Architectural design, 2012-07, Vol.82 (4), p.130-135
2012
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Details
- Autor(en) / Beteiligte
- Titel
- The Collision of Scarcity and Expendability in Architectural Culture of the 1960s and 1970s
- Ist Teil von
- Architectural design, 2012-07, Vol.82 (4), p.130-135
- Ort / Verlag
- Chichester, UK: John Wiley & Sons, Ltd
- Erscheinungsjahr
- 2012
- Quelle
- Wiley Blackwell Single Titles
- Beschreibungen/Notizen
- Architecture as a practice assimilates contradictions. Nowhere is this more apparent than in approaches to materials and sustainability. New finishes, details and products are continually specified and often fetishised, while architects are at pains to show their minimal impact on the environment. Steve Parnell highlights an era in the pages of Architectural Design in the late 1960s and early 1970s that congregated these incongruities by simultaneously advocating low‐energy solutions and expendability, most notably the inflatable.
- Sprache
- Englisch
- Identifikatoren
- ISSN: 0003-8504eISSN: 1554-2769DOI: 10.1002/ad.1443Titel-ID: cdi_proquest_miscellaneous_1800475770
- Format
- –
- Schlagworte
- Alex Pike, Andreas Papadakis, Archigram, Archigram group, Architectural Association (AA), Architectural Review, Architecture, Buckminster Fuller's Dymaxion car, Capsule Homes, Cedric Price, Centre Beaubourg, Cosmorama, Culture, Dave Chaston, Design for a Real World, Designing for Survival, Environmental impact, Expendability: Towards Throwaway Architecture, Finishes, Fun Palace, Independent Group (IG), Inflatable, John McHale, Living Pods, Low energy, Musée d'Art Moderne, Pain, Peter Murray, Plug-in Cities, Pop-up Parliament, Potteries Thinkbelt, Renzo Piano, Reyner Banham, Richard Rogers, Robin Middleton, Robin Middleton, Peter Murray, Scarcity, Structures Gonflables, supermarket of democracy, Sustainability, The Ecological Context, Trade rag, Utopie, Victor Papanek, Whole Earth Catalog, Wichita house, World Design Science Decade (WDSD)