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Mira Schor Lyles & King Perhaps you know of Mira Schor as an alumna of the legendary “Womanhouse” exhibition of 1972, a coeditor of the journal M/E/A/N/I/N/G (1986–96, 2002–16), and the author of Wet: On Painting, Feminism, and Art Culture (1997) and A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life (2009). [...]rendition, Schor eliminated most of scene’s ancillary characters and supplanted its mottled-brown background with a vast swath of dark-blue acrylic on tracing paper (reminiscent of the single saturated hue that blankets Henri Matisse’s The Red Studio, 1911). Most of Schor’s Times paintings enter circulation through photographs posted to Instagram—a clever means of hitching her studio practice to the news cycle.