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Exhibitions and conferences : "Ego Documents : das Autobiografische in der Gegenwartskunst," Kunstmuseum, Bern, 14 November 2008-15 February 2009

Konsthistorisk tidskrift, 2009-01, Vol.78, p.116-120

Sundberg, Martin

2009

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Accepting the Machine: A Response by Liliane Lijn to Three Questions from Arts

Arts (Basel), 2018-06, Vol.7 (2), p.21

Lijn, Liliane

2018

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The Tour: A Close Listening

Third text, 2024-03, Vol.38 (1-2), p.21-27

Preisig, Barbara

2024

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The Tour

Third text, 2024-01, Vol.38 (1-2), p.21-27

Preisig, Barbara

2024

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Kandinsky and the Symbolist Heritage

Art journal (New York. 1960), 1985-06, Vol.45 (2), p.137-145

Weiss, Peg

1985

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Meier, Oliver/Feller, Michael/Christ, Stefanie: Der Gurlitt-Komplex. Bern und die Raubkunst, 408 S., Chronos, Zürich 2017

Neue politische Literatur, 2019-07, Vol.64 (2), p.386-387

Schleusener, Jan

2019

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19th century glacier representations and fluctuations in the central and western European Alps: An interdisciplinary approach

Global and planetary change, 2008, Vol.60 (1), p.42-57

2008

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Museumskommunikation in Klarer Sprache – Theorie, Praxis und Perspektiven

Linguistik online, 2023-12, Vol.124 (6), p.63-84

Luttermann, Karin

2023

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After Burckhardt and Wölfflin; was there a Basel School of Art History?

Journal of art historiography, 2014-12 (11), p.1-31

Verzar, Christine B

2014

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Curators Serving the Public Good

Philosophies (Basel), 2021-06, Vol.6 (2), p.28

Martinon, Jean-Paul

2021

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Historical glacier fluctuations of Jostedalsbreen and Folgefonna (southern Norway) reassessed by new pictorial and written evidence

Holocene (Sevenoaks), 2011-05, Vol.21 (3), p.455-471

2011

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Charles Gleyre's 'Les Romains': Classics and nationalism in Swiss art

Nations and nationalism, 2016-04, Vol.22 (2), p.248-265

Warren, Richard

2016

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Premodern Globalism in Art History: A Conversation

The Art bulletin (New York, N.Y.), 2022-11, Vol.104 (4), p.6-19

2022

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Informationen

Zeitschrift fuÌr Germanistik, 2019-01, Vol.29 (1), p.222-238

Herausgeberkollegium der, Ihr

2019

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Between ISpring Banquet/I and ICannibal Banquet/I: Cannibalistic Imagery in Meret Oppenheim’s Works

Arts (Basel), 2023-03, Vol.12 (2)

Stronciwilk, Agata Anna

2023

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Between Spring Banquet and Cannibal Banquet: Cannibalistic Imagery in Meret Oppenheim’s Works

Arts (Basel), 2023-04, Vol.12 (2), p.52

Stronciwilk, Agata Anna

2023

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From Primal Matter to Surrogate Veneer: Wood and Faux Bois in Picasso's Cubism

Arts (Basel), 2024-06, Vol.13 (3), p.105

Poggi, Christine

2024

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Linen Boxes and Slices: Raoul De Keyser and American Modernism in Belgium in the 1960s and 1970s

Arts (Basel), 2021-12, Vol.10 (4), p.80

Jacobs, Steven

2021

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Not Only a Matter of Electricity–Rethinking Materiality with Victor Grippo’s IEnergía de una papa/I

Arts (Basel), 2023-02, Vol.12 (1)

Senkpiel, Fabiana

2023

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Bringing Nostalgia Home: Switzerland and the Swiss Chalet

Architecture and culture, 2018-05, Vol.6 (2), p.265-288

Cieraad, Irene

2018

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Yang Enlin (1929-2014): Sein Leben und Werk zwischen China und Deutschland

Monumenta serica, 2022-07, Vol.70 (2), p.499-519

Herrmann, Konrad

2022

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A Review of "Eternity Has No Door of Escape: Encounters with Outsider Art": by Arthur Borgnis, Director. Length: 80 minutes, Icarus Films, 2017, Available from http://icarusfilms.com/if-etern, $29.98 home/$348.00 institution

Art therapy, 2020-10, Vol.37 (4), p.222-223

Vick, Randy M.

2020

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Not Only a Matter of Electricity–Rethinking Materiality with Victor Grippo’s Energía de una papa (1972)

Arts (Basel), 2023-02, Vol.12 (1), p.35

Senkpiel, Fabiana

2023

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LED Projects and Economic Test Cases in Europe

International journal of green energy, 2015-01, Vol.12 (8), p.843-851

2015

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A museum for the twenty-first century: the influence of 'sociality' on art reception in museum space

Museum management and curatorship (1990), 2012-12, Vol.27 (5), p.461-486

2012

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Exhibitions and conferences : "Ego Documents : das Autobiografische in der Gegenwartskunst," Kunstmuseum, Bern, 14 November 2008-15 February 2009

Accepting the Machine: A Response by Liliane Lijn to Three Questions from Arts

The Tour: A Close Listening

The Tour

Kandinsky and the Symbolist Heritage

Meier, Oliver/Feller, Michael/Christ, Stefanie: Der Gurlitt-Komplex. Bern und die Raubkunst, 408 S., Chronos, Zürich 2017

19th century glacier representations and fluctuations in the central and western European Alps: An interdisciplinary approach

Museumskommunikation in Klarer Sprache – Theorie, Praxis und Perspektiven

After Burckhardt and Wölfflin; was there a Basel School of Art History?

Curators Serving the Public Good

Historical glacier fluctuations of Jostedalsbreen and Folgefonna (southern Norway) reassessed by new pictorial and written evidence

Charles Gleyre's 'Les Romains': Classics and nationalism in Swiss art

Premodern Globalism in Art History: A Conversation

Informationen

Between ISpring Banquet/I and ICannibal Banquet/I: Cannibalistic Imagery in Meret Oppenheim’s Works

Between Spring Banquet and Cannibal Banquet: Cannibalistic Imagery in Meret Oppenheim’s Works

From Primal Matter to Surrogate Veneer: Wood and Faux Bois in Picasso's Cubism

Linen Boxes and Slices: Raoul De Keyser and American Modernism in Belgium in the 1960s and 1970s

Not Only a Matter of Electricity–Rethinking Materiality with Victor Grippo’s IEnergía de una papa/I

Bringing Nostalgia Home: Switzerland and the Swiss Chalet

Yang Enlin (1929-2014): Sein Leben und Werk zwischen China und Deutschland

A Review of "Eternity Has No Door of Escape: Encounters with Outsider Art": by Arthur Borgnis, Director. Length: 80 minutes, Icarus Films, 2017, Available from http://icarusfilms.com/if-etern, $29.98 home/$348.00 institution

Not Only a Matter of Electricity–Rethinking Materiality with Victor Grippo’s Energía de una papa (1972)

LED Projects and Economic Test Cases in Europe

A museum for the twenty-first century: the influence of 'sociality' on art reception in museum space

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