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The Art bulletin (New York, N.Y.), 2001-09, Vol.83 (3), p.527-547
Ort / Verlag
New York: College Art Association
Erscheinungsjahr
2001
Link zum Volltext
Quelle
Taylor & Francis
Beschreibungen/Notizen
Entering art school in 1945 with a well-developed appreciation for mass consumer culture and a history of making art occupied with that interest, Andy Warhol ran into a very different form of populism in a faculty that had come of age with the social consciousness and worker-identified fellow-traveler culture of the "Red Decade." This essay looks at the meeting of these two sensibilities in the early development of Warhol's mature aesthetic position and investigates its implications for understanding the changing basis of legitimation for high art in a mass-cultural world.