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Passing for Solitude: Incest and Ideology in the Lone Star State
Ist Teil von
Journal of American studies, 2012-02, Vol.46 (1), p.203-217
Ort / Verlag
Cambridge, UK: Cambridge University Press
Erscheinungsjahr
2012
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
John Sayles's Lone Star, released in 1996, repeatedly challenges traditional definitions of the nation as a strictly bounded entity through its depiction of the area that Américo Paredes described as “Greater Mexico” and Gloria Anzaldúa more recently referred to as the Borderlands; the film's promotion of a potentially productive love affair between half-siblings further challenges the status quo. As I argue here, however, while the film undeniably underscores the fragility of the nation in an era of global trade and travel, it also suggests the difficulties of escaping nation-based ideologies and interests. As I will show, Lone Star in fact highlights the ongoing importance of the nation-state through its attention to the institutions and individuals that Louis Althusser associates with state apparatuses, ultimately pointing to the fraught nature of avoiding the influence of the nation as a construct.