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Whitney Biennial 2022 Whitney Museum of American Art Curated by David Breslin and Adrienne Edwards ALL BIENNIALS are architecture biennials. The enormous tube, covered in multicolored paint, spans six stories of the museum’s central stairwell. Danielle Dean’s watercolor landscapes, littered with Amazon boxes and unresolvable perspectives; Emily Barker’s sculptural documentation of their entanglement with the US health-care system, in the form of a five-foot-high stack of photocopied medical paperwork; Andrew Roberts’s tech-giant-branded zombie animations; Jane Dickson’s handpainted signage; Sable Elyse Smith’s collaged Cops footage and prison furniture, looped on itself into a Ferris wheel. (Though not part of Silent Choir, the vial and a near-invisible object were placed there by the curators as an intentional constellation for the sixth floor’s entrance, which they consulted with the artist about in advance.) Ceiling speakers amplify Chacon’s recording of a women-led silent protest against the pipeline.