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"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

College English, 2012-01, Vol.74 (3), p.215-233

Dayton-Wood, Amy

2012

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ANZIA YEZIERSKA AND THE IDENTITY CRISIS IN JEWISH- AMERICAN LITERATURE

Acta Marisiensis. Seria Philologia (Online), 2022, Vol.4 (4), p.50-55

Ștefanovici, Smaranda

2022

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La búsqueda de la expresión propia: El retrato de Estados Unidos por Anzia Yezierska como un país falsamente dorado

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37

Campos, Rebeca E

2023

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The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37-55

Campos, Rebeca E.

2023

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Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

Revista de estudios Norteamericanos, 2019 (23), p.71-93

E. Campos, Rebeca

2019

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Yezierska, Anzia (c.1880–1970)

The Concise Oxford Companion to American Literature, 2021

2, 2021

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Whitening Domestic Spaces: Enacting Female Roles in Anzia Yezierska's The Lost Beautifulness

Grove, 2019-10, Vol.26 (1), p.9-26

Campos Ferreras, Rebeca

2019

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“My One Story is Hunger”: il languore metafisico delle protagoniste di Anzia Yezierska

Altre Modernità, 2015-05 (13), p.1-14

Porro, Simona

2015

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Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance

Journal of English studies (Logroño), 2017, Vol.15 (15), p.31-52

Campos, Rebeca E.

2017

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

Americana (Hollywood, Calif.), 2017-04, Vol.16 (1)

Todd, Diane M

2017

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From Subjection to Survival: The Artistry of American Women Writers

Freitas, Molly J.

1, 2023

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Yezierska, Anzia (circa 1885–1970)

A Dictionary of Writers and their Works, 2015

3, 2015

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“Go, Make Yourself for a Person”: Urbanity and the Construction of an American Identity in the Novels of Abraham Cahan and Anzia Yezierska

Prospects (New York), 2001-10, Vol.26, p.295-335

Von Rosk, Nancy

2001

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The Possessive Self in Mary Antin and Anzia Yezierska: Gender, Jewishness, and the Assumptions of Americanization

Prospects (New York), 1998-10, Vol.23, p.357-377

Gelfant, Blanche H.

1998

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

African American review, 2007-01, p.87-98

Rottenberg, Catherine

2007

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Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

Science & society (New York. 1936), 1993-10, Vol.57 (3), p.294-312

Rhodes, Chip

1993

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Yezierska, Anzia (circa 1885–1970)

A Dictionary of Writers and their Works, 2010

2, 2010

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The Artist: Edna Pontellier in Kate Chopin's The Awakening (1899) and Ruth Raefsky in Anzia Yezierska's "Wild Winter Love" (1927)

From Subjection to Survival, 2023, p.23-61

Freitas, Molly J.

1, 2023

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TO MAKE FOR MYSELF A PERSON: IMMIGRANT IDENTITIES IN ANZIA YEZIERSKA’S BREAD GIVERS

IJASonline, 2015-01 (4), p.26-35

AHERN, KATIE

2015

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LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The Centennial review, 1997-10, Vol.41 (3), p.635-643

Muir, Lisa

1997

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The rebirth of Anzia Yezierska

Judaism, 1993-09, Vol.42 (4), p.414

Zierler, Wendy

1993

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Gender Trouble in The Long Day

Americana (Hollywood, Calif.), 2015-04, Vol.14 (1)

Strong, Melissa J

2015

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Economies of Teaching: Class, Money, and Identity in Anzia Yezierska's "Breadgivers"

Journal of thought, 2001-12, Vol.36 (4), p.33-44

2001

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"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

ANZIA YEZIERSKA AND THE IDENTITY CRISIS IN JEWISH- AMERICAN LITERATURE

La búsqueda de la expresión propia: El retrato de Estados Unidos por Anzia Yezierska como un país falsamente dorado

The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

Yezierska, Anzia (c.1880–1970)

Whitening Domestic Spaces: Enacting Female Roles in Anzia Yezierska's The Lost Beautifulness

“My One Story is Hunger”: il languore metafisico delle protagoniste di Anzia Yezierska

Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

From Subjection to Survival: The Artistry of American Women Writers

Yezierska, Anzia (circa 1885–1970)

“Go, Make Yourself for a Person”: Urbanity and the Construction of an American Identity in the Novels of Abraham Cahan and Anzia Yezierska

The Possessive Self in Mary Antin and Anzia Yezierska: Gender, Jewishness, and the Assumptions of Americanization

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

Yezierska, Anzia (circa 1885–1970)

The Artist: Edna Pontellier in Kate Chopin's The Awakening (1899) and Ruth Raefsky in Anzia Yezierska's "Wild Winter Love" (1927)

TO MAKE FOR MYSELF A PERSON: IMMIGRANT IDENTITIES IN ANZIA YEZIERSKA’S BREAD GIVERS

LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The rebirth of Anzia Yezierska

Gender Trouble in The Long Day

Economies of Teaching: Class, Money, and Identity in Anzia Yezierska's "Breadgivers"

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