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The private concerns of elegy are conventionally opposed in Latin literature to the public and political concerns of epic. To be a lover is to exchange the proud spoils of imperial glory for the private humiliations of a slave waiting at the door of his mistress. The lover prefers to be called idle and inactive than to be praised.¹ Tibullus in his first, programmatic poem reaches back to the funerary origins of the genre and progresses from the passivity of erotic subjection to ultimateinertiain the arms of his beloved on the “bed/bier destined to burn” (arsuro … lecto,