Promised Land, Abraham Cahan's The Rise of David Levinsky, and Anzia Yezierska's Bread Givers

Melus, 2024-06, Vol.49 (1), p.53-75

Reznick, Ohad

2024

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The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

Studies in American Jewish literature (1981), 2015-09, Vol.34 (2), p.257-273

Shiffman, Dan

2015

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The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37-55

Campos, Rebeca E.

2023

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

American literature, 2010-06, Vol.82 (2), p.361-388

Mikkelsen, Ann

2010

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Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Tulsa studies in women's literature, 2000-04, Vol.19 (1), p.81-104

Pavletich, JoAnn

2000

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LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The Centennial review, 1997-10, Vol.41 (3), p.635-643

Muir, Lisa

1997

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Modern Fiction Studies, 2004, Vol.50 (2), p.517-519

BELLUSCIO, STEVEN J.

2004

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Ethnic American Literature: Comparing Chicano, Jewish, and African American Writing

African American Review, 2008, Vol.42 (3/4), p.779-781

Warnes, Andrew

2008

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Growing Up Ethnic: Nationalism and the Bildungsroman in African American and Jewish American Fiction

Modern Fiction Studies, 2008, Vol.54 (4), p.889-892

FRANCO, DEAN

2008

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To Be Suddenly White: Literary Realism and Racial Passing

African American Review, 2007, Vol.41 (4), p.814-816

Hinton, KaaVonia

2007

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Middlebrow Moderns: Popular American Women Writers of the 1920s

Journal of Popular Culture, 2004, Vol.38 (1), p.207-209

Armbruster, Elif S.

2004

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Shakespeare “Translated and Improved”: The Translational Politics of the American Yiddish Theater and Its Afterlife

American literature, 2022-06, Vol.94 (2), p.273-299

Luzon, Danny

2022

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Reforming Fictions: Native, African, and Jewish American Women's Literature and Journalism in the Progressive Era

American Literature, 2002, Vol.74 (1), p.162-164

Kessler, Carol Farley

2002

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Modern Maturity: Middle-Aged Anxiety in Modern American Fiction

Literature compass, 2009-03, Vol.6 (2), p.253-273

Dawson, Melanie

2009

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Fiction: 1900 to the 1930s

American literary scholarship, 2009-01, Vol.2007 (1), p.301-333

Campbell, Donna M.

2009

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Editor's Introduction: White and Not-Quite-White

Melus, 2011-09, Vol.36 (3), p.5-12

2011

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"Not Charity, but a Chance": Philanthropic Capitalism and the Rise of American Thrift Stores, 1894-1930

The New England quarterly, 2013-06, Vol.86 (2), p.169-195

LE ZOTTE, JENNIFER

2013

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Never Forgetting the East Side: Michael Gold's "Jews Without Money"

MELUS, 2015-06, Vol.40 (2), p.30-52

Lee, Corinna K.

2015

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Transformations of a Jewish princess: Salome and the remaking of the Jewish female body from Sarah Bernhardt to Betty Boop

Philological quarterly, 2013-01, Vol.92 (1), p.89

Freedman, Jonathan

2013

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Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus

Melus, 2021-09, Vol.46 (2), p.131-152

Horwitz, Jennifer

2021

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'Observance of Civility': Jewish Identity and Anxiety in Seinfeld and William Shakespeare's The Merchant of Venice

Texas studies in literature and language, 2023-03, Vol.65 (1), p.1-29

Winckler, Reto

2023

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The Heavy Garments of the Past: Mary and Frieda Antin in "The Promised Land"

College literature, 2005-10, Vol.32 (4), p.29-49

Elahi, Babak

2005

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Writing from the Margins of the Margins: Michael Gold’s Jews Without Money and Claude McKay’s Home to Harlem

Melus, 2010-03, Vol.35 (1), p.119-140

Rottenberg, Catherine

2010

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

The American Haskalah: Sanctifying Education in Mary Antin's The Promised Land, Abraham Cahan's The Rise of David Levinsky, and Anzia Yezierska's Bread Givers

The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

Anzia Yezierska, Immigrant Authority, and the Uses of Affect

LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Ethnic American Literature: Comparing Chicano, Jewish, and African American Writing

Growing Up Ethnic: Nationalism and the Bildungsroman in African American and Jewish American Fiction

To Be Suddenly White: Literary Realism and Racial Passing

Middlebrow Moderns: Popular American Women Writers of the 1920s

Shakespeare “Translated and Improved”: The Translational Politics of the American Yiddish Theater and Its Afterlife

Reforming Fictions: Native, African, and Jewish American Women's Literature and Journalism in the Progressive Era

Modern Maturity: Middle-Aged Anxiety in Modern American Fiction

Fiction: 1900 to the 1930s

Editor's Introduction: White and Not-Quite-White

"Not Charity, but a Chance": Philanthropic Capitalism and the Rise of American Thrift Stores, 1894-1930

Never Forgetting the East Side: Michael Gold's "Jews Without Money"

Transformations of a Jewish princess: Salome and the remaking of the Jewish female body from Sarah Bernhardt to Betty Boop

Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus

'Observance of Civility': Jewish Identity and Anxiety in Seinfeld and William Shakespeare's The Merchant of Venice

The Heavy Garments of the Past: Mary and Frieda Antin in "The Promised Land"

Writing from the Margins of the Margins: Michael Gold’s Jews Without Money and Claude McKay’s Home to Harlem

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