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American art institutions, including the Museum of Modern Art, did nothing to support Solomon's efforts in Venice, while afterward American critics parroted uncorroborated French allegations of shady dealings on the part of die American "team"; meanwhile die US State Department, nominally sponsor of American participation in die Biennale, initially resisted Solomon's request to borrow the US Consulate in Venice for much-needed additional exhibition space and subsequendy refused outright to fund an additional engagement of Cunningham's dance company .in diat city (a performance, we learn, diat played a key role in winning over die holdouts on the Biennale jury, after Solomon went ahead and arranged it anyway). [...] as Ikegami shows, competition between Italy and France (which had long dominated the Biennale field in winning awards) played a far more significant role in the outcome than any clandestine negotiations between Solomon and Castelli and the Italian jurors.