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The Soft Cosmos of AD's 'Cosmorama' in the 1960s and 1970s
Architectural design, 2010-11, Vol.80 (6), p.34-43
2010

Details

Autor(en) / Beteiligte
Titel
The Soft Cosmos of AD's 'Cosmorama' in the 1960s and 1970s
Ist Teil von
  • Architectural design, 2010-11, Vol.80 (6), p.34-43
Ort / Verlag
Chichester, UK: John Wiley & Sons, Ltd
Erscheinungsjahr
2010
Link zum Volltext
Quelle
Wiley Online Library All Journals
Beschreibungen/Notizen
  • Between 1968 and 1973, the innovative ‘Cosmorama’ section of AD played an influential role in promoting alternative technologies and ecological experiments. Here, guest‐editor Lydia Kallipoliti provides her own ‘soft cosmos’: a genealogy of ecological material experimentation and thinking in the 1960s and 1970s, which puts particular stress on the biological, elastic, moulded and pneumatic. Copyright © 2010 John Wiley & Sons, Ltd.
Sprache
Englisch
Identifikatoren
ISSN: 0003-8504, 1554-2769
eISSN: 1554-2769
DOI: 10.1002/ad.1160
Titel-ID: cdi_proquest_miscellaneous_1671379605
Format
–
Schlagworte
'Visionary Architecture' exhibition, A Clip-On Architecture, a peepshow of the world, Alternative technology, Amory Lovin, Architects' Standard Catalogues, Arthur Drexler, Biological, Biotecture, Charles Harker, Chemical Architecture, Clip Kit, Co-Evolution Quarterly, Cosmos, Day Charoudi's Suntek, Domebook 2, Ecological effects, Ecology, Experimentation, Genealogy, How can one grow fur for society?, Jay Baldwin, LEED programme, major design debates, moulded shelters, New Alchemy Institute, New Society, Organics Manifesto, Pacific High School, Peter Cook, Peter Murray, Pneumatics, Reyner Banham, Robert Vadim's Barbarella, Robin Middleton, Rudolph Doernach, Snow Moulding, Soft Energy Paths, soft machine, Soft-Tech, Stanley Kubrick's 2001: A Space Odessey, Steve Baer, Stewart Brand, Tao Design Group, The Architecture of the Well-Tempered Environment, The Museum of Modern Art (MoMA), The Triumph of Software, Ulrich Conrad, Whole Earth Catalog, William Katavolos

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