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Dashiell Hammett and the Movies

Mooney, William H

1, 2014

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Sex, booze, and the Code: four versions of the Maltese Falcon

Literature film quarterly, 2011-01, Vol.39 (1), p.54

Mooney, William

2011

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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The Big Empty: Chandler's Transatlantic Modernism

Modernism/modernity (Baltimore, Md.), 2013-11, Vol.20 (4), p.747-770

Norman, Will

2013

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Trumbo

Film & History, 2016-06, Vol.46 (1), p.87

FitzGerald, Michael Ray

2016

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Twelve Fallacies in Contemporary Adaptation Theory

Criticism (Detroit), 2003-03, Vol.45 (2), p.149-171

LEITCH, THOMAS

2003

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"We'll always have Lisbon": Cinematic Intertextuality in Antonio Muñoz Molina's "El invierno en Lisboa"

Literature film quarterly, 2012-10, Vol.40 (4), p.301-313

Thau, Eric M.

2012

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Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs

Literature film quarterly, 2009-07, Vol.37 (3), p.212-223

Snee, Brian J.

2009

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“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)

Journal of American studies, 2008-12, Vol.42 (3), p.415-448

DINERSTEIN, JOEL

2008

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Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Literature film quarterly, 2006-07, Vol.34 (3), p.240-248

Harris, Martin

2006

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Dashiell Hammett and Classical Hollywood Cinema

Literature-Film Quarterly, 2015, Vol.43 (3), p.236-240

Miklitsch, Robert

2015

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"HAPPY ACCIDENTS" AN INTERVIEW WITH PAUL AUSTER

Literature film quarterly, 2009-01, Vol.37 (1), p.18-27

2009

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Świat we mgle i świat za mgłą. Egzystencjalizm, realizm poetycki i amerykański film noir

Przegląd Kulturoznawczy, 2018 (1(35)), p.84-99

Żyto, Kamila

2018

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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Framework, 2008-04, Vol.49 (1), p.7-26

Gates, Philippa

2008

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Out of adjustment: Forging masculinities at the intersection of postwar American drama and film

Hartnett, Terence

2011

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The Thin Man: Dashiell Hammett & Hollywood

Films in review, 1995-09, Vol.46 (7), p.46

Drees, Richard

1995

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The Stuff That Dreams Are Made Of The Dark History Behind The Maltese Falcon and the Birth of Film Noir

Cinéaste (New York, N.Y.), 2021-09, Vol.46 (4), p.4-9

Smyth, J. E.

2021

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Politics and the private eye: Ideology and aesthetics in the hardboiled tradition

Connolly-Lane, Karen

2006

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From the editor

Shakespeare quarterly, 1997-04, Vol.48 (1), p.III

Mowat, Barbara A

1997

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An anomaly in The Maltese Falcon

ANQ (Lexington, Ky.), 1995-07, Vol.8 (3), p.29

Gillis, Peter

1995

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A poor man's existentialism: Film noir and hard -boiled fiction

Faison, Stephen E

2006

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Writers like me: Fitzgerald, West, Parker, Schulberg, and Hollywood

Cerasulo, Tom

2004

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Woman, detective, other: Theorizing the female investigator in literature, film, and popular culture

Dresner, Lisa Maria

2002

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A Hard-Boiled World "Goodbye Paradise" and "The Empty Beach"

Literature film quarterly, 1993-01, Vol.21 (2), p.112-120

Mayer, Geoff

1993

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Two Birds of a Feather: Hammett's and Huston's "The Maltese Falcon"

Literature film quarterly, 1988-01, Vol.16 (2), p.112-118

Abramson, Leslie H.

1988

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Dashiell Hammett and the Movies

Sex, booze, and the Code: four versions of the Maltese Falcon

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

The Big Empty: Chandler's Transatlantic Modernism

Trumbo

Twelve Fallacies in Contemporary Adaptation Theory

"We'll always have Lisbon": Cinematic Intertextuality in Antonio Muñoz Molina's "El invierno en Lisboa"

Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs

“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)

Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Dashiell Hammett and Classical Hollywood Cinema

"HAPPY ACCIDENTS" AN INTERVIEW WITH PAUL AUSTER

Świat we mgle i świat za mgłą. Egzystencjalizm, realizm poetycki i amerykański film noir

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Out of adjustment: Forging masculinities at the intersection of postwar American drama and film

The Thin Man: Dashiell Hammett & Hollywood

The Stuff That Dreams Are Made Of The Dark History Behind The Maltese Falcon and the Birth of Film Noir

Politics and the private eye: Ideology and aesthetics in the hardboiled tradition

From the editor

An anomaly in The Maltese Falcon

A poor man's existentialism: Film noir and hard -boiled fiction

Writers like me: Fitzgerald, West, Parker, Schulberg, and Hollywood

Woman, detective, other: Theorizing the female investigator in literature, film, and popular culture

A Hard-Boiled World "Goodbye Paradise" and "The Empty Beach"

Two Birds of a Feather: Hammett's and Huston's "The Maltese Falcon"

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