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Black Music in New Orleans: A Historical Overview

Black music research journal, 1990-04, Vol.10 (1), p.18-24

Jerde, Curtis D.

1990

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Do You Know What It Means to Miss New Orleans?: Katrina, Trap Economics, and the Rebirth of the Blues

American quarterly, 2005-12, Vol.57 (4), p.1005-1018

Woods, Clyde

2005

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After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Journal of American studies, 2010-08, Vol.44 (3), p.483-501

TAYLOR, HELEN

2010

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Class Acts and Daredevils: Black Masculinity in Jazz Funeral Dancing

Journal of American culture (Malden, Mass.), 2012-06, Vol.35 (2), p.166-180

Atkins, Jennifer

2012

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New Orleans, Where the Stage is the Street

South Atlantic review, 2011-09, Vol.76 (4), p.7-21

Dessens, Nathalie

2011

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Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy

Anthropology and humanism, 2023-12, Vol.48 (2), p.266-284

2023

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Producing the Folk at the New Orleans Jazz and Heritage Festival

The Journal of American folklore, 2008-10, Vol.121 (482), p.400-440

2008

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Producing the Folk at the New Orleans Jazz and Heritage Festival

The Journal of American folklore, 2008-09, Vol.121 (482), p.400-440

2008

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On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

American quarterly, 2009-09, Vol.61 (3), p.649-669

Jabir, Johari

2009

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"Not Just the Levees Broke": Jazz Vernacular and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke

Communication and critical/cultural studies, 2015-01, Vol.12 (1), p.83-101

2015

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New Orleans Suite: Music and Culture in Transition

Society for American Music Bulletin, 2017, Vol.43 (1), p.17

Riccardo, Nicole

2017

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A cultural history of the drum set: Proliferation from New Orleans to Cuba

Berger, Matthew R

2014

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Political and Musical Forces That Influenced the Development of Kansas City Jazz

Black music research journal, 1989-10, Vol.9 (2), p.181-192

Pearson, Nathan W.

1989

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Why New Orleans Matters

The Journal of American Culture, 2007, Vol.30 (1), p.160

Booth, Philip

2007

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A Trumpet around the Corner: The Story of New Orleans Jazz.(Book review)

Journal of Southern History, 2009, Vol.75 (4), p.1092

Berrett, Joshua

2009

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Congo Square and the Second Line: Their Relevance to Shifting Narratives about Jazz History

Journal of jazz studies, 2024-07, Vol.15 (1), p.39-73

Gaspard Bolin, Marc T.

2024

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Second Lining Post-Katrina: Learning Community from the Prince of Wales Social Aid and Pleasure Club

American quarterly, 2009-09, Vol.61 (3), p.615-637

Dinerstein, Joel

2009

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Chasing the blues away

The American scholar, 2007-06, Vol.76 (3), p.9

Powell, Lawrence N

2007

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Jazz Religion, the Second Line, and Black New Orleans After Hurricane Katrina (new edition): Richard Brent Turner: Bloomington & Indianapolis: Indiana University Press, c. 2017. Pp. ix, 199. $25.00. ISBN 0253024943

Journal of African American Studies, 2017, Vol.21 (2), p.290-292

Gaiters, Seth

2017

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Louis Armstrong's New Orleans

Journal of the American Musicological Society, 2008, Vol.61 (1), p.224-231

Harker, Brian

2008

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Book Review: Jazz Religion, the Second Line, and Black New Orleans

Nova Religio, 2012, Vol.15 (4), p.128

Anderson, Jeffrey E

2012

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New Orleans Jazz Festival Sets Schedule Of Events

Billboard, 1990-04, Vol.102 (16), p.10

Levensen, Jeff

1990

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The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

Black music research journal, 1997-04, Vol.17 (1), p.59-80

Washburne, Christopher

1997

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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Black Music in New Orleans: A Historical Overview

Do You Know What It Means to Miss New Orleans?: Katrina, Trap Economics, and the Rebirth of the Blues

After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Class Acts and Daredevils: Black Masculinity in Jazz Funeral Dancing

New Orleans, Where the Stage is the Street

Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy

Producing the Folk at the New Orleans Jazz and Heritage Festival

Producing the Folk at the New Orleans Jazz and Heritage Festival

On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

"Not Just the Levees Broke": Jazz Vernacular and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke

New Orleans Suite: Music and Culture in Transition

A cultural history of the drum set: Proliferation from New Orleans to Cuba

Political and Musical Forces That Influenced the Development of Kansas City Jazz

Why New Orleans Matters

A Trumpet around the Corner: The Story of New Orleans Jazz.(Book review)

Congo Square and the Second Line: Their Relevance to Shifting Narratives about Jazz History

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Second Lining Post-Katrina: Learning Community from the Prince of Wales Social Aid and Pleasure Club

Chasing the blues away

Jazz Religion, the Second Line, and Black New Orleans After Hurricane Katrina (new edition): Richard Brent Turner: Bloomington & Indianapolis: Indiana University Press, c. 2017. Pp. ix, 199. $25.00. ISBN 0253024943

Louis Armstrong's New Orleans

Book Review: Jazz Religion, the Second Line, and Black New Orleans

New Orleans Jazz Festival Sets Schedule Of Events

The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

Ellis Marsalis with Charles Henry Rowell

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