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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Translating Irony in Popular Fiction: Dashiell Hammett’s The Maltese Falcon

Linguistica Antverpiensia, 2010-01, Vol.9, p.119-134

Linder, Daniel

2010

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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Chasing the Maltese Falcon: on the fabrications of a film prop

Journal of visual culture, 2007-08, Vol.6 (2), p.219-246

Sobchack, Vivian

2007

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A Working-Class Sherlock

Monthly Review, 2016-10, Vol.68 (5), p.62

Shotwell, Gregg

2016

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Conclusion: Dashiell Hammett and the Movies

Dashiell Hammett and the Movies, 2014, p.172

WILLIAM H. MOONEY

2014

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Genre: Daphne du Maurier, Barbara Cartland, Catherine Cookson, et al.; Bret Harte, Zane Grey, et al.; Raymond Chandler, Dashiell Hammett, Elmore Leonard, Agatha Christie, Dorothy L. Sayers, et al.; H. P. Lovecraft, Stephen King, et al.; Robert A. Heinlein, Isaac Asimov, Arthur C. Clarke, Ray Bradbury, Philip K. Dick, Ursula Le Guin, et al

The Novel, 2014, p.851-881

Schmidt, Michael

2014

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Editorial: Crossing Borders

Journal of popular culture, 2007-04, Vol.40 (2), p.197-198

Hoppenstand, Gary

2007

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The Discovery of America in the Israeli University: Historical, Cultural, and Methodological Perspectives

The Journal of American history (Bloomington, Ind.), 1994-06, Vol.81 (1), p.164-182

Troen, S. Ilan

1994

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Crime Beat: A Decade of Covering Cops and Killers

Journal of Popular Culture, 2007, Vol.40 (4), p.730-731

Booth, Philip

2007

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Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir

Journal of Popular Culture, 2007, Vol.40 (4), p.735-737

Diemert, Brian

2007

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The Incomplete Projects: Marxism, Modernity, and the Politics of Culture

Rethinking Marxism, 2005, Vol.17 (4), p.650-652

Rieder, John

2005

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The Blues Detective: A Study of African American Detective Fiction

Journal of Popular Culture, 1997, Vol.31 (3), p.189-190

Walden, Daniel

1997

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When the Chips Are Down: The Portrayal of Persons

Qualitative inquiry, 2015-10, Vol.21 (8), p.751-754

Kushner, Saville

2015

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“A Jaguar is an Awful Cat”. Animals and Animal Metaphors in James M. Cain’s Novels

Linguae & (Milano), 2018-02, Vol.16 (2), p.45-57

Segato, Giulio

2018

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Criminal Femmes Fatales in American Hardboiled Crime Fiction

Jaber, Maysaa Husam

1, 2015

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Eugenics and the Genetic Challenge, Again: All Dressed Up and Just Everywhere to Go

Cambridge quarterly of healthcare ethics, 2011-04, Vol.20 (2), p.191-203

KOCH, TOM

2011

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Introduction: Inferior Hammett or Exemplary Hollywood?

Dashiell Hammett and the Movies, 2014, p.1

WILLIAM H. MOONEY

2014

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Teaching Crime Fiction and Gender

Teaching Crime Fiction, 2018, p.49-62

2018

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Gender and Noir

Film Noir, 2014, p.143-163

2014

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Peace Profile: Victor Rabinowitz

Peace review (Palo Alto, Calif.), 2008-07, Vol.20 (3), p.398-403

Cohn, Marjorie

2008

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Teaching American Detective Fiction in the Contemporary Classroom

Teaching Crime Fiction, 2018, p.63-81

2018

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They intoxicate writers, don’t they?

Romanian journal of artistic creativity, 2015, Vol.3 (3), p.3-4

Pirvu, Bogdan C.S

2015

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Cultural Intersections: The American Hard-Boiled Detective Novel and Early French roman noir

The Modern language review, 2003-07, Vol.98 (3), p.590-601

Gorrara, Claire

2003

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Three Early Films: Roadhouse Nights (1930), City Streets (1931), and Mister Dynamite (1935)

Dashiell Hammett and the Movies, 2014, p.9

WILLIAM H. MOONEY

2014

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Translating Irony in Popular Fiction: Dashiell Hammett’s The Maltese Falcon

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Chasing the Maltese Falcon: on the fabrications of a film prop

A Working-Class Sherlock

Conclusion: Dashiell Hammett and the Movies

Editorial: Crossing Borders

The Discovery of America in the Israeli University: Historical, Cultural, and Methodological Perspectives

Crime Beat: A Decade of Covering Cops and Killers

Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir

The Incomplete Projects: Marxism, Modernity, and the Politics of Culture

The Blues Detective: A Study of African American Detective Fiction

When the Chips Are Down: The Portrayal of Persons

“A Jaguar is an Awful Cat”. Animals and Animal Metaphors in James M. Cain’s Novels

Criminal Femmes Fatales in American Hardboiled Crime Fiction

Eugenics and the Genetic Challenge, Again: All Dressed Up and Just Everywhere to Go

Introduction: Inferior Hammett or Exemplary Hollywood?

Teaching Crime Fiction and Gender

Gender and Noir

Peace Profile: Victor Rabinowitz

Teaching American Detective Fiction in the Contemporary Classroom

They intoxicate writers, don’t they?

Cultural Intersections: The American Hard-Boiled Detective Novel and Early French roman noir

Three Early Films: Roadhouse Nights (1930), City Streets (1931), and Mister Dynamite (1935)

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