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Making Believe: Screen Performance and Special Effects in Popular Cinema

Bode, Lisa

1, 2017

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Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception

Convergence (London, England), 2021-08, Vol.27 (4), p.919-934

Bode, Lisa

2021

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“It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI

Film history (New York, N.Y.), 2018-12, Vol.30 (4), p.1-21

Bode, Lisa

2018

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The Digital Face and Deepfakes on Screen

Convergence (London, England), 2021-08, Vol.27 (4), p.849-854

2021

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Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardom

Celebrity studies, 2014-04, Vol.5 (1-2), p.90-92

Bode, Lisa

2014

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Discharging the medial knee compartment: comparison of pressure distribution and kinematic shifting after implantation of an extra-capsular absorber system (ATLAS) and open-wedge high tibial osteotomy—a biomechanical in vitro analysis

Archives of orthopaedic and trauma surgery, 2023-06, Vol.143 (6), p.2929-2941

2023

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Saving Families from Our Fate: A Conversation with Saliha Ben Ali

World policy journal, 2017-10, Vol.34 (3), p.45-48

Ali, Saliha Ben

2017

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Between the Devil and the Deep Blue Sea: Seaweed collectives in Zanzibar tap into ancient feminist practice and offer a glimpse into the future of food

World policy journal, 2017, Vol.34 (4), p.112-118

De Bode, Lisa

2017

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Between the Devil and the Deep Blue Sea

World policy journal, 2017, Vol.34 (4), p.112-118

De Bode, Lisa

2017

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Correction to: Arthroscopic Bankart repair with an individualized capsular shift restores physiological capsular volume in patients with anterior shoulder instability

Knee surgery, sports traumatology, arthroscopy : official journal of the ESSKA, 2022-08, Vol.30 (8), p.2878-2878

2022

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Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles

Making Believe, 2017, p.128-153

Bode, Lisa

2017

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There Is No There There: Making Believe in Composite Screen Space

Making Believe, 2017, p.154-183

Bode, Lisa

2017

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Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement

Making Believe, 2017, p.43-69

Bode, Lisa

2017

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Double Trouble: Authenticity, Fakery, and Concealed Performance Labor

Making Believe, 2017, p.99-127

Bode, Lisa

2017

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In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism

Making Believe, 2017, p.70-98

Bode, Lisa

2017

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Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap

Making Believe, 2017, p.18-42

Bode, Lisa

2017

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Arthroscopic Bankart repair with an individualized capsular shift restores physiological capsular volume in patients with anterior shoulder instability

Knee surgery, sports traumatology, arthroscopy : official journal of the ESSKA, 2021-01, Vol.29 (1), p.230-239

2021

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From Shadow Citizens to Teflon Stars: Reception of the Transfiguring Effects of New Moving Image Technologies

Animation : an interdisciplinary journal, 2006-11, Vol.1 (2), p.173-189

Bode, Lisa

2006

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Performance, race, mock-documentary and the Australian national imaginary in The Nominees

Post script, 2009-06, Vol.28 (3), p.68

Bode, Lisa

2009

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No Longer Themselves? Framing Digitally Enabled Posthumous "Performance"

Cinema journal, 2010-07, Vol.49 (4), p.46-70

Bode, Lisa

2010

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Index

Making Believe, 2019, p.223-235

Bode, Lisa

2019

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Frontmatter

Making Believe, 2019, p.i-vi

Bode, Lisa

2019

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Notes

Making Believe, 2019, p.197-222

Bode, Lisa

2019

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Introduction

Making Believe, 2019, p.1-17

Bode, Lisa

2019

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Acknowledgments

Making Believe, 2019, p.195-196

Bode, Lisa

2019

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Making Believe: Screen Performance and Special Effects in Popular Cinema

Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception

“It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI

The Digital Face and Deepfakes on Screen

Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardom

Discharging the medial knee compartment: comparison of pressure distribution and kinematic shifting after implantation of an extra-capsular absorber system (ATLAS) and open-wedge high tibial osteotomy—a biomechanical in vitro analysis

Saving Families from Our Fate: A Conversation with Saliha Ben Ali

Between the Devil and the Deep Blue Sea: Seaweed collectives in Zanzibar tap into ancient feminist practice and offer a glimpse into the future of food

Between the Devil and the Deep Blue Sea

Correction to: Arthroscopic Bankart repair with an individualized capsular shift restores physiological capsular volume in patients with anterior shoulder instability

Performing with Themselves: Versatility, Timing, and Nuance in Multiple Roles

There Is No There There: Making Believe in Composite Screen Space

Behind Rubber and Pixels: Mimesis, Seamlessness, and Acting Achievement

Double Trouble: Authenticity, Fakery, and Concealed Performance Labor

In Another’s Skin: Typecasting, Identity, and the Limits of Proteanism

Acting through Machines: Fidelity and Expression from Cameras to Mo-Cap

Arthroscopic Bankart repair with an individualized capsular shift restores physiological capsular volume in patients with anterior shoulder instability

From Shadow Citizens to Teflon Stars: Reception of the Transfiguring Effects of New Moving Image Technologies

Performance, race, mock-documentary and the Australian national imaginary in The Nominees

No Longer Themselves? Framing Digitally Enabled Posthumous "Performance"

Index

Frontmatter

Notes

Introduction

Acknowledgments

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