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This was only the latest of 30 years' worth of consuming the Russian avant-garde, with their forms evoked and depoliticised by everyone from Richard Rogers to David Adjaye, recently found designing a Lissitzky-inspired management school for Moscow millionaires. Yet the Russian avant-garde persists, and as an entity far more politicised, and far less concerned with the glorious poetics of engineering, in the form of the St Petersburg-based collective Chto Delat?