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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04, Vol.47 (4), p.198-219

Dayton, Amy E

2023

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The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

Studies in American Jewish literature (1981), 2015-09, Vol.34 (2), p.257-273

Shiffman, Dan

2015

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Between Revolution and Reform: Anzia Yezierska's Labor Politics

Modernism/modernity (Baltimore, Md.), 2011-04, Vol.18 (2), p.405-423

Edmunds, Susan

2011

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The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37-55

Campos, Rebeca E.

2023

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"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Modern fiction studies, 2005-07, Vol.51 (2), p.416-436

Harrison-Kahan, Lori

2005

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"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

Melus, 2011-09, Vol.36 (3), p.187-211

Hefner, Brooks E.

2011

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

African American review, 2007-04, Vol.41 (1), p.87-98

Rottenberg, Catherine

2007

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

American literature, 2010-06, Vol.82 (2), p.361-388

Mikkelsen, Ann

2010

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Starving for Hunger: The Fiction of Anzia Yezierska

Mosaic (Winnipeg), 2003-03, Vol.36 (1), p.147-160

PASCUAL, NIEVES

2003

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Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Tulsa studies in women's literature, 2000-04, Vol.19 (1), p.81-104

Pavletich, JoAnn

2000

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The Matter of Identification: Yezierska's Arrogant Beggar and the Gendered Injuries of Class

Studies in American fiction, 2012-09, Vol.39 (2), p.207-241

Merish, Lori

2012

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LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The Centennial review, 1997-10, Vol.41 (3), p.635-643

Muir, Lisa

1997

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Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Melus, 2012-06, Vol.37 (2), p.180-182

Rubinstein, Rachel

2012

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Modern Fiction Studies, 2004, Vol.50 (2), p.517-519

BELLUSCIO, STEVEN J.

2004

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Affective Narratives: Harlem and the Lower East Side

Journal of American studies, 2010-11, Vol.44 (4), p.777-793

ROTTENBERG, CATHERINE

2010

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Identity Takeout: How American Jews Made Chinese Food Their Ethnic Cuisine

Journal of popular culture, 2006-06, Vol.39 (3), p.430-465

MILLER, HANNA

2006

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Fiction and Justice

New literary history, 2003-12, Vol.34 (1), p.19-42

Fluck, Winfried

2003

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The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal

Studies in American Jewish Literature, 2019, Vol.38 (1), p.84-87

Sanders, Lise Shapiro

2019

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Jazz Language and Ethnic Novelty

Modernism/modernity (Baltimore, Md.), 2003-04, Vol.10 (2), p.239-268

Jerving, Ryan

2003

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Longings and Renunciations: Attitudes Towards Intermarriage in Early Twentieth Century Jewish American Novels

American Jewish history, 2001-06, Vol.89 (2), p.215-230

SOL, ADAM

2001

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God as Matchmaker: A Reading Of Malamud's "The Magic Barrel"

Critique - Bolingbroke Society, 2000, Vol.41 (4), p.403-410

Bluestone, Stephen

2000

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The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal

American Jewish History, 2017, Vol.101 (2), p.311-313

Vapnek, Lara

2017

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Eastern European Jewish American Narratives, 1890–1930: Struggles for Recognition

Shofar, 2020, Vol.38 (3), p.314-316

Stańczyk, Ewa

2020

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"It Doesn't Say So in Mother's Prayerbook": Autobiographies in English by Immigrant Jewish Women

American Jewish history, 1989-10, Vol.79 (1), p.55-71

Drucker, Sally Ann

1989

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

Between Revolution and Reform: Anzia Yezierska's Labor Politics

The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

Starving for Hunger: The Fiction of Anzia Yezierska

Anzia Yezierska, Immigrant Authority, and the Uses of Affect

The Matter of Identification: Yezierska's Arrogant Beggar and the Gendered Injuries of Class

LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Affective Narratives: Harlem and the Lower East Side

Identity Takeout: How American Jews Made Chinese Food Their Ethnic Cuisine

Fiction and Justice

The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal

Jazz Language and Ethnic Novelty

Longings and Renunciations: Attitudes Towards Intermarriage in Early Twentieth Century Jewish American Novels

God as Matchmaker: A Reading Of Malamud's "The Magic Barrel"

The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal

Eastern European Jewish American Narratives, 1890–1930: Struggles for Recognition

"It Doesn't Say So in Mother's Prayerbook": Autobiographies in English by Immigrant Jewish Women

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