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Critics and Crucibles: An Australian Novel in Anglo-Indian Clothing, Hugh Atkinson's "The Pink and the Brown"

Antipodes (Brooklyn, New York, N.Y.), 2007-12, Vol.21 (2), p.103-109

Crane, Ralph J.

2007

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Igbo Words for the Non-Igbo: Achebe's Artistry in "Arrow of God"

Research in African literatures, 1981-04, Vol.12 (1), p.69-85

Brown, Hugh R.

1981

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Hugh Kenner and the invention of Modernism

Modernism/modernity (Baltimore, Md.), 2005-09, Vol.12 (3), p.465

Perloff, Marjorie

2005

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"Nothing but Fiction": "Modern Chivalry", Fictionality, and the Political Public Sphere in the Early Republic

Early American literature, 2015-01, Vol.50 (2), p.301-330

KOENIGS, THOMAS

2015

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Why Clough? Why Now?

Victorian poetry, 2003-12, Vol.41 (4), p.504-512

Ryan, anessa

2003

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“Vociferating through the megaphone”: Theatre, Consciousness, and the Voice from the Bushes in Virginia Woolf's Between the Acts

Journal of modern literature, 2017-03, Vol.40 (3), p.35-51

Phillips, Gyllian

2017

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Duality, Reading, and Art in Ford's Last Novels

Contemporary literature, 1989-07, Vol.30 (2), p.299-320

Saunders, Max

1989

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"A School-Boy's Story": Writing the Victorian Public Schoolboy Subject

Victorian studies, 2004-03, Vol.46 (3), p.455-487

Weaver, William N.

2004

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Reversing the Tapestry: Prison of Love in Text, Image, and Textile

Renaissance quarterly, 2011-12, Vol.64 (4), p.1059-1105

Francomano, Emily C.

2011

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ProQuest

The Secret History of the Rise of the Novel: The Novel and the Middle Class in English Studies

The Eighteenth century (Lubbock), 2011-10, Vol.52 (3/4), p.361-382

Boulukos, George

2011

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Like a "Helpless Animal" (D 41)? Like a Cautious Woman: Joyce's "Eveline," Immigration, and the Zwi Migdal in Argentina in the Early 1900s

James Joyce quarterly, 2011-04, Vol.48 (3), p.529-533

Reinares, Laura Barberan

2011

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Republican Machines and Brackenridge's Caves: Aesthetics and Models of Machinery in the Early Republic

Early American literature, 2004-03, Vol.39 (2), p.299-322

Gilmore, Paul

2004

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The Face of the Public

Early American literature, 2004-09, Vol.39 (3), p.413-464

Lukasik, Christopher J.

2004

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Quixotes, Imitations, and Transatlantic Genres

Eighteenth-century studies, 2007-06, Vol.40 (4), p.553-569

Bannet, Eve Tavor

2007

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Books Received

College literature, 2012-01, Vol.39 (1), p.154

2012

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Constituting the End of Feeling: Interiority in the Seduction Fiction of the Ratification Era

Early American literature, 2012-03, Vol.47 (2), p.321-348

MCINTOSH, HUGH

2012

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Capitalism in Early American Literature: Texts and Contexts

American Literature, 1998, Vol.70 (2), p.400-401

Scanlan, Thomas J.

1998

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Seamus Heaney’s Regionalism

Twentieth Century Literature, 2008-03, Vol.54 (1), p.47-74

Russell, Richard Rankin

2008

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A Sense of Place: Landscape and Location in the Poetry of John Davidson

Victorian poetry, 2005-12, Vol.43 (4), p.497-512

Hynd, Hazel

2005

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"OUR" HENRY JAMES?

Modern Fiction Studies, 2000-12, Vol.46 (4), p.989-997

McWhirter, David

2000

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FROM ROMAN TO "ROMAN": THE JACOBIN NOVEL AND THE ROMAN LEGACY IN THE 1790s

Studies in the novel, 2005-10, Vol.37 (3), p.253-272

SACHS, JONATHAN

2005

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Alcott's Freaking of Boyhood: The Perplex of Gender and Disability in Under the Lilacs

Children's literature (Storrs, Conn.), 2006, Vol.34 (1), p.139-160

McElaney, Hugh

2006

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Tourism and the Contest for Cultural Authority in Clough's "Bothie of Toper-na-Fuosich"

Victorian poetry, 1999-04, Vol.37 (1), p.71-97

Ulin, Donald

1999

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"The Rover": A Post-Skeptical Novel?

Conradiana, 2005-03, Vol.37 (1/2), p.101-118

EPSTEIN, HUGH

2005

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The Cartography of Dreams

Journal of Canadian studies, 1993-10, Vol.28 (3), p.140-158

Moss, John

1993

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Critics and Crucibles: An Australian Novel in Anglo-Indian Clothing, Hugh Atkinson's "The Pink and the Brown"

Igbo Words for the Non-Igbo: Achebe's Artistry in "Arrow of God"

Hugh Kenner and the invention of Modernism

"Nothing but Fiction": "Modern Chivalry", Fictionality, and the Political Public Sphere in the Early Republic

Why Clough? Why Now?

“Vociferating through the megaphone”: Theatre, Consciousness, and the Voice from the Bushes in Virginia Woolf's Between the Acts

Duality, Reading, and Art in Ford's Last Novels

"A School-Boy's Story": Writing the Victorian Public Schoolboy Subject

Reversing the Tapestry: Prison of Love in Text, Image, and Textile

The Secret History of the Rise of the Novel: The Novel and the Middle Class in English Studies

Like a "Helpless Animal" (D 41)? Like a Cautious Woman: Joyce's "Eveline," Immigration, and the Zwi Migdal in Argentina in the Early 1900s

Republican Machines and Brackenridge's Caves: Aesthetics and Models of Machinery in the Early Republic

The Face of the Public

Quixotes, Imitations, and Transatlantic Genres

Books Received

Constituting the End of Feeling: Interiority in the Seduction Fiction of the Ratification Era

Capitalism in Early American Literature: Texts and Contexts

Seamus Heaney’s Regionalism

A Sense of Place: Landscape and Location in the Poetry of John Davidson

"OUR" HENRY JAMES?

FROM ROMAN TO "ROMAN": THE JACOBIN NOVEL AND THE ROMAN LEGACY IN THE 1790s

Alcott's Freaking of Boyhood: The Perplex of Gender and Disability in Under the Lilacs

Tourism and the Contest for Cultural Authority in Clough's "Bothie of Toper-na-Fuosich"

"The Rover": A Post-Skeptical Novel?

The Cartography of Dreams

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