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Musical Expression in German Neo-Baroque Organ Music: Case Studies of Selected Works by Hugo Distler and Ernst Pepping
2024
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French harmonic theory in the Conservatoire tradition: Fetis, Reber, Durand, and Gevaert
1990
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Sighs of the German People: An Emotional History of Musical Sigh - Compositions During the Thirty Years War (1618-1648)
2019
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Studies in the History of the Cadence
2015
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Chromatic Evolution of the Pre-Recapitulatory Harmony in Felix Mendelssohn's "Songs Without Words"
2016
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Renaissance Interval-Succession Theory: Treatises and Analysis
2016
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"Back to Zero:" The Artistic and Pedagogical Philosophy of Anni Albers
2017
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Musical rhetoric: An agency of expression in Heinrich Schuetz's "Matthaeus-Passion"
2015
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The arts of persuasion: Musical rhetoric in the keyboard genres of Dieterich Buxtehude
2012
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Form and fantasy: 1870-1920
1998
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Three Solitudes and a DJ: A Mashed-Up Study of Counterpoint in a Digital Realm
2013
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The flute music of Carl Reinecke
2008
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The Sketches for Mendelssohn's Paulus, Op. 36
2016
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Max Reger's “Symphonische Fantasie und Fuge”, Op. 57: A Study of Thematic and Harmonic Structure and Issues of Performance Practice
2012
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Rameau and Rousseau: Harmony and History in the Age of Reason
2009
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Mythologies of musical persuasion: The power and politics of song in France, 1653–1673
2003
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Thematic and tonal processes in the development-reprise forms of Claude Debussy, 1880-1905
1992
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From theory to practice: Composition and analysis in Marin Mersenne's “Harmonie universelle”
2005
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Expressive forms: Rethinking rhetoric in the music of Heinrich Schuetz
2006
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The motivation of form: The poetics of music theory and the writings of Moritz Hauptmann
2006
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The Messe Hyemalis in A, by Franz Xaver Richter (1709–1789): A first performance edition
2006
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The origins of Debussy's style
2002
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Music and language in Johann Hermann Schein's sacred works
1998
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Fétis's theory of harmony in nineteenth-century Europe: Historical and cultural context of the principle of tonality
2004
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The Wagnerian “Satz”: The rhetoric of the sentence in Wagner's post-“Lohengrin” operas
2003
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