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Eimert, Herbert (1897)

The Oxford Dictionary of Music, 2012

6, 2012

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Eimert, Herbert (8 April 1897)

The Oxford Companion to Music, 2011

Paul Griffiths

1 rev., 2011

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Eimert, Herbert (1897)

The Concise Oxford Dictionary of Music, 2007

5, 2007

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DIE ELEKTRONISCHE MUSIK

Österreichische Musikzeitschrift, 1961-12, Vol.16, p.320-324

Eimert, Herbert

1961

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DIE ELEKTRONISCHE MUSIK

Österreichische Musikzeitschrift, 1961-01, Vol.16 (JG)

Eimert, Herbert

1961

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Paul Klee – între masca lui Beckett şi muzica atonală a lui Henri Pousseur

Saeculum (Sibiu, Romania), 2016, Vol.42 (2), p.138-145

Bischin, Maria-Roxana

2016

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Ghosts in the Machine : the Making of European Serialism, 1945-1955

Erwin, Max Owen

2019

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Science, scientism, and pseudoscience in 'die Reihe'

McBride, Nigel Samuel Mark

2016

Volltextzugriff (PDF)

Clarence Barlow

Sound Practices in the Global South, 2022, p.19-31

Chattopadhyay, Budhaditya

2022

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Interpreting Discontinuity in the Late Works of Debussy

Current musicology, 2004-04 (77), p.97-115

Wheeldon, Marianne

2004

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Schoenberg: dead or alive? His reception among the postwar European avant-garde

The Cambridge Companion to Schoenberg, 2010, p.258-268

Toop, Richard

2010

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Novum plus: paper

Novum (Munchen. 1996), 2006-04 (4), p.39-57

2006

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Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Revisiting the Historiography of Postwar Avant-Garde Music, 2023, Vol.1, p.37-63

1, 2023

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Taking Positions: Song

Routledge Handbook to Luigi Nono and Musical Thought, 2019, p.83-121

Impett, Jonathan

1, 2019

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Ideas in the air

Karlheinz Stockhausen, 2017, p.1-10

Kohl, Jerome

1, 2017

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DIE REIHE 3: MUSICAL CRAFTSMANSHIP

The Times Educational Supplement, 1960 (2,332), p.157

1960

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Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde

Current Musicology, 2019 (104), p.179-185

Gordon, Ted

2019

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A Time to Remember: The Role of Circadian Clocks in Learning and Memory

Behavioral neuroscience, 2014-06, Vol.128 (3), p.283-303

2014

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Derivas del serialismo en las obras electrónicas de Karlheinz Stockhausen. Mediación técnica y producción de híbridos en el Laboratorio de la WDR

Aisthesis : revista chilena de investigaciones estéticas, 2022-12 (72), p.150-167

Johnson, Santiago

2022

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TOTE ABER LEBEN LÄNGER". THE SECOND VIENNESE SCHOOL AND ITS PLACE IN THE REFLECTIONS OF SELECTED COMPOSERS FROM THE SECOND HALF OF THE TWENTIETH CENTURY (LUTOSŁAWSKI, LIGETI, LACHENMANN, HARVEY)

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2020-01 (28), p.173-204

Schreiber, Ewa

2020

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INTRODUCTION Serbian Twentieth- and Twenty-First-Century Musical Avant-Gardes: An Introduction

Contemporary music review, 2021-11, Vol.40 (5-6), p.471-481

Emmery, Laura

2021

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Empirical Approaches to the Performance Analysis of New Music

Music performance research, 2024, Vol.12, p.22-46

Jones, Gabriel

2024

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The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères

Twentieth-century music, 2010-03, Vol.7 (1), p.61-89

IVERSON, JENNIFER

2010

Volltextzugriff (PDF)

A Rádio e o Surgimento da Música Eletroacústica na Europa e no Brasil 1

Revista Vórtex, 2016-09, Vol.4 (2), p.1

de Souza, Fliblio Ferreira

2016

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"Available to Our Ears": John Cage and Broadcast Media

Green, John Michael

2020

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Eimert, Herbert (1897)

Eimert, Herbert (8 April 1897)

Eimert, Herbert (1897)

DIE ELEKTRONISCHE MUSIK

DIE ELEKTRONISCHE MUSIK

Paul Klee – între masca lui Beckett şi muzica atonală a lui Henri Pousseur

Ghosts in the Machine : the Making of European Serialism, 1945-1955

Science, scientism, and pseudoscience in 'die Reihe'

Clarence Barlow

Interpreting Discontinuity in the Late Works of Debussy

Schoenberg: dead or alive? His reception among the postwar European avant-garde

Novum plus: paper

Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Taking Positions: Song

Ideas in the air

DIE REIHE 3: MUSICAL CRAFTSMANSHIP

Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde

A Time to Remember: The Role of Circadian Clocks in Learning and Memory

Derivas del serialismo en las obras electrónicas de Karlheinz Stockhausen. Mediación técnica y producción de híbridos en el Laboratorio de la WDR

TOTE ABER LEBEN LÄNGER". THE SECOND VIENNESE SCHOOL AND ITS PLACE IN THE REFLECTIONS OF SELECTED COMPOSERS FROM THE SECOND HALF OF THE TWENTIETH CENTURY (LUTOSŁAWSKI, LIGETI, LACHENMANN, HARVEY)

INTRODUCTION Serbian Twentieth- and Twenty-First-Century Musical Avant-Gardes: An Introduction

Empirical Approaches to the Performance Analysis of New Music

The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères

A Rádio e o Surgimento da Música Eletroacústica na Europa e no Brasil 1

"Available to Our Ears": John Cage and Broadcast Media

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