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Journal of the Fantastic in the Arts, 2011, Vol.22 (2 (82)), p.292-298
Ort / Verlag
Pocatello: International Association for the Fantastic in the Arts
Erscheinungsjahr
2011
Link zum Volltext
Quelle
Literature Online (LION)
Beschreibungen/Notizen
The qualification here is that the impossible must be judged within the actual social, cultural, and intellectual milieu of its creation. [...]one era's belief is another's fantasy just as one group's religion is another's mythology. The second approach, which is tied to time and place as well, is historical and postulates that fantasy as "self-conscious art" arose in the later eighteenth century. [...]fantasy cannot arise until the numinous and phenomenological worlds are separated by science. What they delineate as the tropes of fantasy (monsters, dragons, magic, etc.) were not so originally. Since genre means form (e.g., sonnet, novel, etc.), this is confusing but may also explain why there is little mention of fantasy poetry, whether it be Alexander Pope's The Rape of the Lock or David Lunde's award winning poems. [...]the survival of the pagan gods is fairly typical in Western European literature.