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'Ides' has some issues trying to tighten its Beltway
Ist Teil von
Variety, 2011, Vol.424 (4), p.28
Ort / Verlag
Los Angeles: Penske Business Corporation
Erscheinungsjahr
2011
Link zum Volltext
Quelle
Film & Television Literature Index with Full Text (EBSCO)
Beschreibungen/Notizen
Emerging three years later amid widespread disillusionment, bitter partisan squabbles and still-crippling economic woes, "The Ides of March" would seem ideally suited to these embittered times, and it retains enough of "Farragut's" crafty plotting and wicked zingers to work as slick bigs creen entertainment Yet by opening up the structure of Willimon's taut morality play - whose spare genius lay in its applicability to any campaign, any party - the screenwriters have attempted to make the text feel more specific and contemporary, but instead have inflated it into something implausible, toothless and weirdly dated. Camera (Deluxe color and prints, Panavision widescreen), Phedon Papamiehael; editor, Stephen Mirrione; music, Alexandre Desplat; music supervisor, Linda Cohen; production designer, Sharon Seymour; art director, Chris Cornwell; set designers, George R. Lee, Justin Lang; set decorator, Maggie Martin; costume designer, Louise Frogley; sound (Datasat/Dolby DigitaVSDDS), Edward TSse; supervising sound editor, Elmo Weber; re-recording mixers, Jon Taylor, Gregg Landaker, special effects coordinator, Russell Tyrrell; visual effects supervisor, Thomas J. Smith; visual effects, Method Studios; stunt coordinator, Dan Lemieux; assistant director, David Webb; casting, Ellen Chenoweth.