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Thomas Jefferson’s Anglo-Saxon Genesis: A Romance

Modern philology, 2017-02, Vol.114 (3), p.680-701

JOHNSON, AMANDA LOUISE

2017

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Anne Lock and Thomas Norton’s Meditation of a Penitent Sinner

Modern philology, 2017-05, Vol.114 (4), p.793-819

MAY, STEVEN W.

2017

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The Superiority of Classical Translation in Sixteenth-Century England: Thomas Hoby and John Harington

Philological quarterly, 2019-06, Vol.98 (3), p.273-295

Morini, Massimiliano

2019

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‘Why þat yee meeued been / can I nat knowe’: Autobiography, Convention, and Discerning Doublenesse in Thomas Hoccleve’s The Series

Neophilologus, 2017-07, Vol.101 (3), p.479-494

Atkinson, Laurie

2017

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Rethinking the Marriage Plot: Anti-Self-Consciousness and the Letters of Jane Welsh Carlyle and Thomas Carlyle

Modern philology, 2018-08, Vol.116 (1), p.45-67

CODR, ARIANA REILLY

2018

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“As many Ciphers without an I”: Self-Reflexive Violence in the Work of Thomas Nashe

Modern philology, 2014-02, Vol.111 (3), p.384-407

Theresa Badcoe, Tamsin

2014

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"Stranger in Yellow Gloves" by Thomas Lanier [Tennessee] Williams III

Philological quarterly, 2015-01, Vol.94 (1-2), p.173

Bak, John S

2015

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The First Production of Thomas Heywood's A Woman Killed with Kindness

Studia neophilologica, 2011-12, Vol.83 (2), p.199-210

Cardullo, Robert

2011

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Dialectic at a Standstill: The Discourse of Victimhood in Thomas Bernhard's "Heldenplatz"

The German quarterly, 2002, Vol.75 (4), p.408-421

Naqvi, Fatima

2002

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Bodleian Imbroglios, Politics and Personalities, 1701-1716: Thomas Hearne, Arthur Charlett and John Hudson

Neophilologus, 1998-01, Vol.82 (1), p.149-168

Harmsen, Theodor

1998

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“Of Whom Hast Thu This Cunnyng?”: The Language of “Cunnyng” in The Book of Margery Kempe

Modern philology, 2022-02, Vol.119 (3), p.332-353

Thomas, Arvind

2022

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Exorcising the Devil from Thomas Mann's "Doktor Faustus"

The German quarterly, 2003-04, Vol.76 (2), p.168-182

Crawford, Karin L.

2003

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Peacock's Modest Proposal: The Two Voices of "The Four Ages of Poetry"

Philological quarterly, 2017-09, Vol.96 (4), p.489-516

Joukovsky, Nicholas A

2017

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Plays of Domination and Submission in Thomas Bernhard's "Ritter", "Dene", "Voss" (1986) and Werner Schwab's "Die Präsidentinnen" (1990)

The German quarterly, 2003-07, Vol.76 (3), p.300-313

Hoyng, Peter

2003

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Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)

Neophilologus, 2021-12, Vol.105 (4), p.555-571

Llorens-Cubedo, Dídac

2021

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Thomas Killigrew's "Lost Years", 1655-1660

Neophilologus, 1998-04, Vol.82 (2), p.311-334

Motten, J. P. Vander

1998

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Coercion and Conversion Using Christian Magnanimity in Shakespeare's The Tempest

Papers on language & literature, 2019-09, Vol.55 (4), p.347-367

Gurung, Jeevan

2019

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John Gower’s Alchemical Afterlife in Elias Ashmole’s Theatrum Chemicum Britannicum (1652)

Neophilologus, 2020-06, Vol.104 (2), p.263-281

Runstedler, Curtis

2020

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“Savage” and “Medieval” in C. S. Lewis’s The Discarded Image

Neophilologus, 2023-09, Vol.107 (3), p.521-536

Klein, Thomas

2023

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Cash Is King: Timon, Diogenes, and the Search for Sovereign Freedom

Modern philology, 2017-08, Vol.115 (1), p.53-79

HERSHINOW, DAVID

2017

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Reading it wrong to get it right: sacramental and excremental encounters in early modern poems about hair jewelry.(Critical essay)

Philological quarterly, 2015-09, Vol.94 (4), p.353

Smith, Megan Kathleen

2015

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Jacob as Job in Thomas Mann's Joseph und Seine Brüder

Neophilologus, 2002-04, Vol.86 (2), p.287

Tumanov, Vladimir

2002

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Our Mutable Inheritance: Testing Victorian Philology in Our Mutual Friend

Dickens quarterly, 2020-03, Vol.37 (1), p.47-66

Brorby, Joshua

2020

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From Man-Machine to Woman-Machine: Automata, Fiction, and Femininity in Dibdin’s Hannah Hewit and Burney’s Camilla

Modern philology, 2014-05, Vol.111 (4), p.788-817

Haslanger, Andrea

2014

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Confession and Camouflage: The Diaries of Thomas Mann

Journal of English and Germanic philology, 1997-10, Vol.96 (4), p.567-590

Vaget, Hans Rudolf

1997

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Thomas Jefferson’s Anglo-Saxon Genesis: A Romance

Anne Lock and Thomas Norton’s Meditation of a Penitent Sinner

The Superiority of Classical Translation in Sixteenth-Century England: Thomas Hoby and John Harington

‘Why þat yee meeued been / can I nat knowe’: Autobiography, Convention, and Discerning Doublenesse in Thomas Hoccleve’s The Series

Rethinking the Marriage Plot: Anti-Self-Consciousness and the Letters of Jane Welsh Carlyle and Thomas Carlyle

“As many Ciphers without an I”: Self-Reflexive Violence in the Work of Thomas Nashe

"Stranger in Yellow Gloves" by Thomas Lanier [Tennessee] Williams III

The First Production of Thomas Heywood's A Woman Killed with Kindness

Dialectic at a Standstill: The Discourse of Victimhood in Thomas Bernhard's "Heldenplatz"

Bodleian Imbroglios, Politics and Personalities, 1701-1716: Thomas Hearne, Arthur Charlett and John Hudson

“Of Whom Hast Thu This Cunnyng?”: The Language of “Cunnyng” in The Book of Margery Kempe

Exorcising the Devil from Thomas Mann's "Doktor Faustus"

Peacock's Modest Proposal: The Two Voices of "The Four Ages of Poetry"

Plays of Domination and Submission in Thomas Bernhard's "Ritter", "Dene", "Voss" (1986) and Werner Schwab's "Die Präsidentinnen" (1990)

Man of the Theatre: Stage Performances of T. S. Eliot’s Work in Spain (1949–2016)

Thomas Killigrew's "Lost Years", 1655-1660

Coercion and Conversion Using Christian Magnanimity in Shakespeare's The Tempest

John Gower’s Alchemical Afterlife in Elias Ashmole’s Theatrum Chemicum Britannicum (1652)

“Savage” and “Medieval” in C. S. Lewis’s The Discarded Image

Cash Is King: Timon, Diogenes, and the Search for Sovereign Freedom

Reading it wrong to get it right: sacramental and excremental encounters in early modern poems about hair jewelry.(Critical essay)

Jacob as Job in Thomas Mann's Joseph und Seine Brüder

Our Mutable Inheritance: Testing Victorian Philology in Our Mutual Friend

From Man-Machine to Woman-Machine: Automata, Fiction, and Femininity in Dibdin’s Hannah Hewit and Burney’s Camilla

Confession and Camouflage: The Diaries of Thomas Mann

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