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Textures of Black sound and affect: Life and death in New Orleans

American anthropologist, 2024-06, Vol.126 (2), p.295-310

Sakakeeny, Matt

2024

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Jazz and Death: Reception, Rituals, and Representations

Leur, Walter van de

1st, 2023

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Blackness and the Politics of Memory in the New Orleans Second Line

American ethnologist, 2001-11, Vol.28 (4), p.752-777

Regis, Helen A.

2001

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An Interview with Melissa A. Weber, Curator, Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections

Nano (New York, N.Y.), 2022-06 (16), p.1

2022

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Teaching Cultural Competency through Early New Orleans Jazz

Jazz education in research and practice: a journal of the Jazz Education Network, 2024-01, Vol.5 (1), p.128-141

Williams, Sarin

2024

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Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

Anthropology and humanism, 2022-06, Vol.47 (1), p.4-19

2022

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New Orleans Jazz in the World

The Journal of African American history, 2018-10, Vol.103 (4), p.664-674

Robertson, Clyde C.

2018

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“For Godsake Stop!” Improvised Music in the Streets of New Orleans, ca. 1890

The Musical quarterly, 2000-04, Vol.84 (1), p.5-29

Panetta, Vincent J.

2000

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Disney's Second Line: New Orleans, Racial Masquerade, and the Reproduction of Whiteness in "The Princess and the Frog"

Journal of African American studies (New Brunswick, N.J.), 2010-12, Vol.14 (4), p.432-449

Gregory, Sarita McCoy

2010

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Making the "Birthplace of Jazz": Tourism and Musical Heritage Marketing in New Orleans

Louisiana history, 2003-01, Vol.44 (1), p.39-73

J. Mark Souther

2003

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Historically Informed Jazz Pedagogy: New Orleans Counterpoint and Barbershop Harmony

Jazz education in research and practice: a journal of the Jazz Education Network, 2020-01, Vol.1 (1), p.155

Hobson

2020

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New Orleans Jazz and the Blues

Jazz perspectives, 2011-04, Vol.5 (1), p.3-27

Hobson, Vic

2011

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Music at The Historic New Orleans Collection

The bulletin of the Society for American Music, 2017-04, Vol.43 (2), p.13

Seiferth, Eric

2017

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New Orleans, Where the Stage is the Street

South Atlantic review, 2011-09, Vol.76 (4), p.7-21

Dessens, Nathalie

2011

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Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy

Anthropology and humanism, 2023-12, Vol.48 (2), p.266-284

2023

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Producing the Folk at the New Orleans Jazz and Heritage Festival

The Journal of American folklore, 2008-10, Vol.121 (482), p.400-440

2008

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"Not Just the Levees Broke": Jazz Vernacular and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke

Communication and critical/cultural studies, 2015-01, Vol.12 (1), p.83-101

2015

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New Orleans Suite: Music and Culture in Transition

Society for American Music Bulletin, 2017, Vol.43 (1), p.17

Riccardo, Nicole

2017

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A cultural history of the drum set: Proliferation from New Orleans to Cuba

Berger, Matthew R

2014

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Congo Square and the Second Line: Their Relevance to Shifting Narratives about Jazz History

Journal of jazz studies, 2024-07, Vol.15 (1), p.39-73

Gaspard Bolin, Marc T.

2024

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Jazz Religion, the Second Line, and Black New Orleans After Hurricane Katrina (new edition): Richard Brent Turner: Bloomington & Indianapolis: Indiana University Press, c. 2017. Pp. ix, 199. $25.00. ISBN 0253024943

Journal of African American Studies, 2017, Vol.21 (2), p.290-292

Gaiters, Seth

2017

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Book Review: Jazz Religion, the Second Line, and Black New Orleans

Nova Religio, 2012, Vol.15 (4), p.128

Anderson, Jeffrey E

2012

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New Orleans Jazz Festival Sets Schedule Of Events

Billboard, 1990-04, Vol.102 (16), p.10

Levensen, Jeff

1990

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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Textures of Black sound and affect: Life and death in New Orleans

Jazz and Death: Reception, Rituals, and Representations

Blackness and the Politics of Memory in the New Orleans Second Line

An Interview with Melissa A. Weber, Curator, Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections

Teaching Cultural Competency through Early New Orleans Jazz

Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

New Orleans Jazz in the World

“For Godsake Stop!” Improvised Music in the Streets of New Orleans, ca. 1890

Disney's Second Line: New Orleans, Racial Masquerade, and the Reproduction of Whiteness in "The Princess and the Frog"

Making the "Birthplace of Jazz": Tourism and Musical Heritage Marketing in New Orleans

Historically Informed Jazz Pedagogy: New Orleans Counterpoint and Barbershop Harmony

New Orleans Jazz and the Blues

Music at The Historic New Orleans Collection

New Orleans, Where the Stage is the Street

Laugh—cry, eat—drink, dance! Tracing belonging through cartographies of joy

Producing the Folk at the New Orleans Jazz and Heritage Festival

"Not Just the Levees Broke": Jazz Vernacular and the Rhetoric of the Dispossessed in Spike Lee's When the Levees Broke

New Orleans Suite: Music and Culture in Transition

A cultural history of the drum set: Proliferation from New Orleans to Cuba

Congo Square and the Second Line: Their Relevance to Shifting Narratives about Jazz History

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Jazz Religion, the Second Line, and Black New Orleans After Hurricane Katrina (new edition): Richard Brent Turner: Bloomington & Indianapolis: Indiana University Press, c. 2017. Pp. ix, 199. $25.00. ISBN 0253024943

Book Review: Jazz Religion, the Second Line, and Black New Orleans

New Orleans Jazz Festival Sets Schedule Of Events

Ellis Marsalis with Charles Henry Rowell

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